CONCLUSION
Never had the Duchess been more lovely; she came from her bath clothed like a goddess, and on seeing
234OLYMPIA
Adolphe voluptuously reclining on piles of cushions-- "You are beautiful," said she.
"And so are you, Olympia!" "And you still love me?" "More and more," said he.
"Ah, none but a Frenchman knows how to love!" cried the Duchess. "Do you love me well to- night?"
"Yes."
"Then come!"
And with an impulse of love and hate--whether it was that Cardinal Borborigano had reminded her of her husband, or that she felt un- wonted passion to display, she pressed the springs and held out her arms.
"That is all," said Lousteau, "for the foreman has torn off the rest in wrapping up my proofs. But it is enough to show that the author was full of promise."
"I cannot make head or tail of it," said Gatien Boirouge, who was the first to break the silence of the party from Sancerre.
"Nor I," replied Monsieur Gravier.
"And yet it is a novel of the time of the Empire," said Lousteau.
"By the way in which the brigand is made to speak," said Monsieur Gravier, "it is evident that the author knew nothing of Italy. Banditti do not allow themselves such graceful conceits."
Madame Gorju came up to Bianchon, seeing him pensive, and with a glance towards her daughter Mademoiselle Euphemie Gorju, the owner of a fairly good fortune--"What a rhodomontade!" said she. "The prescriptions you write are worth more than all that rubbish."
The Mayoress had elaborately worked up this speech, which, in her opinion, showed strong judgment.
"Well, madame, we must be lenient, we have but twenty pages out of a thousand," said Bianchon, looking at Mademoiselle Gorju, whose figure threatened terrible things after the birth of her first child.
"Well, Monsieur de Clagny," said Lousteau, "we were talking yesterday of the forms of revenge invented by husbands. What do you say to those invented by wives?"
"I say," replied the Public Prosecutor, "that the romance is not by a Councillor of State, but by a woman. For extravagant inventions the imagination of women far outdoes that of men; witness /Frankenstein/ by Mrs. Shelley, /Leone Leoni/ by George Sand, the works of Anne Radcliffe, and the /Nouveau Promethee/ (New Prometheus) of Camille de Maupin."
Dinah looked steadily at Monsieur de Clagny, making him feel, by an expression that gave him a chill, that in spite of the illustrious examples he had quoted, she regarded this as a reflection on /Paquita la Sevillane/.
"Pooh!" said little Baudraye, "the Duke of Bracciano, whom his wife puts into a cage, and to whom she shows herself every night in the arms of her lover, will kill her--and do you call that revenge?--Our laws and our society are far more cruel."
"Why, little La Baudraye is talking!" said Monsieur Boirouge to his wife.
"Why, the woman is left to live on a small allowance, the world turns its back on her, she has no more finery, and no respect paid her--the two things which, in my opinion, are the sum-total of woman," said the little old man.
"But she has happiness!" said Madame de la Baudraye sententiously. "No," said the master of the house, lighting his candle to go to bed,
"for she has a lover."
"For a man who thinks of nothing but his vine-stocks and poles, he has some spunk," said Lousteau.
"Well, he must have something!" replied Bianchon.
Madame de la Baudraye, the only person who could hear Bianchon's
remark, laughed so knowingly, and at the same time so bitterly, that the physician could guess the mystery of this woman's life; her premature wrinkles had been puzzling him all day.
But Dinah did not guess, on her part, the ominous prophecy contained for her in her husband's little speech, which her kind old Abbe Duret, if he had been alive, would not have failed to elucidate. Little La Baudraye had detected in Dinah's eyes, when she glanced at the journalist returning the ball of his jests, that swift and luminous flash of tenderness which gilds the gleam of a woman's eye when prudence is cast to the winds, and she is fairly carried away. Dinah paid no more heed to her husband's hint to her to observe the proprieties than Lousteau had done to Dinah's significant warnings on the day of his arrival.
Any other man than Bianchon would have been surprised at Lousteau's immediate success; but he was so much the doctor, that he was not even nettled at Dinah's marked preference for the newspaper-rather than the prescription-writer! In fact, Dinah, herself famous, was naturally more alive to wit than to fame. Love generally prefers contrast to similitude. Everything was against the physician--his frankness, his simplicity, and his profession. And this is why: Women who want to love--and Dinah wanted to love as much as to be loved--have an instinctive aversion for men who are devoted to an absorbing occupation; in spite of superiority, they are all women in the matter of encroachment. Lousteau, a poet and journalist, and a libertine with a veneer of misanthropy, had that tinsel of the intellect, and led the half-idle life that attracts women. The blunt good sense and keen insight of the really great man weighed upon Dinah, who would not confess her own smallness even to herself. She said in her mind--"The doctor is perhaps the better man, but I do not like him."
Then, again, she reflected on his professional duties, wondering whether a woman could ever be anything but a /subject/ to a medical man, who saw so many subjects in the course of a day's work. The first sentence of the aphorism written by Bianchon in her album was a medical observation striking so directly at woman, that Dinah could not fail to be hit by it. And then Bianchon was leaving on the morrow; his practice
required his return. What woman, short of having Cupid's mythological dart in her heart, could decide in so short a time?
These little things, which lead to such great catastrophes--having been seen in a mass by Bianchon, he pronounced the verdict he had come to as to Madame de la Baudraye in a few words to Lousteau, to the journalist's great amazement.
While the two friends stood talking together, a storm was gathering in the Sancerre circle, who could not in the least understand Lousteau's paraphrases and commentaries, and who vented it on their hostess. Far from finding in his talk the romance which the Public Prosecutor, the Sous-prefet, the Presiding Judge, and his deputy, Lebas, had discovered there--to say nothing of Monsieur de la Baudraye and Dinah --the ladies now gathered round the tea-table, took the matter as a practical joke, and accused the Muse of Sancerre of having a finger in it. They had all looked forward to a delightful evening, and had all strained in vain every faculty of their mind. Nothing makes provincial folks so angry as the notion of having been a laughing-stock for Paris folks.
Madame Piedefer left the table to say to her daughter, "Do go and talk to the ladies; they are quite annoyed by your behavior."
Lousteau could not fail to see Dinah's great superiority over the best women of Sancerre; she was better dressed, her movements were graceful, her complexion was exquisitely white by candlelight--in short, she stood out against this background of old faces, shy and ill-dressed girls, like a queen in the midst of her court. Visions of Paris faded from his brain; Lousteau was accepting the provincial surroundings; and while he had too much imagination to remain unimpressed by the royal splendor of this chateau, the beautiful carvings, and the antique beauty of the rooms, he had also too much experience to overlook the value of the personality which completed this gem of the Renaissance. So by the time the visitors from Sancerre had taken their leave one by one--for they had an hour's drive before them--when no one remained in the drawing-room but Monsieur de Clagny, Monsieur Lebas, Gatien, and Monsieur Gravier, who were all to sleep at Anzy--the journalist had already changed his mind
about Dinah. His opinion had gone through the evolution that Madame de la Baudraye had so audaciously prophesied at their first meeting.
"Ah, what things they will say about us on the drive home!" cried the mistress of the house, as she returned to the drawing-room after seeing the President and the Presidente to their carriage with Madame and Mademoiselle Popinot-Chandier.
The rest of the evening had its pleasant side. In the intimacy of a small party each one brought to the conversation his contribution of epigrams on the figure the visitors from Sancerre had cut during Lousteau's comments on the paper wrapped round the proofs.
"My dear fellow," said Bianchon to Lousteau as they went to bed--they had an enormous room with two beds in it--"you will be the happy man of this woman's choice--/nee/ Piedefer!"
"Do you think so?"
"It is quite natural. You are supposed here to have had many mistresses in Paris; and to a woman there is something indescribably inviting in a man whom other women favor--something attractive and fascinating; is it that she prides herself on being longer remembered than all the rest? that she appeals to his experience, as a sick man will pay more to a famous physician? or that she is flattered by the revival of a world-worn heart?"
"Vanity and the senses count for so much in love affairs," said Lousteau, "that there may be some truth in all those hypotheses. However, if I remain, it will be in consequence of the certificate of innocence, without ignorance, that you have given Dinah. She is handsome, is she not?"
"Love will make her beautiful," said the doctor. "And, after all, she will be a rich widow some day or other! And a child would secure her the life-interest in the Master of La Baudraye's fortune--"
"Why, it is quite an act of virtue to make love to her," said Lousteau, rolling himself up in the bed-clothes, "and to-morrow, with your help--yes, to-morrow, I--well, good-night."
On the following day, Madame de la Baudraye, to whom her husband had six months since given a pair of horses, which he also used in the
fields, and an old carriage that rattled on the road, decided that she would take Bianchon so far on his way as Cosne, where he would get into the Lyons diligence as it passed through. She also took her mother and Lousteau, but she intended to drop her mother at La Baudraye, to go on to Cosne with the two Parisians, and return alone with Etienne. She was elegantly dressed, as the journalist at once perceived--bronze kid boots, gray silk stockings, a muslin dress, a green silk scarf with shaded fringe at the ends, and a pretty black lace bonnet with flowers in it. As to Lousteau, the wretch had assumed his war-paint--patent leather boots, trousers of English kerseymere with pleats in front, a very open waistcoat showing a particularly fine shirt and the black brocade waterfall of his handsome cravat, and a very thin, very short black riding-coat.
Monsieur de Clagny and Monsieur Gravier looked at each other, feeling rather silly as they beheld the two Parisians in the carriage, while they, like two simpletons, were left standing at the foot of the steps. Monsieur de la Baudraye, who stood at the top waving his little hand in a little farewell to the doctor, could not forbear from smiling as he heard Monsieur de Clagny say to Monsieur Gravier:
"You should have escorted them on horseback."
At this juncture, Gatien, riding Monsieur de la Baudraye's quiet little mare, came out of the side road from the stables and joined the party in the chaise.
"Ah, good," said the Receiver-General, "the boy has mounted guard." "What a bore!" cried Dinah as she saw Gatien. "In thirteen years--for I
have been married nearly thirteen years--I have never had three hours' liberty.
"Married, madame?" said the journalist with a smile. "You remind me of a saying of Michaud's--he was so witty! He was setting out for the Holy Land, and his friends were remonstrating with him, urging his age, and the perils of such an expedition. 'And then,' said one, 'you are married.'-- 'Married!' said he, 'so little married.' "
Even the rigid Madame Piedefer could not repress a smile.
"I should not be surprised to see Monsieur de Clagny mounted on my
pony to complete the escort," said Dinah.
"Well, if the Public Prosecutor does not pursue us, you can get rid of this little fellow at Sancerre. Bianchon must, of course, have left something behind on his table--the notes for the first lecture of his course-- and you can ask Gatien to go back to Anzy to fetch it."
This simple little plot put Madame de la Baudraye into high spirits. From the road between Anzy to Sancerre, a glorious landscape frequently comes into view, of the noble stretches of the Loire, looking like a lake, and it was got over very pleasantly, for Dinah was happy in finding herself well understood. Love was discussed in theory, a subject allowing lovers
/in petto/ to take the measure, as it were, of each other's heart. The journalist took a tone of refined corruption to prove that love obeys no law, that the character of the lovers gives infinite variety to its incidents, that the circumstances of social life add to the multiplicity of its manifestations, that in love all is possible and true, and that any given woman, after resisting every temptation and the seductions of the most passionate lover, may be carried off her feet in the course of a few hours by a fancy, an internal whirlwind of which God alone would ever know the secret!
"Why," said he, "is not that the key to all the adventures we have talked over these three days past?"
For these three days, indeed, Dinah's lively imagination had been full of the most insidious romances, and the conversation of the two Parisians had affected the woman as the most mischievous reading might have done. Lousteau watched the effects of this clever manoeuvre, to seize the moment when his prey, whose readiness to be caught was hidden under the abstraction caused by irresolution, should be quite dizzy.
Dinah wished to show La Baudraye to her two visitors, and the farce was duly played out of remembering the papers left by Bianchon in his room at Anzy. Gatien flew off at a gallop to obey his sovereign; Madame Piedefer went to do some shopping in Sancerre; and Dinah went on to Cosne alone with the two friends. Lousteau took his seat by the lady, Bianchon riding backwards. The two friends talked affectionately and with deep compassion for the fate of this choice nature so ill understood and in
the midst of such vulgar surroundings. Bianchon served Lousteau well by making fun of the Public Prosecutor, of Monsieur Gravier, and of Gatien; there was a tone of such genuine contempt in his remarks, that Madame de la Baudraye dared not take the part of her adorers.
"I perfectly understand the position you have maintained," said the doctor as they crossed the Loire. "You were inaccessible excepting to that brain-love which often leads to heart-love; and not one of those men, it is very certain, is capable of disguising what, at an early stage of life, is disgusting to the senses in the eyes of a refined woman. To you, now, love is indispensable."
"Indispensable!" cried Dinah, looking curiously at the doctor. "Do you mean that you prescribe love to me?"
"If you go on living as you live now, in three years you will be hideous," replied Bianchon in a dictatorial tone.
"Monsieur!" said Madame de la Baudraye, almost frightened.
"Forgive my friend," said Lousteau, half jestingly. "He is always the medical man, and to him love is merely a question of hygiene. But he is quite disinterested--it is for your sake only that he speaks--as is evident, since he is starting in an hour--"
At Cosne a little crowd gathered round the old repainted chaise, with the arms on the panels granted by Louis XIV. to the new La Baudraye. Gules, a pair of scales or; on a chief azure (color on color) three cross- crosslets argent. For supporters two greyhounds argent, collared azure, chained or. The ironical motto, /Deo sic patet fides et hominibus/, had been inflicted on the converted Calvinist by Hozier the satirical.
"Let us get out; they will come and find us," said the Baroness, desiring her coachman to keep watch.
Dinah took Bianchon's arm, and the doctor set off by the banks of the Loire at so rapid a pace that the journalist had to linger behind. The physician had explained by a single wink that he meant to do Lousteau a good turn.
"You have been attracted by Etienne," said Bianchon to Dinah; "he has appealed strongly to your imagination; last night we were talking about
you.--He loves you. But he is frivolous, and difficult to hold; his poverty compels him to live in Paris, while everything condemns you to live at Sancerre.--Take a lofty view of life. Make Lousteau your friend; do not ask too much of him; he will come three times a year to spend a few days with you, and you will owe to him your beauty, happiness, and fortune. Monsieur de la Baudraye may live to be a hundred; but he might die in a few days if he should leave off the flannel winding-sheet in which he swathes himself. So run no risks, be prudent both of you.--Say not a work-
-I have read your heart."
Madame de la Baudraye was defenceless under this serried attack, and in the presence of a man who spoke at once as a doctor, a confessor, and confidential friend.
"Indeed!" said she. "Can you suppose that any woman would care to compete with a journalist's mistresses?--Monsieur Lousteau strikes me as agreeable and witty; but he is /blase/, etc., etc "
Dinah had turned back, and was obliged to check the flow of words by which she tried to disguise her intentions; for Etienne, who seemed to be studying progress in Cosne, was coming to meet them.
"Believe me," said Bianchon, "what he wants is to be truly loved; and if he alters his course of life, it will be to the benefit of his talent."
Dinah's coachman hurried up breathlessly to say that the diligence had come in, and they walked on quickly, Madame de la Baudraye between the two men.
"Good-bye, my children!" said Bianchon, before they got into the town, "you have my blessing!"
He released Madame de la Baudraye's hand from his arm, and allowed Lousteau to draw it into his, with a tender look, as he pressed it to his heart. What a difference to Dinah! Etienne's arm thrilled her deeply. Bianchon's had not stirred her in the least. She and the journalist exchanged one of those glowing looks that are more than an avowal.
"Only provincial women wear muslin gowns in these days," thought Lousteau to himself, "the only stuff which shows every crease. This woman, who has chosen me for her lover, will make a fuss over her frock!
If she had but put on a foulard skirt, I should be happy.--What is the meaning of these difficulties "
While Lousteau was wondering whether Dinah had put on a muslin gown on purpose to protect herself by an insuperable obstacle, Bianchon, with the help of the coachman, was seeing his luggage piled on the diligence. Finally, he came to take leave of Dinah, who was excessively friendly with him.
"Go home, Madame la Baronne, leave me here--Gatien will be coming," he added in an undertone. "It is getting late," said he aloud. "Good- bye!"
"Good-bye--great man!" cried Lousteau, shaking hands with Bianchon.
When the journalist and Madame de la Baudraye, side by side in the rickety old chaise, had recrossed the Loire, they both were unready to speak. In these circumstances, the first words that break the silence are full of terrible meaning.
"Do you know how much I love you?" said the journalist point blank. Victory might gratify Lousteau, but defeat could cause him no grief.
This indifference was the secret of his audacity. He took Madame de la Baudraye's hand as he spoke these decisive words, and pressed it in both his; but Dinah gently released it.
"Yes, I am as good as an actress or a /grisette/," she said in a voice that trembled, though she spoke lightly. "But can you suppose that a woman who, in spite of her absurdities, has some intelligence, will have reserved the best treasures of her heart for a man who will regard her merely as a transient pleasure?--I am not surprised to hear from your lips the words which so many men have said to me--but "
The coachman turned round.
"Here comes Monsieur Gatien," said he.
"I love you, I will have you, you shall be mine, for I have never felt for any woman the passion I have for you!" said Lousteau in her ear.
