THE EPISODE OF THE PARALLEL READERS

CHAPTER I

The events of the present are all strung upon the thread of the past, and in telling over this chronological rosary, it not infrequently happens that strange, unlike beads follow each other between our questioning fingers.

It was nearly a week after his letter before Maitland arrived. He sent us no further word, but walked in one evening as we were talking about him. He came upon us so suddenly that we were all taken aback and, for a moment, I felt somewhat alarmed about Gwen. She had started up quickly when the servant had mentioned Maitland's name and pressed her hand convulsively upon her heart, while her face and neck became of a deep crimson colour. I was saying to myself that this was a common effect of sudden surprise, when I saw her clutch quickly at the back of her chair, as if to steady herself. A moment later she sank into her seat. Her face was now as pale as ashes, and I felt I had good reason to be alarmed. I think she was conscious of my scrutiny, for she turned her face from me and remained motionless. The movement told me she was trying to regain command of her faculties and I forbore to interfere in the struggle, though I watched her with some solicitude.=20 My fears were at once dispelled, however, when Maitland entered, for Gwen was the first to welcome him. She extended her hand with much of her old impulsiveness, saying: "I have so much for which to thank you - " but Maitland interrupted her. "Indeed, I regret to say," he rejoined, "that I have been unable thus far to be of any real service to you. The Ragobah clue was a miserable failure, though we may do ourselves the justice to admit that we had no alternative but to follow it to the end. I confess I have never been more disappointed than in the outcome of this affair.?"

"My dear fellow," I said, "we all have much to be thankful for in your safe return, let us not forget that." Maitland laughed: "That reminds me," he said, "of the man who passed the hat at a coloured camp-meeting. When asked how much he had collected, he replied: 'I didn't get no money, but I'se done got de hat back.' You've got your hat back, and that's about all. However, with Miss Darrow's permission, I shall go back to the starting point and begin all over again."

"You are making me your debtor," Gwen replied slowly, "beyond my power ever to repay you."

"It is in the hope that no payment may ever be demanded of you," he rejoined, "that I am busying myself in your affairs." The colour sprang to Gwen's cheeks, but she only replied by a grateful glance. I knew what was passing through her mind. She was thinking of her promise - of her father's last words, and of the terrible possibilities thereof from which Maitland was seeking to rescue her. She felt that she could safely owe him any debt of gratitude, however great, while he, on his part, took what I fancied, both then and afterward, were unnecessary pains to assure her that, in the event of his finding the assassin, she need have no fear of his making any claim whatsoever upon her. And so the whole affair was dropped for the time being and the rest of the evening devoted to listening to Maitland's account of his experiences while abroad.

The next morning I called upon our detective at his laboratory and asked him what he intended to do next. He replied that he had no plans as yet, but that he wished to review with me all the evidence at hand.

"You see," he said, "the thing that renders the solution of this mystery so difficult is the fact that all our clues, while they would be of the utmost service in the conviction of the assassin had we found him, are almost destitute of any value until he has been located. Add to this that we are now unable to find any motive for the crime and you can see how slight are our hopes of success. If ever we chance to find the man,

• for I feel that such a consummation would result more from chance than from anything else, - I think we can convict him.

"Here, for example," he said, taking up a small slip of glass which he had cut from the eastern parlour window of the Darrow house, "is

something I have never shown either you or Miss Darrow. It is utterly worthless, so far as assisting us to track the assassin is concerned, but, if ever we suspect the right man, the evidence on that glass would probably convict him, though there were ten thousand other suspects."

I took the glass from him and, examining it with the utmost care, I detected a smutch of yellowish paint upon it, nothing more. "For Heaven's sake, Maitland!" I said in astonishment, "of what possible use can that formless daub of paint be, or is there something else on the glass that has escaped me?" He laughed at my excitement as he replied:

"There is nothing there hut the paint spot. Regarding that, however, you have come to a very natural though erroneous conclusion. It is not formless"; and he passed me a jeweller's eye-glass to assist me in a closer examination. He was right. The paint lay upon the glass in little irregular furrows which arranged themselves concentrically about a central oval groove somewhat imperfect in shape. "Well," continued. Maitland, as I returned him the magnifying glass, "what do you make of it?" "If you hadn't already attached so much importance to the thing," I said, "I should pronounce it a daub of paint transferred to the glass by somebody's thumb, but, as such a thing would be clearly useless, I am at a loss to know what it is."