"In spite of my will, perhaps?" said she, with a smile.
"At least you must seem to have been assaulted to save my honor,"
said the Parisian, to whom the fatal immaculateness of clean muslin suggested a ridiculous notion.
Before Gatien had reached the end of the bridge, the outrageous journalist had crumpled up Madame de la Baudraye's muslin dress to such an effect that she was absolutely not presentable.
"Oh, monsieur!" she exclaimed in dignified reproof. "You defied me," said the Parisian.
But Gatien now rode up with the vehemence of a duped lover. To regain a little of Madame de la Baudraye's esteem, Lousteau did his best to hide the tumbled dress from Gatien's eyes by leaning out of the chaise to speak to him from Dinah's side.
"Go back to our inn," said he, "there is still time; the diligence does not start for half an hour. The papers are on the table of the room Bianchon was in; he wants them particularly, for he will be lost without his notes for the lecture."
"Pray go, Gatien," said Dinah to her young adorer, with an imperious glance. And the boy thus commanded turned his horse and was off with a loose rein.
"Go quickly to La Baudraye," cried Lousteau to the coachman. "Madame is not well--Your mother only will know the secret of my trick," added he, taking his seat by Dinah.
"You call such infamous conduct a trick?" cried Madame de la Baudraye, swallowing down a few tears that dried up with the fire of outraged pride.
She leaned back in the corner of the chaise, crossed her arms, and gazed out at the Loire and the landscape, at anything rather than at Lousteau. The journalist put on his most ingratiating tone, and talked till they reached La Baudraye, where Dinah fled indoors, trying not to be seen by any one. In her agitation she threw herself on a sofa and burst into tears.
"If I am an object of horror to you, of aversion or scorn, I will go," said Lousteau, who had followed her. And he threw himself at her feet.
It was at this crisis that Madame Piedefer came in, saying to her
daughter:
"What is the matter? What has happened?"
"Give your daughter another dress at once," said the audacious Parisian in the prim old lady's ear.
Hearing the mad gallop of Gatien's horse, Madame de la Baudraye fled to her bedroom, followed by her mother.
"There are no papers at the inn," said Gatien to Lousteau, who went out to meet him.
"And you found none at the Chateau d'Anzy either?" replied Lousteau. "You have been making a fool of me," said Gatien, in a cold, set voice. "Quite so," replied Lousteau. "Madame de la Baudraye was greatly annoyed by your choosing to follow her without being invited. Believe me, to bore a woman is a bad way of courting her. Dinah has played you a trick, and you have given her a laugh; it is more than any of you has done in these thirteen years past. You owe that success to Bianchon, for your cousin was the author of the Farce of the 'Manuscript.'--Will the horse get over it?" asked Lousteau with a laugh, while Gatien was wondering
whether to be angry or not. "The horse!" said Gatien.
At this moment Madame de la Baudraye came in, dressed in a velvet gown, and accompanied by her mother, who shot angry flashes at Lousteau. It would have been too rash for Dinah to seem cold or severe to Lousteau in Gatien's presence; and Etienne, taking advantage of this, offered his arm to the supposed Lucretia; however, she declined it.
"Do you mean to cast off a man who has vowed to live for you?" said he, walking close beside her. "I shall stop at Sancerre and go home to- morrow."
"Are you coming, mamma?" said Madame de la Baudraye to Madame Piedefer, thus avoiding a reply to the direct challenge by which Lousteau was forcing her to a decision.
Lousteau handed the mother into the chaise, he helped Madame de la Baudraye by gently taking her arm, and he and Gatien took the front seat, leaving the saddle horse at La Baudraye.
"You have changed your gown," said Gatien, blunderingly, to Dinah. "Madame la Baronne was chilled by the cool air off the river," replied
Lousteau. "Bianchon advised her to put on a warm dress."
Dinah turned as red as a poppy, and Madame Piedefer assumed a stern expression.
"Poor Bianchon! he is on the road to Paris. A noble soul!" said Lousteau.
"Oh, yes!" cried Madame de la Baudraye, "he is high-minded, full of delicate feeling "
"We were in such good spirits when we set out," said Lousteau; "now you are overdone, and you speak to me so bitterly--why? Are you not accustomed to being told how handsome and how clever you are? For my part, I say boldly, before Gatien, I give up Paris; I mean to stay at Sancerre and swell the number of your /cavalieri serventi/. I feel so young again in my native district; I have quite forgotten Paris and all its wickedness, and its bores, and its wearisome pleasures.--Yes, my life seems in a way purified."
Dinah allowed Lousteau to talk without even looking at him; but at last there was a moment when this serpent's rhodomontade was really so inspired by the effort he made to affect passion in phrases and ideas of which the meaning, though hidden from Gatien, found a loud response in Dinah's heart, that she raised her eyes to his. This look seemed to crown Lousteau's joy; his wit flowed more freely, and at last he made Madame de la Baudraye laugh. When, under circumstances which so seriously compromise her pride, a woman has been made to laugh, she is finally committed.
As they drove in by the spacious graveled forecourt, with its lawn in the middle, and the large vases filled with flowers which so well set off the facade of Anzy, the journalist was saying:
"When women love, they forgive everything, even our crimes; when they do not love, they cannot forgive anything--not even our virtues.--Do you forgive me," he added in Madame de la Baudraye's ear, and pressing her arm to his heart with tender emphasis. And Dinah could not help
smiling.
All through dinner, and for the rest of the evening, Etienne was in the most delightful spirits, inexhaustibly cheerful; but while thus giving vent to his intoxication, he now and then fell into the dreamy abstraction of a man who seems rapt in his own happiness.
After coffee had been served, Madame de la Baudraye and her mother left the men to wander about the gardens. Monsieur Gravier then remarked to Monsieur de Clagny:
"Did you observe that Madame de la Baudraye, after going out in a muslin gown came home in a velvet?"
"As she got into the carriage at Cosne, the muslin dress caught on a brass nail and was torn all the way down," replied Lousteau.
"Oh!" exclaimed Gatien, stricken to the heart by hearing two such different explanations.
The journalist, who understood, took Gatien by the arm and pressed it as a hint to him to be silent. A few minutes later Etienne left Dinah's three adorers and took possession of little La Baudraye. Then Gatien was cross- questioned as to the events of the day. Monsieur Gravier and Monsieur de Clagny were dismayed to hear that on the return from Cosne Lousteau had been alone with Dinah, and even more so on hearing the two versions explaining the lady's change of dress. And the three discomfited gentlemen were in a very awkward position for the rest of the evening.
Next day each, on various business, was obliged to leave Anzy; Dinah remained with her mother, Lousteau, and her husband. The annoyance vented by the three victims gave rise to an organized rebellion in Sancerre. The surrender of the Muse of Le Berry, of the Nivernais, and of Morvan was the cause of a perfect hue and cry of slander, evil report, and various guesses in which the story of the muslin gown held a prominent place. No dress Dinah had ever worn had been so much commented on, or was half as interesting to the girls, who could not conceive what the connection might be, that made the married women laugh, between love and a muslin gown.
The Presidente Boirouge, furious at her son's discomfiture, forgot the
praise she had lavished on the poem of /Paquita/, and fulminated terrific condemnation on the woman who could publish such a disgraceful work.
"The wretched woman commits every crime she writes about," said she. "Perhaps she will come to the same end as her heroine!"
Dinah's fate among the good folks of Sancerre was like that of Marechal Soult in the opposition newspapers; as long as he is minister he lost the battle of Toulouse; whenever he is out of the Government he won it! While she was virtuous, Dinah was a match for Camille de Maupin, a rival of the most famous women; but as soon as she was happy, she was an
/unhappy creature/.
Monsieur de Clagny was her valiant champion; he went several times to the Chateau d'Anzy to acquire the right to contradict the rumors current as to the woman he still faithfully adored, even in her fall; and he maintained that she and Lousteau were engaged together on some great work. But the lawyer was laughed to scorn.
The month of October was lovely; autumn is the finest season in the valley of the Loire; but in 1836 it was unusually glorious. Nature seemed to aid and abet Dinah, who, as Bianchon had predicted, gradually developed a heart-felt passion. In one month she was an altered woman. She was surprised to find in herself so many inert and dormant qualities, hitherto in abeyance. To her Lousteau seemed an angel; for heart-love, the crowning need of a great nature, had made a new woman of her. Dinah was alive! She had found an outlet for her powers, she saw undreamed-of vistas in the future--in short, she was happy, happy without alarms or hindrances. The vast castle, the gardens, the park, the forest, favored love.
Lousteau found in Madame de la Baudraye an artlessness, nay, if you will, an innocence of mind which made her very original; there was much more of the unexpected and winning in her than in a girl. Lousteau was quite alive to a form of flattery which in most women is assumed, but which in Dinah was genuine; she really learned from him the ways of love; he really was the first to reign in her heart. And, indeed, he took the trouble to be exceedingly amiable.
Men, like women, have a stock in hand of recitatives, of /cantabile/, of
/nocturnes/, airs and refrains--shall we say of recipes, although we speak of love--which each one believes to be exclusively his own. Men who have reached Lousteau's age try to distribute the "movements" of this repertoire through the whole opera of a passion. Lousteau, regarding this adventure with Dinah as a mere temporary connection, was eager to stamp himself on her memory in indelible lines; and during that beautiful October he was prodigal of his most entrancing melodies and most elaborate /barcarolles/. In fact, he exhausted every resource of the stage management of love, to use an expression borrowed from the theatrical dictionary, and admirably descriptive of his manoeuvres.
"If that woman ever forgets me!" he would sometimes say to himself as they returned together from a long walk in the woods, "I will owe her no grudge--she will have found something better."
When two beings have sung together all the duets of that enchanting score, and still love each other, it may be said that they love truly.
Lousteau, however, had not time to repeat himself, for he was to leave Anzy in the early days of November. His paper required his presence in Paris. Before breakfast, on the day before he was to leave, the journalist and Dinah saw the master of the house come in with an artist from Nevers, who restored carvings of all kinds.
"What are you going to do?" asked Lousteau. "What is to be done to the chateau?"
"This is what I am going to do," said the little man, leading Lousteau, the local artist, and Dinah out on the terrace.
He pointed out, on the front of the building, a shield supported by two sirens, not unlike that which may be seen on the arcade, now closed, through which there used to be a passage from the Quai des Tuileries to the courtyard of the old Louvre, and over which the words may still be seen, "/Bibliotheque du Cabinet du Roi/." This shield bore the arms of the noble House of Uxelles, namely, Or and gules party per fess, with two lions or, dexter and sinister as supporters. Above, a knight's helm, mantled of the tincture of the shield, and surmounted by a ducal coronet. Motto,
/Cy paroist!/ A proud and sonorous device.
"I want to put my own coat of arms in the place of that of the Uxelles; and as they are repeated six times on the two fronts and the two wings, it is not a trifling affair."
"Your arms, so new, and since 1830!" exclaimed Dinah. "Have I not created an entail?"
"I could understand it if you had children," said the journalist.
"Oh!" said the old man, "Madame de la Baudraye is still young; there is no time lost."
This allusion made Lousteau smile; he did not understand Monsieur de la Baudraye.
"There, Didine!" said he in Dinah's ear, "what a waste of remorse!"
Dinah begged him to give her one day more, and the lovers parted after the manner of certain theatres, which give ten last performances of a piece that is paying. And how many promises they made! How many solemn pledges did not Dinah exact and the unblushing journalist give her!
Dinah, with superiority of the Superior Woman, accompanied Lousteau, in the face of all the world, as far as Cosne, with her mother and little La Baudraye. When, ten days later, Madame de la Baudraye saw in her drawing-room at La Baudraye, Monsieur de Clagny, Gatien, and Gravier, she found an opportunity of saying to each in turn:
"I owe it to Monsieur Lousteau that I discovered that I had not been loved for my own sake."
And what noble speeches she uttered, on man, on the nature of his feelings, on the end of his base passions, and so forth. Of Dinah's three worshipers, Monsieur de Clagny only said to her: "I love you, come what may"--and Dinah accepted him as her confidant, lavished on him all the marks of friendship which women can devise for the Gurths who are ready thus to wear the collar of gilded slavery.
In Paris once more, Lousteau had, in a few weeks, lost the impression of the happy time he had spent at the Chateau d'Anzy. This is why: Lousteau lived by his pen.
In this century, especially since the triumph of the /bourgeoisie/-- the commonplace, money-saving citizen--who takes good care not to imitate Francis I. or Louis XIV.--to live by the pen is a form of penal servitude to which a galley-slave would prefer death. To live by the pen means to create--to create to-day, and to-morrow, and incessantly--or to seem to create; and the imitation costs as dear as the reality. So, besides his daily contribution to a newspaper, which was like the stone of Sisyphus, and which came every Monday, crashing down on to the feather of his pen, Etienne worked for three or four literary magazines. Still, do not be alarmed; he put no artistic conscientiousness into his work. This man of Sancerre had a facility, a carelessness, if you call it so, which ranked him with those writers who are mere scriveners, literary hacks. In Paris, in our day, hack- work cuts a man off from every pretension to a literary position. When he can do no more, or no longer cares for advancement, the man who can write becomes a journalist and a hack.
The life he leads is not unpleasing. Blue-stockings, beginners in every walk of life, actresses at the outset or the close of a career, publishers and authors, all make much of these writers of the ready pen. Lousteau, a thorough man about town, lived at scarcely any expense beyond paying his rent. He had boxes at all the theatres; the sale of the books he reviewed or left unreviewed paid for his gloves; and he would say to those authors who published at their own expense, "I have your book always in my hands!" He took toll from vanity in the form of drawings or pictures. Every day had its engagements to dinner, every night its theatre, every morning was filled up with callers, visits, and lounging. His serial in the paper, two novels a year for weekly magazines, and his miscellaneous articles were the tax he paid for this easy-going life. And yet, to reach this position, Etienne had struggled for ten years.
At the present time, known to the literary world, liked for the good or the mischief he did with equally facile good humor, he let himself float with the stream, never caring for the future. He ruled a little set of newcomers, he had friendships--or rather, habits of fifteen years' standing, and men with whom he supped, and dined, and indulged his wit. He
earned from seven to eight hundred francs a month, a sum which he found quite insufficient for the prodigality peculiar to the impecunious. Indeed, Lousteau found himself now just as hard up as when, on first appearing in Paris, he had said to himself, "If I had but five hundred francs a month, I should be rich!"
The cause of this phenomenon was as follows: Lousteau lived in the Rue des Martyrs in pretty ground-floor rooms with a garden, and splendidly furnished. When he settled there in 1833 he had come to an agreement with an upholsterer that kept his pocket money low for a long time. These rooms were let for twelve hundred francs. The months of January, April, July, and October were, as he phrased it, his indigent months. The rent and the porter's account cleaned him out. Lousteau took no fewer hackney cabs, spend a hundred francs in breakfasts all the same, smoked thirty francs' worth of cigars, and could never refuse the mistress of a day a dinner or a new dress. He thus dipped so deeply into the fluctuating earnings of the following months, that he could no more find a hundred francs on his chimney-piece now, when he was making seven or eight hundred francs a month, than he could in 1822, when he was hardly getting two hundred.
Tired, sometimes, by the incessant vicissitudes of a literary life, and as much bored by amusement as a courtesan, Lousteau would get out of the tideway and sit on the bank, and say to one and another of his intimate allies--Nathan or Bixiou, as they sat smoking in his scrap of garden, looking out on an evergreen lawn as big as a dinner-table:
"What will be the end of us? White hairs are giving us respectful hints!"
"Lord! we shall marry when we choose to give as much thought to the matter as we give to a drama or a novel," said Nathan.
"And Florine?" retorted Bixiou.
"Oh, we all have a Florine," said Etienne, flinging away the end of his cigar and thinking of Madame Schontz.
Madame Schontz was a pretty enough woman to put a very high price on the interest on her beauty, while reserving absolute ownership for
Lousteau, the man of her heart. Like all those women who get the name in Paris of /Lorettes/, from the Church of Notre Dame de Lorette, round about which they dwell, she lived in the Rue Flechier, a stone's throw from Lousteau. This lady took a pride and delight in teasing her friends by boasting of having a Wit for her lover.
These details of Lousteau's life and fortune are indispensable, for this penury and this bohemian existence of a man to whom Parisian luxury had become a necessity, were fated to have a cruel influence on Dinah's life. Those to whom the bohemia of Paris is familiar will now understand how it was that, by the end of a fortnight, the journalist, up to his ears in the literary environment, could laugh about his Baroness with his friends and even with Madame Schontz. To such readers as regard such things as utterly mean, it is almost useless to make excuses which they will not accept.
"What did you do at Sancerre?" asked Bixiou the first time he met Lousteau.
"I did good service to three worthy provincials--a Receiver-General of Taxes, a little cousin of his, and a Public Prosecutor, who for ten years had been dancing round and round one of the hundred 'Tenth Muses' who adorn the Departments," said he. "But they had no more dared to touch her than we touch a decorated cream at dessert till some strong-minded person has made a hole in it."
"Poor boy!" said Bixiou. "I said you had gone to Sancerre to turn Pegasus out to grass."
"Your joke is as stupid as my Muse is handsome," retorted Lousteau. "Ask Bianchon, my dear fellow."
"A Muse and a Poet! A homoeopathic cure then!" said Bixiou.
On the tenth day Lousteau received a letter with the Sancerre post- mark.
"Good! very good!" said Lousteau.
-
'Beloved friend, idol of my heart and soul----' twenty pages of it!
all at one sitting, and dated midnight! She writes when she finds herself alone. Poor woman! Ah, ha! And a postscript--
-
'I dare not ask you to write to me as I write, every day; still, I
hope to have a few lines from my dear one every week, to relieve my mind.'-- What a pity to burn it all! it is really well written," said Lousteau to himself, as he threw the ten sheets of paper into the fire after having read them. "That woman was born to reel off copy!"
Lousteau was not much afraid of Madame Schontz, who really loved him for himself, but he had supplanted a friend in the heart of a Marquise. This Marquise, a lady nowise coy, sometimes dropped in unexpectedly at his rooms in the evening, arriving veiled in a hackney coach; and she, as a literary woman, allowed herself to hunt through all his drawers.
A week later, Lousteau, who hardly remembered Dinah, was startled by another budget from Sancerre--eight leaves, sixteen pages! He heard a woman's step; he thought it announced a search from the Marquise, and tossed these rapturous and entrancing proofs of affections into the fire-- unread!
"A woman's letter!" exclaimed Madame Schontz, as she came in. "The paper, the wax, are scented--"
"Here you are, sir," said a porter from the coach office, setting down two huge hampers in the ante-room. "Carriage paid. Please to sign my book."
"Carriage paid!" cried Madame Schontz. "It must have come from Sancerre."
"Yes, madame," said the porter.
"Your Tenth Muse is a remarkably intelligent woman," said the courtesan, opening one of the hampers, while Lousteau was writing his name. "I like a Muse who understands housekeeping, and who can make game pies as well as blots. And, oh! what beautiful flowers!" she went on, opening the second hamper. "Why, you could get none finer in Paris!--And here, and here! A hare, partridges, half a roebuck!--We will ask your friends and have a famous dinner, for Athalie has a special talent for dressing venison."
Lousteau wrote to Dinah; but instead of writing from the heart, he was clever. The letter was all the more insidious; it was like one of Mirabeau's
letters to Sophie. The style of a true lover is transparent. It is a clear stream which allows the bottom of the heart to be seen between two banks, bright with the trifles of existence, and covered with the flowers of the soul that blossom afresh every day, full of intoxicating beauty--but only for two beings. As soon as a love letter has any charm for a third reader, it is beyond doubt the product of the head, not of the heart. But a woman will always be beguiled; she always believes herself to be the determining cause of this flow of wit.
By the end of December Lousteau had ceased to read Dinah's letters; they lay in a heap in a drawer of his chest that was never locked, under his shirts, which they scented.
Then one of those chances came to Lousteau which such bohemians ought to clutch by every hair. In the middle of December, Madame Schontz, who took a real interest in Etienne, sent to beg him to call on her one morning on business.
"My dear fellow, you have a chance of marrying." "I can marry very often, happily, my dear."
"When I say marrying, I mean marrying well. You have no prejudices: I need not mince matters. This is the position: A young lady has got into trouble; her mother knows nothing of even a kiss. Her father is an honest notary, a man of honor; he has been wise enough to keep it dark. He wants to get his daughter married within a fortnight, and he will give her a fortune of a hundred and fifty thousand francs--for he has three other children; but--and it is not a bad idea--he will add a hundred thousand francs, under the rose, hand to hand, to cover the damages. They are an old family of Paris citizens, Rue des Lombards "
"Well, then, why does not the lover marry her?" "Dead."
"What a romance! Such things are nowhere to be heard of but in the Rue des Lombards."
"But do not take it into your head that a jealous brother murdered the seducer. The young man died in the most commonplace way of a pleurisy caught as he came out of the theatre. A head-clerk and penniless, the man
entrapped the daughter in order to marry into the business--A judgment from heaven, I call it!"
"Where did you hear the story?"
"From Malaga; the notary is her /milord/."
"What, Cardot, the son of that little old man in hair-powder, Florentine's first friend?"
"Just so. Malaga, whose 'fancy' is a little tomtit of a fiddler of eighteen, cannot in conscience make such a boy marry the girl. Besides, she has no cause to do him an ill turn.--Indeed, Monsieur Cardot wants a man of thirty at least. Our notary, I feel sure, will be proud to have a famous man for his son-in-law. So just feel yourself all over.--You will pay your debts, you will have twelve thousand francs a year, and be a father without any trouble on your part; what do you say to that to the good? And, after all, you only marry a very consolable widow. There is an income of fifty thousand francs in the house, and the value of the connection, so in due time you may look forward to not less than fifteen thousand francs a year more for your share, and you will enter a family holding a fine political position; Cardot is the brother-in-law of old Camusot, the depute who lived so long with Fanny Beaupre."
"Yes," said Lousteau, "old Camusot married little Daddy Cardot's eldest daughter, and they had high times together!"
"Well!" Madame Schontz went on, "and Madame Cardot, the notary's wife, was a Chiffreville--manufacturers of chemical products, the aristocracy of these days! Potash, I tell you! Still, this is the unpleasant side of the matter. You will have a terrible mother-in-law, a woman capable of killing her daughter if she knew--! This Cardot woman is a bigot; she has lips like two faded narrow pink ribbons.
"A man of the town like you would never pass muster with that woman, who, in her well-meaning way, will spy out your bachelor life and know every fact of the past. However, Cardot says he means to exert his paternal authority. The poor man will be obliged to do the civil to his wife for some days; a woman made of wood, my dear fellow; Malaga, who has seen her, calls her a penitential scrubber. Cardot is a man of forty; he will
be mayor of his district, and perhaps be elected deputy. He is prepared to give in lieu of the hundred thousand francs a nice little house in the Rue Saint-Lazare, with a forecourt and a garden, which cost him no more than sixty thousand at the time of the July overthrow; he would sell, and that would be an opportunity for you to go and come at the house, to see the daughter, and be civil to the mother.--And it would give you a look of property in Madame Cardot's eyes. You would be housed like a prince in that little mansion. Then, by Camusot's interest, you may get an appointment as librarian to some public office where there is no library.-- Well, and then if you invest your money in backing up a newspaper, you will get ten thousand francs a year on it, you can earn six, your librarianship will bring you in four.--Can you do better for yourself?
"If you were to marry a lamb without spot, it might be a light woman by the end of two years. What is the damage?--an anticipated dividend! It is quite the fashion.
"Take my word for it, you can do no better than come to dine with Malaga to-morrow. You will meet your father-in-law; he will know the secret has been let out--by Malaga, with whom he cannot be angry--and then you are master of the situation. As to your wife!--Why her misconduct leaves you as free as a bachelor "
"Your language is as blunt as a cannon ball."
"I love you for your own sake, that is all--and I can reason. Well! why do you stand there like a wax image of Abd-el-Kader? There is nothing to meditate over. Marriage is heads or tails--well, you have tossed heads up."
"You shall have my reply to-morrow," said Lousteau.
"I would sooner have it at once; Malaga will write you up to-night." "Well, then, yes."
Lousteau spent the evening in writing a long letter to the Marquise, giving her the reasons which compelled him to marry; his constant poverty, the torpor of his imagination, his white hairs, his moral and physical exhaustion--in short, four pages of arguments.--"As to Dinah, I will send her a circular announcing the marriage," said he to himself. "As Bixiou says, I have not my match for knowing how to dock the tail of a passion."
Lousteau, who at first had been on some ceremony with himself, by next day had come to the point of dreading lest the marriage should not come off. He was pressingly civil to the notary.
"I knew monsieur your father," said he, "at Florentine's, so I may well know you here, at Mademoiselle Turquet's. Like father, like son. A very good fellow and a philosopher, was little Daddy Cardot--excuse me, we always called him so. At that time, Florine, Florentine, Tullia, Coralie, and Mariette were the five fingers of your hand, so to speak--it is fifteen years ago. My follies, as you may suppose, are a thing of the past.--In those days it was pleasure that ran away with me; now I am ambitious; but, in our day, to get on at all a man must be free from debt, have a good income, a wife, and a family. If I pay taxes enough to qualify me, I may be a deputy yet, like any other man."
Maitre Cardot appreciated this profession of faith. Lousteau had laid himself out to please and the notary liked him, feeling himself more at his ease, as may be easily imagined, with a man who had known his father's secrets than he would have been with another. On the following day Lousteau was introduced to the Cardot family as the purchaser of the house in the Rue Saint-Lazare, and three days later he dined there.
Cardot lived in an old house near the Place du Chatelet. In this house everything was "good." Economy covered every scrap of gilding with green gauze; all the furniture wore holland covers. Though it was impossible to feel a shade of uneasiness as to the wealth of the inhabitants, at the end of half an hour no one could suppress a yawn. Boredom perched in every nook; the curtains hung dolefully; the dining-room was like Harpagon's. Even if Lousteau had not known all about Malaga, he could have guessed that the notary's real life was spent elsewhere.
The journalist saw a tall, fair girl with blue eyes, at once shy and languishing. The elder brother took a fancy to him; he was the fourth clerk in the office, but strongly attracted by the snares of literary fame, though destined to succeed his father. The younger sister was twelve years old. Lousteau, assuming a little Jesuitical air, played the Monarchist and Churchman for the benefit of the mother, was quite smooth, deliberate,
and complimentary.
Within three weeks of their introduction, at his fourth dinner there, Felicie Cardot, who had been watching Lousteau out of the corner of her eye, carried him a cup of coffee where he stood in the window recess, and said in a low voice, with tears in her eyes:"I will devote my whole life, monsieur, to thanking you for your sacrifice in favor of a poor girl "
Lousteau was touched; there was so much expression in her look, her accent, her attitude. "She would make a good man happy," thought he, pressing her hand in reply.
Madame Cardot looked upon her son-in-law as a man with a future before him; but, above all the fine qualities she ascribed to him, she was most delighted by his high tone of morals. Etienne, prompted by the wily notary, had pledged his word that he had no natural children, no tie that could endanger the happiness of her dear Felicie.
"You may perhaps think I go rather too far," said the bigot to the journalist; "but in giving such a jewel as my Felicie to any man, one must think of the future. I am not one of those mothers who want to be rid of their daughters. Monsieur Cardot hurries matters on, urges forward his daughter's marriage; he wishes it over. This is the only point on which we differ.--Though with a man like you, monsieur, a literary man whose youth has been preserved by hard work from the moral shipwreck now so prevalent, we may feel quite safe; still, you would be the first to laugh at me if I looked for a husband for my daughter with my eyes shut. I know you are not an innocent, and I should be very sorry for my Felicie if you were" (this was said in a whisper); "but if you had any /liaison/--For instance, monsieur, you have heard of Madame Roguin, the wife of a notary who, unhappily for our faculty, was sadly notorious. Madame Roguin has, ever since 1820, been kept by a banker--"
"Yes, du Tillet," replied Etienne; but he bit his tongue as he recollected how rash it was to confess to an acquaintance with du Tillet.
"Yes.--Well, monsieur, if you were a mother, would you not quake at the thought that Madame du Tillet's fate might be your child's? At her age, and /nee/ de Granville! To have as a rival a woman of fifty and more.
Sooner would I see my daughter dead than give her to a man who had such a connection with a married woman. A grisette, an actress, you take her and leave her.--There is no danger, in my opinion, from women of that stamp; love is their trade, they care for no one, one down and another to come on!--But a woman who has sinned against duty must hug her sin, her only excuse is constancy, if such a crime can ever have an excuse. At least, that is the view I hold of a respectable woman's fall, and that is what makes it so terrible "
Instead of looking for the meaning of these speeches, Etienne made a jest of them at Malaga's, whither he went with his father-in-law elect; for the notary and the journalist were the best of friends.
Lousteau had already given himself the airs of a person of importance; his life at last was to have a purpose; he was in luck's way, and in a few days would be the owner of a delightful little house in the Rue Saint- Lazare; he was going to be married to a charming woman, he would have about twenty thousand francs a year, and could give the reins to his ambition; the young lady loved him, and he would be connected with several respectable families. In short, he was in full sail on the blue waters of hope.
Madame Cardot had expressed a wish to see the prints for /Gil Blas/, one of the illustrated volumes which the French publishers were at that time bringing out, and Lousteau had taken the first numbers for the lady's inspection. The lawyer's wife had a scheme of her own, she had borrowed the book merely to return it; she wanted an excuse for walking in on her future son-in-law quite unexpectedly. The sight of those bachelor rooms, which her husband had described as charming, would tell her more, she thought, as to Lousteau's habits of life than any information she could pick up. Her sister-in-law, Madame Camusot, who knew nothing of the fateful secret, was terrified at such a marriage for her niece. Monsieur Camusot, a Councillor of the Supreme Court, old Camusot's son by his first marriage, had given his step- mother, who was Cardot's sister, a far from flattering account of the journalist.
Lousteau, clever as he was, did not think it strange that the wife of a rich notary should wish to inspect a volume costing fifteen francs before deciding on the purchase. Your clever man never condescends to study the middle-class, who escape his ken by this want of attention; and while he is making game of them, they are at leisure to throttle him.
So one day early in January 1837, Madame Cardot and her daughter took a hackney coach and went to the Rue des Martyrs to return the parts of /Gil Blas/ to Felicie's betrothed, both delighted at the thought of seeing Lousteau's rooms. These domiciliary visitations are not unusual in the old citizen class. The porter at the front gate was not in; but his daughter, on being informed by the worthy lady that she was in the presence of Monsieur Lousteau's future mother-in-law and bride, handed over the key of the apartment--all the more readily because Madame Cardot placed a gold piece in her hand.
It was by this time about noon, the hour at which the journalist would return from breakfasting at the Cafe Anglais. As he crossed the open space between the Church of Notre-Dame de Lorette and the Rue des Martyrs, Lousteau happened to look at a hired coach that was toiling up the Rue du Faubourg-Montmartre, and he fancied it was a dream when he saw the face of Dinah! He stood frozen to the spot when, on reaching his house, he beheld his Didine at the coach door.
"What has brought you here?" he inquired.--He adopted the familiar
/tu/. The formality of /vous/ was out of the question to a woman he must get rid of.
"Why, my love," cried she, "have you not read my letters?" "Certainly I have," said Lousteau.
"Well, then?"
"Well, then?"
"You are a father," replied the country lady.
"Faugh!" cried he, disregarding the barbarity of such an exclamation. "Well," thought he to himself, "she must be prepared for the blow."
He signed to the coachman to wait, gave his hand to Madame de la Baudraye, and left the man with the chaise full of trunks, vowing that he
would send away /illico/, as he said to himself, the woman and her luggage, back to the place she had come from.
"Monsieur, monsieur," called out little Pamela.
The child had some sense, and felt that three women must not be allowed to meet in a bachelor's rooms.
"Well, well!" said Lousteau, dragging Dinah along.
Pamela concluded that the lady must be some relation; however, she added:
"The key is in the door; your mother-in-law is there."
In his agitation, while Madame de la Baudraye was pouring out a flood of words, Etienne understood the child to say, "Mother is there," the only circumstance that suggested itself as possible, and he went in.
Felicie and her mother, who were by this time in the bed-room, crept into a corner on seeing Etienne enter with a woman.
"At last, Etienne, my dearest, I am yours for life!" cried Dinah, throwing her arms round his neck, and clasping him closely, while he took the key from the outside of the door. "Life is a perpetual anguish to me in that house at Anzy. I could bear it no longer; and when the time came for me to proclaim my happiness--well, I had not the courage.--Here I am, your wife with your child! And you have not written to me; you have left me two months without a line."
"But, Dinah, you place me in the greatest difficulty--" "Do you love me?"
"How can I do otherwise than love you?--But would you not have been wiser to remain at Sancerre?--I am in the most abject poverty, and I fear to drag you into it--"
"Your misery will be paradise to me. I only ask to live here, never to go out--"
"Good God! that is all very fine in words, but--" Dinah sat down and melted into tears as she heard this speech, roughly spoken.
Lousteau could not resist this distress. He clasped the Baroness in his arms and kissed her.
"Do not cry, Didine!" said he; and, as he uttered the words, he saw in
the mirror the figure of Madame Cardot, looking at him from the further end of the rooms. "Come, Didine, go with Pamela and get your trunks unloaded," said he in her ear. "Go; do not cry; we will be happy!"
He led her to the door, and then came back to divert the storm. "Monsieur," said Madame Cardot, "I congratulate myself on having
resolved to see for myself the home of the man who was to have been my son-in-law. If my daughter were to die of it, she should never be the wife of such a man as you. You must devote yourself to making your Didine happy, monsieur."
And the virtuous lady walked out, followed by Felicie, who was crying too, for she had become accustomed to Etienne. The dreadful Madame Cardot got into her hackney-coach again, staring insolently at the hapless Dinah, in whose heart the sting still rankled of "that is all very fine in words"; but who, nevertheless, like every woman in love, believed in the murmured, "Do not cry, Didine!"