"Well," he rejoined, "you've hit the nail on the head, - that's just what it is, but you are entirely wrong in your assumption that the thumb-mark can have no value as evidence. Do you not know that there are no two thumbs in the world which are capable of making indistinguishable marks?" I was not aware of this. "How do you know," I asked, "that this mark was made by the assassin? It seems to me there can hardly be a doubt that one of the painters, while priming the sill, accidentally pressed his thumb against the glass. His hands would naturally have been painty, and this impression would as naturally have resulted."

"What you say," replied Maitland, "is very good, so far as it goes. My reasons for believing this thumb-mark was made by the assassin are easily understood. First: there was another impression of a thumb in the moist paint of the sill directly under that upon the glass. Both marks were made by the same thumb and, in the lower one, the microscope revealed minute

traces of gravel dust, not elsewhere discernible upon the sill. The thumb carried the dust there, and was the thumb of the hand pressed into the gravel, - the hand of which I have a cast. You see how this shows how the thumb came to have paint upon it when pressed upon the glass. Second: the two men engaged in priming the house, James Cogan and Charles Rice, were the only persons save the assassin known to have been upon that side of the house the day of the murder. "Here," he said, carefully removing two strips of glass from a box, "are the thumb-marks of Cogan and Rice made with the same paint. You see that neither of these men could, by any possibility, have made the mark upon the glass. So there you are. But we are missing the question before us. What line of procedure can you suggest, Doc? I'm all at sea."

"We must find someone," I said, "who could have had a motive. This someone ought to have a particularly good reason for concealing his footprints, and is evidently lame besides. I can't for the life of me see anything else we have to go by, unless it be the long nail of the little finger, and I don't see how that is going to help us find the assassin - unless we can find out why it was worn long. If we knew that it might assist us. As I have already suggested, a Chinaman might have a long nail on the little finger, but he would also have the other nails long, wouldn't he? Furthermore, he might use the boards to conceal the prints of his telltale foot-gear; but why should he not have put on shoes of the ordinary type? If he had time to prepare the boards, - the whole affair shows premeditation, - clearly he had time to change his boots. The Chinese are usually small, and this might easily account for the smallness of the hand as shown by your cast. These are the pros and cons of the only clue that suggests itself to me. By the way, Maitland, it's a shame we did not try, before it was too late, to track this fellow down with a dog."

"Ah," he replied, "there is another little thing I have not told you. After you had left the house with Miss Darrow on the night of the murder, and all the servants had retired, I locked the parlour securely and quietly slipped out to look about a bit. As you know, the moon was very bright and any object moderately near was plainly visible. I went around to the eastern side of the house where the prints of the hand and boards were