Lousteau, who was not lacking in the sort of decision which grows out of the vicissitudes of a storm-tossed life, reflected thus:
"Didine is high-minded; when once she knows of my proposed marriage, she will sacrifice herself for my future prospects, and I know how I can manage to let her know." Delighted at having hit on a trick of which the success seemed certain, he danced round to a familiar tune:
"/Larifla, fla, fla!/--And Didine once out of the way," he went on, talking to himself, "I will treat Maman Cardot to a call and a novelette: I have seduced her Felicie at Saint-Eustache--Felicie, guilty through passion, bears in her bosom the pledge of our affection --and /larifla, fla, fla!/ the father /Ergo/, the notary, his wife, and his daughter are caught, nabbed "
And, to her great amazement, Dinah discovered Etienne performing a prohibited dance.
"Your arrival and our happiness have turned my head with joy," said he, to explain this crazy mood.
"And I had fancied you had ceased to love me!" exclaimed the poor woman, dropping the handbag she was carrying, and weeping with joy as she sank into a chair.
"Make yourself at home, my darling," said Etienne, laughing in his sleeve; "I must write two lines to excuse myself from a bachelor party, for I mean to devote myself to you. Give your orders; you are at home."
Etienne wrote to Bixiou:
"MY DEAR BOY,--My Baroness has dropped into my arms, and will be fatal to my marriage unless we perform one of the most familiar stratagems of the thousand and one comedies at the Gymnase. I rely on you to come here, like one of Moliere's old men, to scold your nephew Leandre for his folly, while the Tenth Muse lies hidden in my bedroom; you must work on her feelings; strike hard, be brutal, offensive. I, you understand, shall express my blind devotion, and shall seem to be deaf, so that you may have to shout at me.
"Come, if you can, at seven o'clock. "Yours, "E. LOUSTEAU."
Having sent this letter by a commissionaire to the man who, in all Paris, most delighted in such practical jokes--in the slang of artists, a
/"charge"/--Lousteau made a great show of settling the Muse of Sancerre in his apartment. He busied himself in arranging the luggage she had brought, and informed her as to the persons and ways of the house with such perfect good faith, and a glee which overflowed in kind words and caresses, that Dinah believed herself the best- beloved woman in the world. These rooms, where everything bore the stamp of fashion, pleased her far better than her old chateau.
Pamela Migeon, the intelligent damsel of fourteen, was questioned by the journalist as to whether she would like to be waiting-maid to the imposing Baroness. Pamela, perfectly enchanted, entered on her duties at once, by going off to order dinner from a restaurant on the boulevard. Dinah was able to judge of the extreme poverty that lay hidden under the purely superficial elegance of this bachelor home when she found none of the necessaries of life. As she took possession of the closets and drawers, she indulged in the fondest dreams; she would alter Etienne's habits, she would make him home-keeping, she would fill his cup of domestic happiness.
The novelty of the position hid its disastrous side; Dinah regarded reciprocated love as the absolution of her sin; she did not yet look beyond the walls of these rooms. Pamela, whose wits were as sharp as those of a
/lorette/, went straight to Madame Schontz to beg the loan of some plate, telling her what had happened to Lousteau. After making the child welcome to all she had, Madame Schontz went off to her friend Malaga, that Cardot might be warned of the catastrophe that had befallen his future son-in-law.
The journalist, not in the least uneasy about the crisis as affecting his marriage, was more and more charming to the lady from the provinces. The dinner was the occasion of the delightful child's-play of lovers set at liberty, and happy to be free. When they had had their coffee, and Lousteau was sitting in front of the fire, Dinah on his knee, Pamela ran in with a scared face.
"Here is Monsieur Bixiou!" said she.
"Go into the bedroom," said the journalist to his mistress; "I will soon get rid of him. He is one of my most intimate friends, and I shall have to explain to him my new start in life."
"Oh, ho! dinner for two, and a blue velvet bonnet!" cried Bixiou. "I am off.--Ah! that is what comes of marrying--one must go through some partings. How rich one feels when one begins to move one's sticks, heh?"
"Who talks of marrying?" said Lousteau.
"What! are you not going to be married, then?" cried Bixiou. "No!"
"No? My word, what next? Are you making a fool of yourself, if you please?--What!--You, who, by the mercy of Heaven, have come across twenty thousand francs a year, and a house, and a wife connected with all the first families of the better middle class--a wife, in short, out of the Rue des Lombards--"
"That will do, Bixiou, enough; it is at an end. Be off!"
"Be off? I have a friend's privileges, and I shall take every advantage of them.--What has come over you?"
"What has 'come over' me is my lady from Sancerre. She is a mother,
and we are going to live together happily to the end of our days.--You would have heard it to-morrow, so you may as well be told it now."
"Many chimney-pots are falling on my head, as Arnal says. But if this woman really loves you, my dear fellow, she will go back to the place she came from. Did any provincial woman ever yet find her sea-legs in Paris? She will wound all your vanities. Have you forgotten what a provincial is? She will bore you as much when she is happy as when she is sad; she will have as great a talent for escaping grace as a Parisian has in inventing it.
"Lousteau, listen to me. That a passion should lead you to forget to some extent the times in which we live, is conceivable; but I, my dear fellow, have not the mythological bandage over my eyes.--Well, then consider your position. For fifteen years you have been tossing in the literary world; you are no longer young, you have padded the hoof till your soles are worn through!--Yes, my boy, you turn your socks under like a street urchin to hide the holes, so that the legs cover the heels! In short, the joke is too stale. Your excuses are more familiar than a patent medicine--"
"I may say to you, like the Regent to Cardinal Dubois, 'That is kicking enough!' " said Lousteau, laughing.
"Oh, venerable young man," replied Bixiou, "the iron has touched the sore to the quick. You are worn out, aren't you? Well, then; in the heyday of youth, under the pressure of penury, what have you done? You are not in the front rank, and you have not a thousand francs of your own. That is the sum-total of the situation. Can you, in the decline of your powers, support a family by your pen, when your wife, if she is an honest woman, will not have at her command the resources of the woman of the streets, who can extract her thousand-franc note from the depths where milord keeps it safe? You are rushing into the lowest depths of the social theatre.
"And this is only the financial side. Now, consider the political position. We are struggling in an essentially /bourgeois/ age, in which honor, virtue, high-mindedness, talent, learning--genius, in short, is summed up in paying your way, owing nobody anything, and conducting your affairs with judgment. Be steady, be respectable, have a wife, and
children, pay your rent and taxes, serve in the National Guard, and be on the same pattern as all the men of your company--then you may indulge in the loftiest pretensions, rise to the Ministry!-- and you have the best chances possible, since you are no Montmorency. You were preparing to fulfil all the conditions insisted on for turning out a political personage, you are capable of every mean trick that is necessary in office, even of pretending to be commonplace--you would have acted it to the life. And just for a woman, who will leave you in the lurch--the end of every eternal passion--in three, five, or seven years--after exhausting your last physical and intellectual powers, you turn your back on the sacred Hearth, on the Rue des Lombards, on a political career, on thirty thousand francs per annum, on respectability and respect!--Ought that to be the end of a man who has done with illusions?
"If you had kept a pot boiling for some actress who gave you your fun for it--well; that is what you may call a cabinet matter. But to live with another man's wife? It is a draft at sight on disaster; it is bolting the bitter pills of vice with none of the gilding."
"That will do. One word answers it all; I love Madame de la Baudraye, and prefer her to every fortune, to every position the world can offer.--I may have been carried away by a gust of ambition, but everything must give way to the joy of being a father."
"Ah, ha! you have a fancy for paternity? But, wretched man, we are the fathers only of our legitimate children. What is a brat that does not bear your name? The last chapter of the romance.--Your child will be taken from you! We have seen that story in twenty plays these ten years past.
"Society, my dear boy, will drop upon you sooner or later. Read
/Adolphe/ once more.--Dear me! I fancy I can see you when you and she are used to each other;--I see you dejected, hang-dog, bereft of position and fortune, and fighting like the shareholders of a bogus company when they are tricked by a director!--Your director is happiness."
"Say no more, Bixiou."
"But I have only just begun," said Bixiou. "Listen, my dear boy.
Marriage has been out of favor for some time past; but, apart from the advantages it offers in being the only recognized way of certifying heredity, as it affords a good-looking young man, though penniless, the opportunity of making his fortune in two months, it survives in spite of disadvantages. And there is not the man living who would not repent, sooner or later, of having, by his own fault, lost the chance of marrying thirty thousand francs a year."
"You won't understand me," cried Lousteau, in a voice of exasperation. "Go away--she is there "
"I beg your pardon; why did you not tell me sooner?--You are of age, and so is she," he added in a lower voice, but loud enough to be heard by Dinah. "She will make you repent bitterly of your happiness! "
"If it is a folly, I intend to commit it.--Good-bye." "A man gone overboard!" cried Bixiou.
"Devil take those friends who think they have a right to preach to you," said Lousteau, opening the door of the bedroom, where he found Madame de la Baudraye sunk in an armchair and dabbing her eyes with an embroidered handkerchief.
"Oh, why did I come here?" sobbed she. "Good Heavens, why indeed?-- Etienne, I am not so provincial as you think me.--You are making a fool of me."
"Darling angel," replied Lousteau, taking Dinah in his arms, lifting her from her chair, and dragging her half dead into the drawing-room, "we have both pledged our future, it is sacrifice for sacrifice. While I was loving you at Sancerre, they were engaging me to be married here, but I refused.--Oh! I was extremely distressed "
"I am going," cried Dinah, starting wildly to her feet and turning to the door.
"You will stay here, my Didine. All is at an end. And is this fortune so lightly earned after all? Must I not marry a gawky, tow-haired creature, with a red nose, the daughter of a notary, and saddle myself with a stepmother who could give Madame de Piedefer points on the score of bigotry--"
Pamela flew in, and whispered in Lousteau's ear: "Madame Schontz!"
Lousteau rose, leaving Dinah on the sofa, and went out.
"It is all over with you, my dear," said the woman. "Cardot does not mean to quarrel with his wife for the sake of a son-in-law. The lady made a scene--something like a scene, I can tell you! So, to conclude, the head- clerk, who was the late head-clerk's deputy for two years, agrees to take the girl with the business."
"Mean wretch!" exclaimed Lousteau. "What! in two hours he has made up his mind?"
"Bless me, that is simple enough. The rascal, who knew all the dead man's little secrets, guessed what a fix his master was in from overhearing a few words of the squabble with Madame Cardot. The notary relies on your honor and good feeling, for the affair is settled. The clerk, whose conduct has been admirable, went so far as to attend mass! A finished hypocrite, I say--just suits the mamma. You and Cardot will still be friends. He is to be a director in an immense financial concern, and he may be of use to you.--So you have been waked from a sweet dream."
"I have lost a fortune, a wife, and--"
"And a mistress," said Madame Schontz, smiling. "Here you are, more than married; you will be insufferable, you will be always wanting to get home, there will be nothing loose about you, neither your clothes nor your habits. And, after all, my Arthur does things in style. I will be faithful to him and cut Malaga's acquaintance.
"Let me peep at her through the door--your Sancerre Muse," she went on. "Is there no finer bird than that to be found in the desert?" she exclaimed. "You are cheated! She is dignified, lean, lachrymose; she only needs Lady Dudley's turban!"
"What is it now?" asked Madame de la Baudraye, who had heard the rustle of a silk dress and the murmur of a woman's voice.
"It is, my darling, that we are now indissolubly united.--I have just had an answer to the letter you saw me write, which was to break off my marriage "
"So that was the party which you gave up?" "Yes."
"Oh, I will be more than your wife--I am your slave, I give you my life," said the poor deluded creature. "I did not believe I could love you more than I did!--Now I shall not be a mere incident, but your whole life?"
"Yes, my beautiful, my generous Didine."
"Swear to me," said she, "that only death shall divide us."
Lousteau was ready to sweeten his vows with the most fascinating prettinesses. And this was why. Between the door of the apartment where he had taken the lorette's farewell kiss, and that of the drawing-room, where the Muse was reclining, bewildered by such a succession of shocks, Lousteau had remembered little De la Baudraye's precarious health, his fine fortune, and Bianchon's remark about Dinah, "She will be a rich widow!" and he said to himself, "I would a hundred times rather have Madame de la Baudraye for a wife than Felicie!"
His plan of action was quickly decided on; he determined to play the farce of passion once more, and to perfection. His mean self- interestedness and his false vehemence of passion had disastrous results. Madame de la Baudraye, when she set out from Sancerre for Paris, had intended to live in rooms of her own quite near to Lousteau; but the proofs of devotion her lover had given her by giving up such brilliant prospects, and yet more the perfect happiness of the first days of their illicit union, kept her from mentioning such a parting. The second day was to be--and indeed was--a high festival, in which such a suggestion proposed to "her angel" would have been a discordant note.
Lousteau, on his part, anxious to make Dinah feel herself dependent on him, kept her in a state of constant intoxication by incessant amusement. These circumstances hindered two persons so clever as these were from avoiding the slough into which they fell--that of a life in common, a piece of folly of which, unfortunately, many instances may be seen in Paris in literary circles.
And thus was the whole programme played out of a provincial amour, so satirically described by Lousteau to Madame de la Baudraye--a fact
which neither he nor she remembered. Passion is born a deaf-mute.
This winter in Paris was to Madame de la Baudraye all that the month of October had been at Sancerre. Etienne, to initiate "his wife" into Paris life, varied this honeymoon by evenings at the play, where Dinah would only go to the stage box. At first Madame de la Baudraye preserved some remnants of her countrified modesty; she was afraid of being seen; she hid her happiness. She would say:
"Monsieur de Clagny or Monsieur Gravier may have followed me to Paris." She was afraid on Sancerre even in Paris.
Lousteau, who was excessively vain, educated Dinah, took her to the best dressmakers, and pointed out to her the most fashionable women, advising her to take them as models for imitation. And Madame de la Baudraye's provincial appearance was soon a thing of the past. Lousteau, when his friends met him, was congratulated on his conquest.
All through that season Etienne wrote little and got very much into debt, though Dinah, who was proud, bought all her clothes out of her savings, and fancied she had not been the smallest expense to her beloved. By the end of three months Dinah was acclimatized; she had reveled in the music at the Italian opera; she knew the pieces "on" at all theatres, and the actors and jests of the day; she had become inured to this life of perpetual excitement, this rapid torrent in which everything is forgotten. She no longer craned her neck or stood with her nose in the air, like an image of Amazement, at the constant surprises that Paris has for a stranger. She had learned to breathe that witty, vitalizing, teeming atmosphere where clever people feel themselves in their element, and which they can no longer bear to quit.
One morning, as she read the papers, for Lousteau had them all, two lines carried her back to Sancerre and the past, two lines that seemed not unfamiliar--as follows:
"Monsieur le Baron de Clagny, Public Prosecutor to the Criminal Court at Sancerre, has been appointed Deputy Public Prosecutor to the Supreme Court in Paris."
"How well that worthy lawyer loves you!" said the journalist, smiling. "Poor man! said she. "What did I tell you? He is following me."
Etienne and Dinah were just then at the most dazzling and fervid stage of a passion when each is perfectly accustomed to the other, and yet love has not lost its freshness and relish. The lovers know each other well, but all is not yet understood; they have not been a second time to the same secret haunts of the soul; they have not studied each other till they know, as they must later, the very thought, word, and gesture that responds to every event, the greatest and the smallest. Enchantment reigns; there are no collisions, no differences of opinion, no cold looks. Their two souls are always on the same side. And Dinah would speak the magical words, emphasized by the yet more magical expression and looks which every woman can use under such circumstances.
"When you cease to love me, kill me.--If you should cease to love me, I believe I could kill you first and myself after."
To this sweet exaggeration, Lousteau would reply:
"All I ask of God is to see you as constant as I shall be. It is you who will desert me!"
"My love is supreme."
"Supreme," echoed Lousteau. "Come, now? Suppose I am dragged away to a bachelor party, and find there one of my former mistresses, and she makes fun of me; I, out of vanity, behave as if I were free, and do not come in here till next morning--would you still love me?"
"A woman is only sure of being loved when she is preferred; and if you came back to me, if--Oh! you make me understand what the happiness would be of forgiving the man I adore."
"Well, then, I am truly loved for the first time in my life!" cried Lousteau.
"At last you understand that!" said she.
Lousteau proposed that they should each write a letter setting forth the reasons which would compel them to end by suicide. Once in possession of such a document, each might kill the other without danger in case of infidelity. But in spite of mutual promises, neither wrote the letter.
The journalist, happy for the moment, promised himself that he would deceive Dinah when he should be tired of her, and would sacrifice everything to the requirements of that deception. To him Madame de la Baudraye was a fortune in herself. At the same time, he felt the yoke.
Dinah, by consenting to this union, showed a generous mind and the power derived from self-respect. In this absolute intimacy, in which both lovers put off their masks, the young woman never abdicated her modesty, her masculine rectitude, and the strength peculiar to ambitious souls, which formed the basis of her character. Lousteau involuntarily held her in high esteem. As a Parisian, Dinah was superior to the most fascinating courtesan; she could be as amusing and as witty as Malaga; but her extensive information, her habits of mind, her vast reading enabled her to generalize her wit, while the Florines and the Schontzes exerted theirs over a very narrow circle.
"There is in Dinah," said Etienne to Bixiou, "the stuff to make both a Ninon and a De Stael.""A woman who combines an encyclopaedia and a seraglio is very dangerous," replied the mocking spirit.
When the expected infant became a visible fact, Madame de la Baudraye would be seen no more; but before shutting herself up, never to go out unless into the country, she was bent on being present at the first performance of a play by Nathan. This literary solemnity occupied the minds of the two thousand persons who regard themselves as constituting "all Paris." Dinah, who had never been at a first night's performance, was very full of natural curiosity. She had by this time arrived at such a pitch of affection for Lousteau that she gloried in her misconduct; she exerted a sort of savage strength to defy the world; she was determined to look it in the face without turning her head aside.
She dressed herself to perfection, in a style suited to her delicate looks and the sickly whiteness of her face. Her pallid complexion gave her an expression of refinement, and her black hair in smooth bands enhanced her pallor. Her brilliant gray eyes looked finer than ever, set in dark rings. But a terribly distressing incident awaited her. By a very simple chance, the box given to the journalist, on the first tier, was next to that which Anna
Grossetete had taken. The two intimate friends did not even bow; neither chose to acknowledge the other. At the end of the first act Lousteau left his seat, abandoning Dinah to the fire of eyes, the glare of opera-glasses; while the Baronne de Fontaine and the Comtesse Marie de Vandenesse, who accompanied her, received some of the most distinguished men of fashion.
Dinah's solitude was all the more distressing because she had not the art of putting a good face to the matter by examining the company through her opera-glass. In vain did she try to assume a dignified and thoughtful attitude, and fix her eyes on vacancy; she was overpoweringly conscious of being the object of general attention; she could not disguise her discomfort, and lapsed a little into provincialism, displaying her handkerchief and making involuntary movements of which she had almost cured herself. At last, between the second and third acts, a man had himself admitted to Dinah's box! It was Monsieur de Clagny.
"I am happy to see you, to tell you how much I am pleased by your promotion," said she.
"Oh! Madame, for whom should I come to Paris ?"
"What!" said she. "Have I anything to do with your appointment?" "Everything," said he. "Since you left Sancerre, it had become
intolerable to me; I was dying--"
"Your sincere friendship does me good," replied she, holding out her hand. "I am in a position to make much of my true friends; I now know their value.--I feared I must have lost your esteem, but the proof you have given me by this visit touches me more deeply than your ten years' attachment."
"You are an object of curiosity to the whole house," said the lawyer. "Oh! my dear, is this a part for you to be playing? Could you not be happy and yet remain honored?--I have just heard that you are Monsieur Etienne Lousteau's mistress, that you live together as man and wife!-- You have broken for ever with society; even if you should some day marry your lover, the time will come when you will feel the want of the respectability you now despise. Ought you not to be in a home of your own with your
mother, who loves you well enough to protect you with her aegis?-- Appearances at least would be saved."
"I am in the wrong to have come here," replied she, "that is all.--I have bid farewell to all the advantages which the world confers on women who know how to reconcile happiness and the proprieties. My abnegation is so complete that I only wish I could clear a vast space about me to make a desert of my love, full of God, of /him/, and of myself.--We have made too many sacrifices on both sides not to be united--united by disgrace if you will, but indissolubly one. I am happy; so happy that I can love freely, my friend, and confide in you more than of old--for I need a friend."
The lawyer was magnanimous, nay, truly great. To this declaration, in which Dinah's soul thrilled, he replied in heartrending tones:
"I wanted to go to see you, to be sure that you were loved: I shall now be easy and no longer alarmed as to your future.--But will your lover appreciate the magnitude of your sacrifice; is there any gratitude in his affection?"
"Come to the Rue des Martyrs and you will see!"
"Yes, I will call," he replied. "I have already passed your door without daring to inquire for you.--You do not yet know the literary world. There are glorious exceptions, no doubt; but these men of letters drag terrible evils in their train; among these I account publicity as one of the greatest, for it blights everything. A woman may commit herself with--"
"With a Public Prosecutor?" the Baronne put in with a smile.
"Well!--and then after a rupture there is still something to fall back on; the world has known nothing. But with a more or less famous man the public is thoroughly informed. Why look there! What an example you have close at hand! You are sitting back to back with the Comtesse Marie Vandenesse, who was within an ace of committing the utmost folly for a more celebrated man than Lousteau--for Nathan--and now they do not even recognize each other. After going to the very edge of the precipice, the Countess was saved, no one knows how; she neither left her husband nor her house; but as a famous man was scorned, she was the talk of the town for a whole winter. But her husband's great fortune, great name, and
high position, but for the admirable management of that true statesman-- whose conduct to his wife, they say, was perfect--she would have been ruined; in her position no other woman would have remained respected as she is."
"And how was Sancerre when you came away?" asked Madame de la Baudraye, to change the subject.
"Monsieur de la Baudraye announced that your expected confinement after so many years made it necessary that it should take place in Paris, and that he had insisted on your going to be attended by the first physicians," replied Monsieur de Clagny, guessing what it was that Dinah most wanted to know. "And so, in spite of the commotion to which your departure gave rise, you still have your legal status."
"Why!" she exclaimed, "can Monsieur de la Baudraye still hope "
"Your husband, madame, did what he always does--made a little calculation."
The lawyer left the box when the journalist returned, bowing with dignity.
"You are a greater hit than the piece," said Etienne to Dinah.
This brief triumph brought greater happiness to the poor woman than she had ever known in the whole of her provincial existence; still, as they left the theatre she was very grave.
"What ails you, my Didine?" asked Lousteau.
"I am wondering how a woman succeeds in conquering the world?" "There are two ways. One is by being Madame de Stael, the other is by
having two hundred thousand francs a year."
"Society," said she, "asserts its hold on us by appealing to our vanity, our love of appearances.--Pooh! We will be philosophers!"
That evening was the last gleam of the delusive well-being in which Madame de la Baudraye had lived since coming to Paris. Three days later she observed a cloud on Lousteau's brow as he walked round the little garden-plot smoking a cigar. This woman, who had acquired from her husband the habit and the pleasure of never owing anybody a sou, was
informed that the household was penniless, with two quarters' rent owing, and on the eve, in fact, of an execution.
This reality of Paris life pierced Dinah's heart like a thorn; she repented of having tempted Etienne into the extravagances of love. It is so difficult to pass from pleasure to work, that happiness has wrecked more poems than sorrows ever helped to flow in sparkling jets. Dinah, happy in seeing Etienne taking his ease, smoking a cigar after breakfast, his face beaming as he basked like a lizard in the sunshine, could not summon up courage enough to make herself the bum- bailiff of a magazine.
It struck her that through the worthy Migeon, Pamela's father, she might pawn the few jewels she possessed, on which her "uncle," for she was learning to talk the slang of the town, advanced her nine hundred francs. She kept three hundred for her baby-clothes and the expenses of her illness, and joyfully presented the sum due to Lousteau, who was ploughing, furrow by furrow, or, if you will, line by line, through a novel for a periodical.
"Dearest heart," said she, "finish your novel without making any sacrifice to necessity; polish the style, work up the subject.--I have played the fine lady too long; I am going to be the housewife and attend to business."
For the last four months Etienne had been taking Dinah to the Cafe Riche to dine every day, a corner being always kept for them. The countrywoman was in dismay at being told that five hundred francs were owing for the last fortnight.
"What! we have been drinking wine at six francs a bottle! A sole
/Normande/ costs five francs!--and twenty centimes for a roll?" she exclaimed, as she looked through the bill Lousteau showed her.
"Well, it makes very little difference to us whether we are robbed at a restaurant or by a cook," said Lousteau.
"Henceforth, for the cost of your dinner, you shall live like a prince." Having induced the landlord to let her have a kitchen and two servants'
rooms, Madame de la Baudraye wrote a few lines to her mother, begging her to send her some linen and a loan of a thousand francs. She received
two trunks full of linen, some plate, and two thousand francs, sent by the hand of an honest and pious cook recommended her by her mother.
Ten days after the evening at the theatre when they had met, Monsieur de Clagny came to call at four o'clock, after coming out of court, and found Madame de la Baudraye making a little cap. The sight of this proud and ambitious woman, whose mind was so accomplished, and who had queened it so well at the Chateau d'Anzy, now condescending to household cares and sewing for the coming infant, moved the poor lawyer, who had just left the bench. And as he saw the pricks on one of the taper fingers he had so often kissed, he understood that Madame de la Baudraye was not merely playing at this maternal task.
In the course of this first interview the magistrate saw to the depths of Dinah's soul. This perspicacity in a man so much in love was a superhuman effort. He saw that Didine meant to be the journalist's guardian spirit and lead him into a nobler road; she had seen that the difficulties of his practical life were due to some moral defects. Between two beings united by love--in one so genuine, and in the other so well feigned--more than one confidence had been exchanged in the course of four months. Notwithstanding the care with which Etienne wrapped up his true self, a word now and then had not failed to enlighten Dinah as to the previous life of a man whose talents were so hampered by poverty, so perverted by bad examples, so thwarted by obstacles beyond his courage to surmount. "He will be a greater man if life is easy to him," said she to herself. And she strove to make him happy, to give him the sense of a sheltered home by dint of such economy and method as are familiar to provincial folks. Thus Dinah became a housekeeper, as she had become a poet, by the soaring of her soul towards the heights.
"His happiness will be my absolution."
These words, wrung from Madame de la Baudraye by her friend the lawyer, accounted for the existing state of things. The publicity of his triumph, flaunted by Etienne on the evening of the first performance, had very plainly shown the lawyer what Lousteau's purpose was. To Etienne, Madame de la Baudraye was, to use his own phrase, "a fine feather in his
cap." Far from preferring the joys of a shy and mysterious passion, of hiding such exquisite happiness from the eyes of the world, he found a vulgar satisfaction in displaying the first woman of respectability who had ever honored him with her affection.
The Judge, however, was for some time deceived by the attentions which any man would lavish on any woman in Madame de la Baudraye's situation, and Lousteau made them doubly charming by the ingratiating ways characteristic of men whose manners are naturally attractive. There are, in fact, men who have something of the monkey in them by nature, and to whom the assumption of the most engaging forms of sentiment is so easy that the actor is not detected; and Lousteau's natural gifts had been fully developed on the stage on which he had hitherto figured.
Between the months of April and July, when Dinah expected her confinement, she discovered why it was that Lousteau had not triumphed over poverty; he was idle and had no power of will. The brain, to be sure, must obey its own laws; it recognizes neither the exigencies of life nor the voice of honor; a man cannot write a great book because a woman is dying, or to pay a discreditable debt, or to bring up a family; at the same time, there is no great talent without a strong will. These twin forces are requisite for the erection of the vast edifice of personal glory. A distinguished genius keeps his brain in a productive condition, just as the knights of old kept their weapons always ready for battle. They conquer indolence, they deny themselves enervating pleasures, or indulge only to a fixed limit proportioned to their powers. This explains the life of such men as Walter Scott, Cuvier, Voltaire, Newton, Buffon, Bayle, Bossuet, Leibnitz, Lopez de Vega, Calderon, Boccacio, Aretino, Aristotle--in short, every man who delighted, governed, or led his contemporaries.
A man may and ought to pride himself more on his will than on his talent. Though Talent has its germ in a cultivated gift, Will means the incessant conquest of his instincts, of proclivities subdued and mortified, and difficulties of every kind heroically defeated. The abuse of smoking encouraged Lousteau's indolence. Tobacco, which can lull grief, inevitably numbs a man's energy.
Then, while the cigar deteriorated him physically, criticism as a profession morally stultified a man so easily tempted by pleasure. Criticism is as fatal to the critic as seeing two sides to a question is to a pleader. In these professions the judgment is undermined, the mind loses its lucid rectitude. The writer lives by taking sides. Thus, we may distinguish two kinds of criticism, as in painting we may distinguish art from practical dexterity. Criticism, after the pattern of most contemporary leader-writers, is the expression of judgments formed at random in a more or less witty way, just as an advocate pleads in court on the most contradictory briefs. The newspaper critic always finds a subject to work up in the book he is discussing. Done after this fashion, the business is well adapted to indolent brains, to men devoid of the sublime faculty of imagination, or, possessed of it indeed, but lacking courage to cultivate it. Every play, every book comes to their pen as a subject, making no demand on their imagination, and of which they simply write a report, seriously or in irony, according to the mood of the moment. As to an opinion, whatever it may be, French wit can always justify it, being admirably ready to defend either side of any case. And conscience counts for so little, these
/bravi/ have so little value for their own words, that they will loudly praise in the greenroom the work they tear to tatters in print.
Nay, men have been known to transfer their services from one paper to another without being at the pains to consider that the opinions of the new sheet must be diametrically antagonistic to those of the old. Madame de la Baudraye could smile to see Lousteau with one article on the Legitimist side and one on the side of the new dynasty, both on the same occasion. She admired the maxim he preached:
"We are the attorneys of public opinion."
The other kind of criticism is a science. It necessitates a thorough comprehension of each work, a lucid insight into the tendencies of the age, the adoption of a system, and faith in fixed principles--that is to say, a scheme of jurisprudence, a summing-up, and a verdict. The critic is then a magistrate of ideas, the censor of his time; he fulfils a sacred function; while in the former case he is but an acrobat who turns somersaults for a
living so long as he had a leg to stand on. Between Claude Vignon and Lousteau lay the gulf that divides mere dexterity from art.
Dinah, whose mind was soon freed from rust, and whose intellect was by no means narrow, had ere long taken literary measure of her idol. She saw Lousteau working up to the last minute under the most discreditable compulsion, and scamping his work, as painters say of a picture from which sound technique is absent; but she would excuse him by saying, "He is a poet!" so anxious was she to justify him in her own eyes. When she thus guessed the secret of many a writer's existence, she also guessed that Lousteau's pen could never be trusted to as a resource.
Then her love for him led her to take a step she would never had thought of for her own sake. Through her mother she tried to negotiate with her husband for an allowance, but without Etienne's knowledge; for, as she thought, it would be an offence to his delicate feelings, which must be considered. A few days before the end of July, Dinah crumbled up in her wrath the letter from her mother containing Monsieur de la Baudraye's ultimatum:
"Madame de la Baudraye cannot need an allowance in Paris when she can live in perfect luxury at her Chateau of Anzy: she may return."
Lousteau picked up this letter and read it.
"I will avenge you!" said he to Dinah in the ominous tone that delights a woman when her antipathies are flattered.
Five days after this Bianchon and Duriau, the famous ladies' doctor, were engaged at Lousteau's; for he, ever since little La Baudraye's reply, had been making a great display of his joy and importance over the advent of the infant. Monsieur de Clagny and Madame Piedefer--sent for in all haste were to be the godparents, for the cautious magistrate feared lest Lousteau should commit some compromising blunder. Madame de la Baudraye gave birth to a boy that might have filled a queen with envy who hoped for an heir-presumptive.
Bianchon and Monsieur de Clagny went off to register the child at the Mayor's office as the son of Monsieur and Madame de la Baudraye, unknown to Etienne, who, on his part, rushed off to a printer's to have this
circular set up:
/"Madame la Baronne de la Baudraye is happily delivered of a son. "Monsieur Etienne Lousteau has the pleasure of informing you of the
fact.
"The mother and child are doing well."/
Lousteau had already sent out sixty of these announcements when Monsieur de Clagny, on coming to make inquiries, happened to see the list of persons at Sancerre to whom Lousteau proposed to send this amazing notice, written below the names of the persons in Paris to whom it was already gone. The lawyer confiscated the list and the remainder of the circulars, showed them to Madame Piedefer, begging her on no account to allow Lousteau to carry on this atrocious jest, and jumped into a cab. The devoted friend then ordered from the same printer another announcement in the following words:
/"Madame la Baronne de la Baudraye is happily delivered of a son. "Monsieur le Baron de la Baudraye has the honor of informing you of
the fact.
"Mother and child are doing well."/
After seeing the proofs destroyed, the form of type, everything that could bear witness to the existence of the former document, Monsieur de Clagny set to work to intercept those that had been sent; in many cases he changed them at the porter's lodge, he got back thirty into his own hands, and at last, after three days of hard work, only one of the original notes existed, that, namely sent to Nathan.
Five times had the lawyer called on the great man without finding him. By the time Monsieur de Clagny was admitted, after requesting an interview, the story of the announcement was known to all Paris. Some persons regarded it as one of those waggish calumnies, a sort of stab to which every reputation, even the most ephemeral, is exposed; others said they had read the paper and returned it to some friend of the La Baudraye family; a great many declaimed against the immorality of journalists; in short, this last remaining specimen was regarded as a curiosity. Florine, with whom Nathan was living, had shown it about, stamped in the post as
paid, and addressed in Etienne's hand. So, as soon as the judge spoke of the announcement, Nathan began to smile.
"Give up that monument of recklessness and folly?" cried he. "That autograph is one of those weapons which an athlete in the circus cannot afford to lay down. That note proves that Lousteau has no heart, no taste, no dignity; that he knows nothing of the world nor of public morality; that he insults himself when he can find no one else to insult.--None but the son of a provincial citizen imported from Sancerre to become a poet, but who is only the /bravo/ of some contemptible magazine, could ever have sent out such a circular letter, as you must allow, monsieur. This is a document indispensable to the archives of the age.--To-day Lousteau flatters me, to-morrow he may ask for my head.--Excuse me, I forgot you were a judge.
"I have gone through a passion for a lady, a great lady, as far superior to Madame de la Baudraye as your fine feeling, monsieur, is superior to Lousteau's vulgar retaliation; but I would have died rather than utter her name. A few months of her airs and graces cost me a hundred thousand francs and my prospects for life; but I do not think the price too high!-- And I have never murmured!--If a woman betrays the secret of her passion, it is the supreme offering of her love, but a man!--He must be a Lousteau!
"No, I would not give up that paper for a thousand crowns." "Monsieur," said the lawyer at last, after an eloquent battle lasting half
an hour, "I have called on fifteen or sixteen men of letters about this affair, and can it be that you are the only one immovable by an appeal of honor? It is not for Etienne Lousteau that I plead, but for a woman and child, both equally ignorant of the damage done to their fortune, their prospects, and their honor.--Who knows, monsieur, whether you might not some day be compelled to plead for some favor of justice for a friend, for some person whose honor was dearer to you than your own.--It might be remembered against you that you had been ruthless.--Can such a man as you are hesitate?" added Monsieur de Clagny.
"I only wished you to understand the extent of the sacrifice," replied Nathan, giving up the letter, as he reflected on the judge's influence and
accepted this implied bargain.
When the journalist's stupid jest had been counteracted, Monsieur de Clagny went to give him a rating in the presence of Madame Piedefer; but he found Lousteau fuming with irritation.
"What I did monsieur, I did with a purpose!" replied Etienne. "Monsieur de la Baudraye has sixty thousand francs a year and refuses to make his wife an allowance; I wished to make him feel that the child is in my power."
"Yes, monsieur, I quite suspected it," replied the lawyer. "For that reason I readily agreed to be little Polydore's godfather, and he is registered as the son of the Baron and Baronne de la Baudraye; if you have the feelings of a father, you ought to rejoice in knowing that the child is heir to one of the finest entailed estates in France."
"And pray, sir, is the mother to die of hunger?"
"Be quite easy," said the lawyer bitterly, having dragged from Lousteau the expression of feeling he had so long been expecting. "I will undertake to transact the matter with Monsieur de la Baudraye."
Monsieur de Clagny left the house with a chill at his heart.
Dinah, his idol, was loved for her money. Would she not, when too late, have her eyes opened?
"Poor woman!" said the lawyer, as he walked away. And this justice we will do him--for to whom should justice be done unless to a Judge?--he loved Dinah too sincerely to regard her degradation as a means of triumph one day; he was all pity and devotion; he really loved her.
The care and nursing of the infant, its cries, the quiet needed for the mother during the first few days, and the ubiquity of Madame Piedefer, were so entirely adverse to literary labors, that Lousteau moved up to the three rooms taken on the first floor for the old bigot. The journalist, obliged to go to the first performances without Dinah, and living apart from her, found an indescribable charm in the use of his liberty. More than once he submitted to be taken by the arm and dragged off to some jollification; more than once he found himself at the house of a friend's
mistress in the heart of bohemia. He again saw women brilliantly young and splendidly dressed, in whom economy seemed treason to their youth and power. Dinah, in spite of her striking beauty, after nursing her baby for three months, could not stand comparison with these perishable blossoms, so soon faded, but so showy as long as they live rooted in opulence.
Home life had, nevertheless, a strong attraction for Etienne. In three months the mother and daughter, with the help of the cook from Sancerre and of little Pamela, had given the apartment a quite changed appearance. The journalist found his breakfast and his dinner served with a sort of luxury. Dinah, handsome and nicely dressed, was careful to anticipate her dear Etienne's wishes, and he felt himself the king of his home, where everything, even the baby, was subject to his selfishness. Dinah's affection was to be seen in every trifle, Lousteau could not possibly cease the entrancing deceptions of his unreal passion.
Dinah, meanwhile, was aware of a source of ruin, both to her love and to the household, in the kind of life into which Lousteau had allowed himself to drift. At the end of ten months she weaned her baby, installed her mother in the upstairs rooms, and restored the family intimacy which indissolubly links a man and woman when the woman is loving and clever. One of the most striking circumstances in Benjamin Constant's novel, one of the explanations of Ellenore's desertion, is the want of daily--or, if you will, of nightly--intercourse between her and Adolphe. Each of the lovers has a separate home; they have both submitted to the world and saved appearances. Ellenore, repeatedly left to herself, is compelled to vast labors of affection to expel the thoughts of release which captivate Adolphe when absent. The constant exchange of glances and thoughts in domestic life gives a woman such power that a man needs stronger reasons for desertion than she will ever give him so long as she loves him.
This was an entirely new phase both to Etienne and to Dinah. Dinah intended to be indispensable; she wanted to infuse fresh energy into this man, whose weakness smiled upon her, for she thought it a security. She found him subjects, sketched the treatment, and at a pinch, would write whole chapters. She revived the vitality of this dying talent by transfusing
fresh blood into his veins; she supplied him with ideas and opinions. In short, she produced two books which were a success. More than once she saved Lousteau's self-esteem by dictating, correcting, or finishing his articles when he was in despair at his own lack of ideas. The secret of this collaboration was strictly preserved; Madame Piedefer knew nothing of it.
This mental galvanism was rewarded by improved pay, enabling them to live comfortably till the end of 1838. Lousteau became used to seeing Dinah do his work, and he paid her--as the French people say in their vigorous lingo--in "monkey money," nothing for her pains. This expenditure in self-sacrifice becomes a treasure which generous souls prize, and the more she gave the more she loved Lousteau; the time soon came when Dinah felt that it would be too bitter a grief ever to give him up.
But then another child was coming, and this year was a terrible trial. In spite of the precautions of the two women, Etienne contracted debts; he worked himself to death to pay them off while Dinah was laid up; and, knowing him as she did, she thought him heroic. But after this effort, appalled at having two women, two children, and two maids on his hands, he was incapable of the struggle to maintain a family by his pen when he had failed to maintain even himself. So he let things take their chance. Then the ruthless speculator exaggerated the farce of love-making at home to secure greater liberty abroad.
Dinah proudly endured the burden of life without support. The one idea, "He loves me!" gave her superhuman strength. She worked as hard as the most energetic spirits of our time. At the risk of her beauty and health, Didine was to Lousteau what Mademoiselle Delachaux was to Gardane in Diderot's noble and true tale. But while sacrificing herself, she committed the magnanimous blunder of sacrificing dress. She had her gowns dyed, and wore nothing but black. She stank of black, as Malaga said, making fun mercilessly of Lousteau.
By the end of 1839, Etienne, following the example of Louis XV., had, by dint of gradual capitulations of conscience, come to the point of establishing a distinction between his own money and the housekeeping
money, just as Louis XV. drew the line between his privy purse and the public moneys. He deceived Dinah as to his earnings. On discovering this baseness, Madame de la Baudraye went through fearful tortures of jealousy. She wanted to live two lives--the life of the world and the life of a literary woman; she accompanied Lousteau to every first- night performance, and could detect in him many impulses of wounded vanity, for her black attire rubbed off, as it were, on him, clouding his brow, and sometimes leading him to be quite brutal. He was really the woman of the two; and he had all a woman's exacting perversity; he would reproach Dinah for the dowdiness of her appearance, even while benefiting by the sacrifice, which to a mistress is so cruel--exactly like a woman who, after sending a man through a gutter to save her honor, tells him she "cannot bear dirt!" when he comes out.
Dinah then found herself obliged to gather up the rather loose reins of power by which a clever woman drives a man devoid of will. But in so doing she could not fail to lose much of her moral lustre. Such suspicions as she betrayed drag a woman into quarrels which lead to disrespect, because she herself comes down from the high level on which she had at first placed herself. Next she made some concession; Lousteau was allowed to entertain several of his friends--Nathan, Bixiou, Blondet, Finot, whose manners, language, and intercourse were depraving. They tried to convince Madame de la Baudraye that her principles and aversions were a survival of provincial prudishness; and they preached the creed of woman's superiority.
Before long, her jealousy put weapons into Lousteau's hands. During the carnival of 1840, she disguised herself to go to the balls at the Opera- house, and to suppers where she met courtesans, in order to keep an eye on all Etienne's amusements.
On the day of Mid-Lent--or rather, at eight on the morning after-- Dinah came home from the ball in her fancy dress to go to bed. She had gone to spy on Lousteau, who, believing her to be ill, had engaged himself for that evening to Fanny Beaupre. The journalist, warned by a friend, had behaved so as to deceive the poor woman, only too ready to be deceived.
As she stepped out of the hired cab, Dinah met Monsieur de la Baudraye, to whom the porter pointed her out. The little old man took his wife by the arm, saying, in an icy tone:
"So this is you, madame!"
This sudden advent of conjugal authority, before which she felt herself so small, and, above all, these words, almost froze the heart of the unhappy woman caught in the costume of a /debardeur/. To escape Etienne's eye the more effectually, she had chosen a dress he was not likely to detect her in. She took advantage of the mask she still had on to escape without replying, changed her dress, and went up to her mother's rooms, where she found her husband waiting for her. In spite of her assumed dignity, she blushed in the old man's presence.
"What do you want of me, monsieur?" she asked. "Are we not separated forever?"
"Actually, yes," said Monsieur de la Baudraye. "Legally, no."
Madame Piedefer was telegraphing signals to her daughter, which Dinah presently observed and understood.
"Nothing could have brought you here but your own interests," she said, in a bitter tone.
"/Our/ interests," said the little man coldly, "for we have twochildren.-- Your Uncle Silas Piedefer is dead, at New York, where, after having made and lost several fortunes in various parts of the world, he has finally left some seven or eight hundred thousand francs --they say twelve--but there is stock-in-trade to be sold. I am the chief in our common interests, and act for you."
"Oh!" cried Dinah, "in everything that relates to business, I trust no one but Monsieur de Clagny. He knows the law, come to terms with him; what he does, will be done right."
"I have no occasion for Monsieur de Clagny," answered Monsieur de la Baudraye, "to take my children from you--"
"Your children!" exclaimed Dinah. "Your children, to whom you have not sent a sou! /Your/ children!" She burst into a loud shout of laughter; but Monsieur de la Baudraye's unmoved coolness threw ice on the
explosion.
"Your mother has just brought them to show me," he went on. "They are charming boys. I do not intend to part from them. I shall take them to our house at Anzy, if it were only to save them from seeing their mother disguised like a--"
"Silence!" said Madame de la Baudraye imperatively. "What do you want of me that brought you here?"
"A power of attorney to receive our Uncle Silas' property."
Dinah took a pen, wrote two lines to Monsieur de Clagny, and desired her husband to call again in the afternoon.
At five o'clock, Monsieur de Clagny--who had been promoted to the post of Attorney-General--enlightened Madame de la Baudraye as to her position; still, he undertook to arrange everything by a bargain with the old fellow, whose visit had been prompted by avarice alone. Monsieur de la Baudraye, to whom his wife's power of attorney was indispensable to enable him to deal with the business as he wished, purchased it by certain concessions. In the first place, he undertook to allow her ten thousand francs a year so long as she found it convenient--so the document was worded--to reside in Paris; the children, each on attaining the age of six, were to be placed in Monsieur de la Baudraye's keeping. Finally, the lawyer extracted the payment of the allowance in advance.
Little La Baudraye, who came jauntily enough to say good-bye to his wife and /his/ children, appeared in a white india-rubber overcoat. He was so firm on his feet, and so exactly like the La Baudraye of 1836, that Dinah despaired of ever burying the dreadful little dwarf. From the garden, where he was smoking a cigar, the journalist could watch Monsieur de la Baudraye for so long as it took the little reptile to cross the forecourt, but that was enough for Lousteau; it was plain to him that the little man had intended to wreck every hope of his dying that his wife might have conceived.
This short scene made a considerable change in the writer's secret scheming. As he smoked a second cigar, he seriously reviewed the position.
His life with Madame de la Baudraye had hitherto cost him quite as much as it had cost her. To use the language of business, the two sides of the account balanced, and they could, if necessary, cry quits. Considering how small his income was, and how hardly he earned it, Lousteau regarded himself, morally speaking, as the creditor. It was, no doubt, a favorable moment for throwing the woman over. Tired at the end of three years of playing a comedy which never can become a habit, he was perpetually concealing his weariness; and this fellow, who was accustomed to disguise none of his feelings, compelled himself to wear a smile at home like that of a debtor in the presence of his creditor. This compulsion was every day more intolerable.
Hitherto the immense advantages he foresaw in the future had given him strength; but when he saw Monsieur de la Baudraye embark for the United States, as briskly as if it were to go down to Rouen in a steamboat, he ceased to believe in the future.
He went in from the garden to the pretty drawing-room, where Dinah had just taken leave of her husband.
"Etienne," said Madame de la Baudraye, "do you know what my lord and master has proposed to me? In the event of my wishing to return to live at Anzy during his absence, he has left his orders, and he hopes that my mother's good advice will weigh with me, and that I shall go back there with my children."
"It is very good advice," replied Lousteau drily, knowing the passionate disclaimer that Dinah expected, and indeed begged for with her eyes.
The tone, the words, the cold look, all hit the hapless woman so hard, who lived only in her love, that two large tears trickled slowly down her cheeks, while she did not speak a word, and Lousteau only saw them when she took out her handkerchief to wipe away these two beads of anguish.
"What is it, Didine?" he asked, touched to the heart by this excessive sensibility.
"Just as I was priding myself on having won our freedom," said she-- "at the cost of my fortune--by selling--what is most precious to a mother's
heart--selling my children!--for he is to have them from the age of six--and I cannot see them without going to Sancerre!--and that is torture!--Ah, dear God! What have I done ?"
Lousteau knelt down by her and kissed her hands with a lavish display of coaxing and petting.
"You do not understand me," said he. "I blame myself, for I am not worth such sacrifices, dear angel. I am, in a literary sense, a quite second- rate man. If the day comes when I can no longer cut a figure at the bottom of the newspaper, the editors will let me lie, like an old shoe flung into the rubbish heap. Remember, we tight-rope dancers have no retiring pension! The State would have too many clever men on its hands if it started on such a career of beneficence. I am forty-two, and I am as idle as a marmot. I feel it--I know it"--and he took her by the hand--"my love can only be fatal to you.
"As you know, at two-and-twenty I lived on Florine; but what is excusable in a youth, what then seems smart and charming, is a disgrace to a man of forty. Hitherto we have shared the burden of existence, and it has not been lovely for this year and half. Out of devotion to me you wear nothing but black, and that does me no credit."--Dinah gave one of those magnanimous shrugs which are worth all the words ever spoken.--"Yes," Etienne went on, "I know you sacrifice everything to my whims, even your beauty. And I, with a heart worn out in past struggles, a soul full of dark presentiments as to the future, I cannot repay your exquisite love with an equal affection. We were very happy--without a cloud--for a long time.-
- Well, then, I cannot bear to see so sweet a poem end badly. Am I wrong?"
Madame de la Baudraye loved Etienne so truly, that this prudence, worthy of de Clagny, gratified her and stanched her tears.
"He loves me for myself alone!" thought she, looking at him with smiling eyes.
After four years of intimacy, this woman's love now combined every shade of affection which our powers of analysis can discern, and which modern society has created; one of the most remarkable men of our age,
whose death is a recent loss to the world of letters, Beyle (Stendhal), was the first to delineate them to perfection.
Lousteau could produce in Dinah the acute agitation which may be compared to magnetism, that upsets every power of the mind and body, and overcomes every instinct of resistance in a woman. A look from him, or his hand laid on hers, reduced her to implicit obedience. A kind word or a smile wreathed the poor woman's soul with flowers; a fond look elated, a cold look depressed her. When she walked, taking his arm and keeping step with him in the street or on the boulevard, she was so entirely absorbed in him that she lost all sense of herself. Fascinated by this fellow's wit, magnetized by his airs, his vices were but trivial defects in her eyes. She loved the puffs of cigar smoke that the wind brought into her room from the garden; she went to inhale them, and made no wry faces, hiding herself to enjoy them. She hated the publisher or the newspaper editor who refused Lousteau money on the ground of the enormous advances he had had already. She deluded herself so far as to believe that her bohemian was writing a novel, for which the payment was to come, instead of working off a debt long since incurred.
This, no doubt, is true love, and includes every mode of loving; the love of the heart and of the head--passion, caprice, and taste--to accept Beyle's definitions. Didine loved him so wholly, that in certain moments when her critical judgment, just by nature, and constantly exercised since she had lived in Paris, compelled her to read to the bottom of Lousteau's soul, sense was still too much for reason, and suggested excuses.
"And what am I?" she replied. "A woman who has put herself outside the pale. Since I have sacrificed all a woman's honor, why should you not sacrifice to me some of a man's honor? Do we not live outside the limits of social conventionality? Why not accept from me what Nathan can accept from Florine? We will square accounts when we part, and only death can part us--you know. My happiness is your honor, Etienne, as my constancy and your happiness are mine. If I fail to make you happy, all is at an end. If I cause you a pang, condemn me.
"Our debts are paid; we have ten thousand francs a year, and between
us we can certainly make eight thousand francs a year--I will write theatrical articles.--With fifteen hundred francs a month we shall be as rich as Rothschild.--Be quite easy. I will have some lovely dresses, and give you every day some gratified vanity, as on the first night of Nathan's play-- "
"And what about your mother, who goes to Mass every day, and wants to bring a priest to the house and make you give up this way of life?"
"Every one has a pet vice. You smoke, she preaches at me, poor woman! But she takes great care of the children, she takes them out, she is absolutely devoted, and idolizes me. Would you hinder her from crying?"
"What will be thought of me?"
"But we do not live for the world!" cried she, raising Etienne and making him sit by her. "Besides, we shall be married some day--we have the risks of a sea voyage "
"I never thought of that," said Lousteau simply; and he added to himself, "Time enough to part when little La Baudraye is safe back again."
From that day forth Etienne lived in luxury; and Dinah, on first nights, could hold her own with the best dressed women in Paris. Lousteau was so fatuous as to affect, among his friends, the attitude of a man overborne, bored to extinction, ruined by Madame de la Baudraye.
"Oh, what would I not give to the friend who would deliver me from Dinah! But no one ever can!" said he. "She loves me enough to throw herself out of the window if I told her."
The journalist was duly pitied; he would take precautions against Dinah's jealousy when he accepted an invitation. And then he was shamelessly unfaithful. Monsieur de Clagny, really in despair at seeing Dinah in such disgraceful circumstances when she might have been so rich, and in so wretched a position at the time when her original ambitions would have been fulfilled, came to warn her, to tell her--"You are betrayed," and she only replied, "I know it."
The lawyer was silenced; still he found his tongue to say one thing. Madame de la Baudraye interrupted him when he had scarcely spoken
a word.
"Do you still love me?" she asked.
"I would lose my soul for you!" he exclaimed, starting to his feet.
The hapless man's eyes flashed like torches, he trembled like a leaf, his throat was rigid, his hair thrilled to the roots; he believed he was so blessed as to be accepted as his idol's avenger, and this poor joy filled him with rapture.
"Why are you so startled?" said she, making him sit down again. "That is how I love him."
The lawyer understood this argument /ad hominem/. And there were tears in the eyes of the Judge, who had just condemned a man to death!
Lousteau's satiety, that odious conclusion of such illicit relations, had betrayed itself in a thousand little things, which are like grains of sand thrown against the panes of the little magical hut where those who love dwell and dream. These grains of sand, which grow to be pebbles, had never been discerned by Dinah till they were as big as rocks. Madame de la Baudraye had at last thoroughly understood Lousteau's character.
"He is," she said to her mother, "a poet, defenceless against disaster, mean out of laziness, not for want of heart, and rather too prone to pleasure; in short, a great cat, whom it is impossible to hate. What would become of him without me? I hindered his marriage; he has no prospects. His talent would perish in privations."
"Oh, my Dinah!" Madame Piedefer had exclaimed, "what a hell you live in! What is the feeling that gives you strength enough to persist?"
"I will be a mother to him!" she had replied.
There are certain horrible situations in which we come to no decision till the moment when our friends discern our dishonor. We accept compromises with ourself so long as we escape a censor who comes to play prosecutor. Monsieur de Clagny, as clumsy as a tortured man, had been torturing Dinah.
"To preserve my love I will be all that Madame de Pompadour was to preserve her power," said she to herself when Monsieur de Clagny had left her. And this phrase sufficiently proves that her love was becoming a
burden to her, and would presently be a toil rather than a pleasure.
The part now assumed by Dinah was horribly painful, and Lousteau made it no easier to play. When he wanted to go out after dinner he would perform the tenderest little farces of affection, and address Dinah in words full of devotion; he would take her by the chain, and when he had bruised her with it, even while he hurt her, the lordly ingrate would say, "Did I wound you?"
These false caresses and deceptions had degrading consequences for Dinah, who believed in a revival of his love. The mother, alas, gave way to the mistress with shameful readiness. She felt herself a mere plaything in the man's hands, and at last she confessed to herself:
"Well, then, I will be his plaything!" finding joy in it--the rapture of damnation.
When this woman, of a really manly spirit, pictured herself as living in solitude, she felt her courage fail. She preferred the anticipated and inevitable miseries of this fierce intimacy to the absence of the joys, which were all the more exquisite because they arose from the midst of remorse, of terrible struggles with herself, of a /No/ persuaded to be /Yes/. At every moment she seemed to come across the pool of bitter water found in a desert, and drunk with greater relish than the traveler would find in sipping the finest wines at a prince's table.
When Dinah wondered to herself at midnight:
"Will he come home, or will he not?" she was not alive again till she heard the familiar sound of Lousteau's boots, and his well-known ring at the bell.
She would often try to restrain him by giving him pleasure; she would hope to be a match for her rivals, and leave them no hold on that agitated heart. How many times a day would she rehearse the tragedy of /Le Dernier Jour d'un condamne/, saying to herself, "To-morrow we part." And how often would a word, a look, a kiss full of apparently artless feeling, bring her back to the depths of her love!
It was terrible. More than once had she meditated suicide as she paced the little town garden where a few pale flowers bloomed. In fact, she had
not yet exhausted the vast treasure of devotion and love which a loving woman bears in her heart.
The romance of /Adolphe/ was her Bible, her study, for above all else she would not be an Ellenore. She allowed herself no tears, she avoided all the bitterness so cleverly described by the critic to whom we owe an analysis of this striking work; whose comments indeed seemed to Dinah almost superior to the book. And she read again and again this fine essay by the only real critic who has written in the /Revue des Deux Mondes/, an article now printed at the beginning of the new edition of /Adolphe/.
"No," she would say to herself, as she repeated the author's fateful words, "no, I will not 'give my requests the form of an order,' I will not 'fly to tears as a means of revenge,' I will not 'condemn the things I once approved without reservation,' I will not 'dog his footsteps with a prying eye'; if he plays truant, he shall not on his return 'see a scornful lip, whose kiss is an unanswerable command.' No, 'my silence shall not be a reproach nor my first word a quarrel.' --I will not be like every other woman!" she went on, laying on her table the little yellow paper volume which had already attracted Lousteau's remark, "What! are you studying /Adolphe/?"-
-"If for one day only he should recognize my merits and say, 'That victim never uttered a cry!'--it will be all I ask. And besides, the others only have him for an hour; I have him for life!"
Thinking himself justified by his private tribunal in punishing his wife, Monsieur de la Baudraye robbed her to achieve his cherished enterprise of reclaiming three thousand acres of moorland, to which he had devoted himself ever since 1836, living like a mouse. He manipulated the property left by Monsieur Silas Piedefer so ingeniously, that he contrived to reduce the proved value to eight hundred thousand francs, while pocketing twelve hundred thousand. He did not announce his return; but while his wife was enduring unspeakable woes, he was building farms, digging trenches, and ploughing rough ground with a courage that ranked him among the most remarkable agriculturists of the province.
The four hundred thousand francs he had filched from his wife were spent in three years on this undertaking, and the estate of Anzy was
expected to return seventy-two thousand francs a year of net profits after the taxes were paid. The eight hundred thousand he invested at four and a half per cent in the funds, buying at eighty francs, at the time of the financial crisis brought about by the Ministry of the First of March, as it was called. By thus securing to his wife an income of forty-eight thousand francs he considered himself no longer in her debt. Could he not restore the odd twelve hundred thousand as soon as the four and a half per cents had risen above a hundred? He was now the greatest man in Sancerre, with the exception of one--the richest proprietor in France--whose rival he considered himself. He saw himself with an income of a hundred and forty thousand francs, of which ninety thousand formed the revenue from the lands he had entailed. Having calculated that besides this net income he paid ten thousand francs in taxes, three thousand in working expenses, ten thousand to his wife, and twelve hundred to his mother-in-law, he would say in the literary circles of Sancerre:
"I am reputed miserly, and said to spend nothing; but my outlay amounts to twenty-six thousand five hundred francs a year. And I have still to pay for the education of my two children! I daresay it is not a pleasing fact to the Milauds of Nevers, but the second house of La Baudraye may yet have as noble a center as the first.--I shall most likely go to Paris and petition the King of the French to grant me the title of Count--Monsieur Roy is a Count--and my wife would be pleased to be Madame la Comtesse."
And this was said with such splendid coolness that no one would have dared to laugh at the little man. Only Monsieur Boirouge, the Presiding Judge, remarked:
"In your place, I should not be happy unless I had a daughter." "Well, I shall go to Paris before long " said the Baron.
In the early part of 1842 Madame de la Baudraye, feeling that she was to Lousteau no more than a reserve in the background, had again sacrificed herself absolutely to secure his comfort; she had resumed her black raiment, but now it was in sign of mourning, for her pleasure was turning to remorse. She was too often put to shame not to feel the weight
of the chain, and her mother found her sunk in those moods of meditation into which visions of the future cast unhappy souls in a sort of torpor.
Madame Piedefer, by the advice of her spiritual director, was on the watch for the moment of exhaustion, which the priest told her would inevitably supervene, and then she pleaded in behalf of the children. She restricted herself to urging that Dinah and Lousteau should live apart, not asking her to give him up. In real life these violent situations are not closed as they are in books, by death or cleverly contrived catastrophes; they end far less poetically--in disgust, in the blighting of every flower of the soul, in the commonplace of habit, and very often too in another passion, which robs a wife of the interest which is traditionally ascribed to women. So, when common sense, the law of social proprieties, family interest--all the mixed elements which, since the Restoration, have been dignified by the mane of Public Morals, out of sheer aversion to the name of the Catholic religion--where this is seconded by a sense of insults a little too offensive; when the fatigue of constant self-sacrifice has almost reached the point of exhaustion; and when, under these circumstances, a too cruel blow--one of those mean acts which a man never lets a woman know of unless he believes himself to be her assured master-- puts the crowning touch to her revulsion and disenchantment, the moment has come for the intervention of the friend who undertakes the cure. Madame Piedefer had no great difficulty now in removing the film from her daughter's eyes.
She sent for Monsieur de Clagny, who completed the work by assuring Madame de la Baudraye that if she would give up Etienne, her husband would allow her to keep the children and to live in Paris, and would restore her to the command of her own fortune.
"And what a life you are leading!" said he. "With care and judgment, and the support of some pious and charitable persons, you may have a salon and conquer a position. Paris is not Sancerre."
Dinah left it to Monsieur de Clagny to negotiate a reconciliation with the old man.
Monsieur de la Baudraye had sold his wine well, he had sold his wool,
he had felled his timber, and, without telling his wife, he had come to Paris to invest two hundred thousand francs in the purchase of a delightful residence in the Rue de l'Arcade, that was being sold in liquidation of an aristocratic House that was in difficulties. He had been a member of the Council for the Department since 1826, and now, paying ten thousand francs in taxes, he was doubly qualified for a peerage under the conditions of the new legislation.
Some time before the elections of 1842 he had put himself forward as candidate unless he were meanwhile called to the Upper House as Peer of France. At the same time, he asked for the title of Count, and for promotion to the higher grade of the Legion of Honor. In the matter of the elections, the dynastic nominations; now, in the event of Monsieur de la Baudraye being won over to the Government, Sancerre would be more than ever a rotten borough of royalism. Monsieur de Clagny, whose talents and modesty were more and more highly appreciated by the authorities, gave Monsieur de la Baudraye his support; he pointed out that by raising this enterprising agriculturist to the peerage, a guarantee would be offered to such important undertakings.
Monsieur de la Baudraye, then, a Count, a Peer of France, and Commander of the Legion of Honor, was vain enough to wish to cut a figure with a wife and handsomely appointed house.--"He wanted to enjoy life," he said.
He therefore addressed a letter to his wife, dictated by Monsieur de Clagny, begging her to live under his roof and to furnish the house, giving play to the taste of which the evidences, he said, had charmed him at the Chateau d'Anzy. The newly made Count pointed out to his wife that while the interests of their property forbade his leaving Sancerre, the education of their boys required her presence in Paris. The accommodating husband desired Monsieur de Clagny to place sixty thousand francs at the disposal of Madame la Comtesse for the interior decoration of their mansion, requesting that she would have a marble tablet inserted over the gateway with the inscription: /Hotel de la Baudraye/.
He then accounted to his wife for the money derived from the estate of
Silas Piedefer, told her of the investment at four and a half per cent of the eight hundred thousand francs he had brought from New York, and allowed her that income for her expenses, including the education of the children. As he would be compelled to stay in Paris during some part of the session of the House of Peers, he requested his wife to reserve for him a little suite of rooms in an /entresol/ over the kitchens.
"Bless me! why, he is growing young again--a gentleman!--a magnifico! --What will he become next? It is quite alarming," said Madame de la Baudraye.
"He now fulfils all your wishes at the age of twenty," replied the lawyer.
The comparison of her future prospects with her present position was unendurable to Dinah. Only the day before, Anna de Fontaine had turned her head away in order to avoid seeing her bosom friend at the Chamarolles' school.
"I am a countess," said Dinah to herself. "I shall have the peer's blue hammer-cloth on my carriage, and the leaders of the literary world in my drawing-room--and I will look at her!"--And it was this little triumph that told with all its weight at the moment of her rehabilitation, as the world's contempt had of old weighed on her happiness.
One fine day, in May 1842, Madame de la Baudraye paid all her little household debts and left a thousand crowns on top of the packet of receipted bills. After sending her mother and the children away to the Hotel de la Baudraye, she awaited Lousteau, dressed ready to leave the house. When the deposed king of her heart came into dinner, she said:
"I have upset the pot, my dear. Madame de la Baudraye requests the pleasure of your company at the /Rocher de Cancale/."
She carried off Lousteau, quite bewildered by the light and easy manners assumed by the woman who till that morning has been the slave of his least whim, for she too had been acting a farce for two months past.
"Madame de la Baudraye is figged out as if for a first night," said he
/une premiere/, the slang abbreviation for a first performance.
"Do not forget the respect you owe to Madame de la Baudraye," said Dinah gravely. "I do not mean to understand such a word as /figged out/."
"Didine a rebel!" said he, putting his arm round her waist.
"There is no such person as Didine; you have killed her, my dear," she replied, releasing herself. "I am taking you to the first performance of
/Madame la Comtesse de la Baudraye/."
"It is true, then, that our insect is a peer of France?"
"The nomination is to be gazetted in this evening's /Moniteur/, as I am told by Monsieur de Clagny, who is promoted to the Court of Appeal."
"Well, it is quite right," said the journalist. "The entomology of society ought to be represented in the Upper House."
"My friend, we are parting for ever," said Madame de la Baudraye, trying to control the trembling of her voice. "I have dismissed the two servants. When you go in, you will find the house in order, and no debts. I shall always feel a mother's affection for you, but in secret. Let us part calmly, without a fuss, like decent people.
"Have you had a fault to find with my conduct during the past six years?"
"None, but that you have spoiled my life, and wrecked my prospects," said he in a hard tone. "You have read Benjamin Constant's book very diligently; you have even studied the last critique on it; but you have read with a woman's eyes. Though you have one of those superior intellects which would make a fortune of a poet, you have never dared to take the man's point of view.
"That book, my dear, is of both sexes.--We agreed that books were male or female, dark or fair. In /Adolphe/ women see nothing but Ellenore; young men see only Adolphe; men of experience see Ellenore and Adolphe; political men see the whole of social existence. You did not think it necessary to read the soul of Adolphe--any more than your critic indeed, who saw only Ellenore. What kills that poor fellow, my dear, is that he has sacrificed his future for a woman; that he never can be what he might have been--an ambassador, a minister, a chamberlain, a poet--and rich. He gives up six years of his energy at that stage of his life when a man is ready to
submit to the hardships of any apprenticeship--to a petticoat, which he outstrips in the career of ingratitude, for the woman who has thrown over her first lover is certain sooner or later to desert the second. Adolphe is, in fact, a tow-haired German, who has not spirit enough to be false to Ellenore. There are Adolphes who spare their Ellenores all ignominious quarreling and reproaches, who say to themselves, 'I will not talk of what I have sacrificed; I will not for ever be showing the stump of my wrist to let that incarnate selfishness I have made my queen,' as Ramorny does in /The Fair Maid of Perth/. But men like that, my dear, get cast aside.
"Adolphe is a man of birth, an aristocratic nature, who wants to get back into the highroad to honors and recover his social birthright, his blighted position.--You, at this moment, are playing both parts. You are suffering from the pangs of having lost your position, and think yourself justified in throwing over a hapless lover whose misfortune it has been that he fancied you so far superior as to understand that, though a man's heart ought to be true, his sex may be allowed to indulge its caprices."
"And do you suppose that I shall not make it my business to restore to you all you have lost by me? Be quite easy," said Madame de la Baudraye, astounded by this attack. "Your Ellenore is not dying; and if God gives her life, if you amend your ways, if you give up courtesans and actresses, we will find you a better match than a Felicie Cardot."
The two lovers were sullen. Lousteau affected dejection, he aimed at appearing hard and cold; while Dinah, really distressed, listened to the reproaches of her heart.
"Why," said Lousteau presently, "why not end as we ought to have begun --hide our love from all eyes, and see each other in secret?"
"Never!" cried the new-made Countess, with an icy look. "Do you not comprehend that we are, after all, but finite creatures? Our feelings seem infinite by reason of our anticipation of heaven, but here on earth they are limited by the strength of our physical being. There are some feeble, mean natures which may receive an endless number of wounds and live on; but there are some more highly-tempered souls which snap at last under repeated blows. You have--"
"Oh! enough!" cried he. "No more copy! Your dissertation is unnecessary, since you can justify yourself by merely saying--'I have ceased to love!' "
"What!" she exclaimed in bewilderment. "Is it I who have ceased to love?"
"Certainly. You have calculated that I gave you more trouble, more vexation than pleasure, and you desert your partner--"
"I desert! " cried she, clasping her hands.
"Have not you yourself just said 'Never'?"
"Well, then, yes! /Never/," she repeated vehemently.
This final /Never/, spoken in the fear of falling once more under Lousteau's influence, was interpreted by him as the death-warrant of his power, since Dinah remained insensible to his sarcastic scorn.
The journalist could not suppress a tear. He was losing a sincere and unbounded affection. He had found in Dinah the gentlest La Valliere, the most delightful Pompadour that any egoist short of a king could hope for; and, like a boy who has discovered that by dint of tormenting a cockchafer he has killed it, Lousteau shed a tear.
Madame de la Baudraye rushed out of the private room where they had been dining, paid the bill, and fled home to the Rue de l'Arcade, scolding herself and thinking herself a brute.
Dinah, who had made her house a model of comfort, now metamorphosed herself. This double metamorphosis cost thirty thousand francs more than her husband had anticipated.
The fatal accident which in 1842 deprived the House of Orleans of the heir-presumptive having necessitated a meeting of the Chambers in August of that year, little La Baudraye came to present his titles to the Upper House sooner than he had expected, and then saw what his wife had done. He was so much delighted, that he paid the thirty thousand francs without a word, just as he had formerly paid eight thousand for decorating La Baudraye.
On his return from the Luxembourg, where he had been presented
according to custom by two of his peers--the Baron de Nucingen and the Marquis de Montriveau--the new Count met the old Duc de Chaulieu, a former creditor, walking along, umbrella in hand, while he himself sat perched in a low chaise on which his coat-of-arms was resplendent, with the motto, /Deo sic patet fides et hominibus/. This contrast filled his heart with a large draught of the balm on which the middle class has been getting drunk ever since 1840.
Madame de la Baudraye was shocked to see her husband improved and looking better than on the day of his marriage. The little dwarf, full of rapturous delight, at sixty-four triumphed in the life which had so long been denied him; in the family, which his handsome cousin Milaud of Nevers had declared he would never have; and in his wife--who had asked Monsieur and Madame de Clagny to dinner to meet the cure of the parish and his two sponsors to the Chamber of Peers. He petted the children with fatuous delight.
The handsome display on the table met with his approval.
"These are the fleeces of the Berry sheep," said he, showing Monsieur de Nucingen the dish-covers surmounted by his newly-won coronet. "They are of silver, you see!"
Though consumed by melancholy, which she concealed with the determination of a really superior woman, Dinah was charming, witty, and above all, young again in her court mourning.
"You might declare," cried La Baudraye to Monsieur de Nucingen with a wave of his hand to his wife, "that the Countess was not yet thirty."
"Ah, ha! Matame is a voman of dirty!" replied the baron, who was prone to time-honored remarks, which he took to be the small change of conversation.
"In every sense of the words," replied the Countess. "I am, in fact, five-and-thirty, and mean to set up a little passion--"
"Oh, yes, my wife ruins me in curiosities and china images--"
"She started that mania at an early age," said the Marquis de Montriveau with a smile.
"Yes," said La Baudraye, with a cold stare at the Marquis, whom he
had known at Bourges, "you know that in '25, '26, and '27, she picked a million francs' worth of treasures. Anzy is a perfect museum."
"What a cool hand!" thought Monsieur de Clagny, as he saw this little country miser quite on the level of his new position.
But misers have savings of all kinds ready for use.
On the day after the vote on the Regency had passed the Chambers, the little Count went back to Sancerre for the vintage and resumed his old habits.
In the course of that winter, the Comtesse de la Baudraye, with the support of the Attorney-General to the Court of Appeals, tried to form a little circle. Of course, she had an "at home" day, she made a selection among men of mark, receiving none but those of serious purpose and ripe years. She tried to amuse herself by going to the Opera, French and Italian. Twice a week she appeared there with her mother and Madame de Clagny, who was made by her husband to visit Dinah. Still, in spite of her cleverness, her charming manners, her fashionable stylishness, she was never really happy but with her children, on whom she lavished all her disappointed affection.
Worthy Monsieur de Clagny tried to recruit women for the Countess' circle, and he succeeded; but he was more successful among the advocates of piety than the women of fashion.
"And they bore her!" said he to himself with horror, as he saw his idol matured by grief, pale from remorse, and then, in all the splendor of recovered beauty, restored by a life of luxury and care for her boys. This devoted friend, encouraged in his efforts by her mother and by the cure was full of expedient. Every Wednesday he introduced some celebrity from Germany, England, Italy, or Prussia to his dear Countess; he spoke of her as a quite exceptional woman to people to whom she hardly addressed two words; but she listened to them with such deep attention that they went away fully convinced of her superiority. In Paris, Dinah conquered by silence, as at Sancerre she had conquered by loquacity. Now and then, some smart saying about affairs, or sarcasm on an absurdity, betrayed a woman accustomed to deal with ideas--the woman who, four years since,
had given new life to Lousteau's articles.
This phase was to the poor lawyer's hapless passion like the late season known as the Indian summer after a sunless year. He affected to be older than he was, to have the right to befriend Dinah without doing her an injury, and kept himself at a distance as though he were young, handsome, and compromising, like a man who has happiness to conceal. He tried to keep his little attentions a profound secret, and the trifling gifts which Dinah showed to every one; he endeavored to suggest a dangerous meaning for his little services.
"He plays at passion," said the Countess, laughing. She made fun of Monsieur de Clagny to his face, and the lawyer said, "She notices me."
"I impress that poor man so deeply," said she to her mother, laughing, "that if I would say Yes, I believe he would say No."
One evening Monsieur de Clagny and his wife were taking his dear Countess home from the theatre, and she was deeply pensive. They had been to the first performance of Leon Gozlan's first play, /La Main Droite et la Main Gauche/ (The Right Hand and the Left).
"What are you thinking about?" asked the lawyer, alarmed at his idol's dejection.
This deep and persistent melancholy, though disguised by the Countess, was a perilous malady for which Monsieur de Clagny knew no remedy; for true love is often clumsy, especially when it is not reciprocated. True love takes its expression from the character. Now, this good man loved after the fashion of Alceste, when Madame de la Baudraye wanted to be loved after the manner of Philinte. The meaner side of love can never get on with the Misanthrope's loyalty. Thus, Dinah had taken care never to open her heart to this man. How could she confess to him that she sometimes regretted the slough she had left?
She felt a void in this fashionable life; she had no one for whom to dress, or whom to tell of her successes and triumphs. Sometimes the memory of her wretchedness came to her, mingled with memories of consuming joys. She would hate Lousteau for not taking any pains to follow her; she would have liked to get tender or furious letters from him.
Dinah made no reply, so Monsieur de Clagny repeated the question, taking the Countess' hand and pressing it between his own with devout respect.
"Will you have the right hand or the left?" said she, smiling. "The left," said he, "for I suppose you mean the truth or a fib."
"Well, then, I saw him," she said, speaking into the lawyer's ear. "And as I saw him looking so sad, so out of heart, I said to myself, Has he a cigar? Has he any money?"
"If you wish for the truth, I can tell it you," said the lawyer. "He is living as a husband with Fanny Beaupre. You have forced me to tell you this secret; I should never have told you, for you might have suspected me perhaps of an ungenerous motive."
Madame de la Baudraye grasped his hand."Your husband," said she to her chaperon, "is one of the rarest souls! --Ah! Why "
She shrank into her corner, looking out of the window, but she did not finish her sentence, of which the lawyer could guess the end: "Why had not Lousteau a little of your husband's generosity of heart?"
This information served, however, to cure Dinah of her melancholy; she threw herself into the whirl of fashion. She wished for success, and she achieved it; still, she did not make much way with women, and found it difficult to get introductions.
In the month of March, Madame Piedefer's friends the priests and Monsieur de Clagny made a fine stroke by getting Madame de la Baudraye appointed receiver of subscriptions for the great charitable work founded by Madame de Carcado. Then she was commissioned to collect from the Royal Family their donations for the benefit of the sufferers from the earthquake at Guadeloupe. The Marquise d'Espard, to whom Monsieur de Canalis read the list of ladies thus appointed, one evening at the Opera, said, on hearing that of the Countess:
"I have lived a long time in the world, and I can remember nothing finer than the manoeuvres undertaken for the rehabilitation of Madame de la Baudraye."
In the early spring, which, by some whim of our planets, smiled on Paris in the first week of March in 1843, making the Champs-Elysees green and leafy before Longchamp, Fanny Beaupre's attache had seen Madame de la Baudraye several times without being seen by her. More than once he was stung to the heart by one of those promptings of jealousy and envy familiar to those who are born and bred provincials, when he beheld his former mistress comfortably ensconced in a handsome carriage, well dressed, with dreamy eyes, and his two little boys, one at each window. He accused himself with all the more virulence because he was waging war with the sharpest poverty of all--poverty unconfessed. Like all essentially light and frivolous natures, he cherished the singular point of honor which consists in never derogating in the eyes of one's own little public, which makes men on the Bourse commit crimes to escape expulsion from the temple of the goddess Per-cent, and has given some criminals courage enough to perform acts of virtue.
Lousteau dined and breakfasted and smoked as if he were a rich man. Not for an inheritance would he have bought any but the dearest cigars, for himself as well as for the playwright or author with whom he went into the shop. The journalist took his walks abroad in patent leather boots; but he was constantly afraid of an execution on goods which, to use the bailiff's slang, had already received the last sacrament. Fanny Beaupre had nothing left to pawn, and her salary was pledged to pay her debts. After exhausting every possible advance of pay from newspapers, magazines, and publishers, Etienne knew not of what ink he could churn gold. Gambling- houses, so ruthlessly suppressed, could no longer, as of old, cash I O U's drawn over the green table by beggary in despair. In short, the journalist was reduced to such extremity that he had just borrowed a hundred francs of the poorest of his friends, Bixiou, from whom he had never yet asked for a franc. What distressed Lousteau was not the fact of owing five thousand francs, but seeing himself bereft of his elegance, and of the furniture purchased at the cost of so many privations, and added to by Madame de la Baudraye.
On April the 3rd, a yellow poster, torn down by the porter after being
displayed on the wall, announced the sale of a handsome suite of furniture on the following Saturday, the day fixed for sales under legal authority. Lousteau was taking a walk, smoking cigars, and seeking ideas--for, in Paris, ideas are in the air, they smile on you from a street corner, they splash up with a spurt of mud from under the wheels of a cab! Thus loafing, he had been seeking ideas for articles, and subjects for novels for a month past, and had found nothing but friends who carried him off to dinner or to the play, and who intoxicated his woes, telling him that champagne would inspire him.
"Beware," said the virulent Bixiou one night, the man who would at the same moment give a comrade a hundred francs and stab him to the heart with a sarcasm; "if you go to sleep drunk every night, one day you will wake up mad."
On the day before, the Friday, the unhappy wretch, although he was accustomed to poverty, felt like a man condemned to death. Of old he would have said:
"Well, the furniture is very old! I will buy new."
But he was incapable now of literary legerdemain. Publishers, undermined by piracy, paid badly; the newspapers made close bargains with hard-driven writers, as the Opera managers did with tenors that sang flat.He walked on, his eye on the crowd, though seeing nothing, a cigar in his mouth, and his hands in his pockets, every feature of his face twitching, and an affected smile on his lips. Then he saw Madame de la Baudraye go by in a carriage; she was going to the Boulevard by the Rue de la Chaussee d'Antin to drive in the Bois.
"There is nothing else left!" said he to himself, and he went home to smarten himself up.
That evening, at seven, he arrived in a hackney cab at Madame de la Baudraye's door, and begged the porter to send a note up to the Countess-- a few lines, as follows:
"Would Madame la Comtesse do Monsieur Lousteau the favor of receiving him for a moment, and at once?"
This note was sealed with a seal which as lovers they had both used.
Madame de la Baudraye had had the word /Parce que/ engraved on a genuine Oriental carnelian--a potent word--a woman's word--the word that accounts for everything, even for the Creation.
The Countess had just finished dressing to go to the Opera; Friday was her night in turn for her box. At the sight of this seal she turned pale.
"I will come," she said, tucking the note into her dress.
She was firm enough to conceal her agitation, and begged her mother to see the children put to bed. She then sent for Lousteau, and received him in a boudoir, next to the great drawing-room, with open doors. She was going to a ball after the Opera, and was wearing a beautiful dress of brocade in stripes alternately plain and flowered with pale blue. Her gloves, trimmed with tassels, showed off her beautiful white arms. She was shimmering with lace and all the dainty trifles required by fashion. Her hair, dressed /a la Sevigne/, gave her a look of elegance; a necklace of pearls lay on her bosom like bubbles on snow.
"What is the matter, monsieur?" said the Countess, putting out her foot from below her skirt to rest it on a velvet cushion. "I thought, I hoped, I was quite forgotten."
"If I should reply /Never/, you would refuse to believe me," said Lousteau, who remained standing, or walked about the room, chewing the flowers he plucked from the flower-stands full of plants that scented the room.
For a moment silence reigned. Madame de la Baudraye, studying Lousteau, saw that he was dressed as the most fastidious dandy might have been.
"You are the only person in the world who can help me, or hold out a plank to me--for I am drowning, and have already swallowed more than one mouthful----" said he, standing still in front of Dinah, and seeming to yield to an overpowering impulse. "Since you see me here, it is because my affairs are going to the devil."
"That is enough," said she; "I understand."
There was another pause, during which Lousteau turned away, took out his handkerchief, and seemed to wipe away a tear.
"How much do you want, Etienne," she went on in motherly tones. "We are at this moment old comrades; speak to me as you would to--to Bixiou."
"To save my furniture from vanishing into thin air to-morrow morning at the auction mart, eighteen hundred francs! To repay my friends, as much again! Three quarters' rent to the landlord-- whom you know.--My 'uncle' wants five hundred francs--"
"And you!--to live on?" "Oh! I have my pen "
"It is heavier to lift than any one could believe who reads your articles," said she, with a subtle smile.--"I have not such a sum as you need, but come to-morrow at eight; the bailiff will surely wait till nine, especially if you bring him away to pay him."
She must, she felt, dismiss Lousteau, who affected to be unable to look at her; she herself felt such pity as might cut every social Gordian knot.
"Thank you," she added, rising and offering her hand to Lousteau. "Your confidence has done me good! It is long indeed since my heart has known such joy "
Lousteau took her hand and pressed it tenderly to his heart.
"A drop of water in the desert--and sent by the hand of an angel! God always does things handsomely!"
He spoke half in jest and half pathetically; but, believe me, as a piece of acting it was as fine as Talma's in his famous part of /Leicester/, which was played throughout with touches of this kind. Dinah felt his heart beating through his coat; it was throbbing with satisfaction, for the journalist had had a narrow escape from the hulks of justice; but it also beat with a very natural fire at seeing Dinah rejuvenescent and restored by wealth.
Madame de la Baudraye, stealing an examining glance at Etienne, saw that his expression was in harmony with the flowers of love, which, as she thought, had blossomed again in that throbbing heart; she tried to look once into the eyes of the man she had loved so well, but the seething blood rushed through her veins and mounted to her brain. Their eyes met with
the same fiery glow as had encouraged Lousteau on the Quay by the Loire to crumple Dinah's muslin gown. The Bohemian put his arm round her waist, she yielded, and their cheeks were touching.
"Here comes my mother, hide!" cried Dinah in alarm. And she hurried forward to intercept Madame Piedefer.
"Mamma," said she--this word was to the stern old lady a coaxing expression which never failed of its effect--"will you do me a great favor? Take the carriage and go yourself to my banker, Monsieur Mongenod, with a note I will give you, and bring back six thousand francs. Come, come--it is an act of charity; come into my room."
And she dragged away her mother, who seemed very anxious to see who it was that her daughter had been talking with in the boudoir.
Two days afterwards, Madame Piedefer held a conference with the cure of the parish. After listening to the lamentations of the old mother, who was in despair, the priest said very gravely:
"Any moral regeneration which is not based on a strong religious sentiment, and carried out in the bosom of the Church, is built on sand.-- The many means of grace enjoined by the Catholic religion, small as they are, and not understood, are so many dams necessary to restrain the violence of evil promptings. Persuade your daughter to perform all her religious duties, and we shall save her yet."
Within ten days of this meeting the Hotel de la Baudraye was shut up. The Countess, the children, and her mother, in short, the whole household, including a tutor, had gone away to Sancerre, where Dinah intended to spend the summer. She was everything that was nice to the Count, people said.
And so the Muse of Sancerre had simply come back to family and married life; but certain evil tongues declared that she had been compelled to come back, for that the little peer's wishes would no doubt be fulfilled-- he hoped for a little girl.
Gatien and Monsieur Gravier lavished every care, every servile attention on the handsome Countess. Gatien, who during Madame de la Baudraye's long absence had been to Paris to learn the art of /lionnerie/ or
dandyism, was supposed to have a good chance of finding favor in the eyes of the disenchanted "Superior Woman." Others bet on the tutor; Madame Piedefer urged the claims of religion.
In 1844, about the middle of June, as the Comte de la Baudraye was taking a walk on the Mall at Sancerre with the two fine little boys, he met Monsieur Milaud, the Public Prosecutor, who was at Sancerre on business, and said to him:
"These are my children, cousin."
"Ah, ha! so these are our children!" replied the lawyer, with a mischievous twinkle.
PARIS, June 1843-August 1844.