found, and examined them with extreme care. What I particularly wished to learn was the direction taken by the assassin as he left the house and the point at which he had removed the boards from his feet. The imprints of the boards were clearly discernible so far as the loose gravel extended, but beyond that nothing could be discovered. I sat down and pondered over the matter. I had about concluded to drive two nails into the heels of my boots to enable me to distinguish my own footprints from any other trail I might intersect, and then, starting with the house as a centre, to describe an involute about it in the hope of being able to detect some one or more points where my course crossed that of the assassin, when I remembered that my friend Burwell, whose Uncle Tom's Cabin Combination recently stranded at Brockton was at home. As you are perhaps aware an Uncle Tom Company consists of a 'Legree,' one or two 'Markses,' one or two 'Topsies,' 'Uncle Tom,' a 'Little Eva,' who should not be over fifty years old, - or at least should not appear to be, - two bloodhounds, and anybody else that happens to be available. It really doesn't make the least difference how many or how few people are in the cast. I have heard that an Uncle Tom manager on a Western circuit, most of whose company deserted him because the 'ghost' never walked, succeeded in cutting and rewriting the piece so as to double 'George Harris' and 'Legree,' ' Marks' and 'Topsy,' 'Uncle Tom' and 'Little Eva.' As for the rest he had it so arranged that he could himself 'get off the door' in time to 'do,' with the aid of the dogs, all the other characters. You see the dogs held the stage while he changed, say, from 'Eliza' to Eva's father. 'George Harris' would look off left second entrance and say that 'Legree' was after him. Then he would discharge a revolver, rush off right first entrance, where he would pass his weapon to 'Eva' and 'Uncle Tom,' and this bisexual individual would discharge it in the wings at the imaginary pursuer, while 'Harris ' would put on a wire beard, slouch hat, black melodramatic cape, and,=20rushing behind the flat, enter left as 'Legree.'

"The hardest thing to manage was the death of 'Little Eva' with 'Uncle Tom' by the bedside, but managerial genius overcame the difficulty after the style of Mantell's 'Corsican Brothers.' You see it is all easy enough when you know how. 'Little Eva' is discovered, sitting up in bed with the

curtains drawn back. She says what she has to say to her father and the rest. Then her father has a line in which he informs 'Eva' that she is tired and had better try to sleep. She says she will try, just to please him, and he gently lowers her back upon the pillows and draws the curtains in front of the bed. But instead of utilising this seclusion for a refreshing sleep 'Eva' rolls out at the back side of the bed. 'Legree' snatches off 'Eva's' wig and 'Topsy' deftly removes the white nightdress concealing his - 'Eva's' - 'Uncle Tom' make-up, while the erstwhile little girl hastily blackens his face and hands, puts on a negro wig, and in less than a minute is changed in colour, race, and sex. He 'gets round' left and enters the sick room as 'Uncle Tom' with 'Topsy.' They are both told that 'Little Eva' is asleep, and 'Topsy' peeps cautiously between the curtains and remarks that the child's eyes are open and staring. The father looks in and, overcome by grief, informs the audience that his child is dead. 'Topsy,' tearful and grief-stricken, 'gets off' right and washes up to 'do' 'Little Eva' climbing the golden stair in the last tableau. Meanwhile 'Uncle Tom,' in a paroxysm of grief, throws himself upon the bed and holds the stage till he smells the red fire for the vision; then he staggers down stage, strikes an attitude; the others do likewise; picture of 'Little Eva,' curtain. Talk about doubling 'Marcellus,' 'Folonius,' 'Osric,' and the 'First Grave Digger'! Why, that's nothing to these 'Uncle Tom' productions. But hold on, where did I get side-tracked? Oh, yes, the dogs.

"Well, as I was saying, as soon as I thought of Burwell I made up my mind at once to borrow one of his hounds. It was late when I got to his house. When I knocked at the door both Pompey and Caesar began sub- bass solos of growls, and Burwell was awake in a minute. I told him I wanted a dog for private business and took Caesar off with me. He found the trail with no difficulty, and followed it in a bee-line down to the water, where he raised his big muzzle and howled in dismal impotency. The assassin had taken to the water. I took the dog up and down the shore to see if he had returned to land, but all I found of interest was a clump of alders from which a pole had been cut. I knew by the dog's actions that the assassin had been there, for Caesar immediately took a new trail back to the house. Try as I might I could learn nothing further, and I at once

returned the dog. There is no doubt that the murderer made his escape in a boat and took with him the pole he had cut, the boards he had worn, and everything else, I dare say, connected with his crime. One thing seems clear, and that is that we are dealing with no ordinary criminal. I would wager a good deal that this fellow, if ever he is caught, will be found to be a man of brains. I don't place much confidence in the Chinese theory, Doc, but as I have nothing better to offer, let us go see Miss Darrow. If her father has ever had any dealings with Chinamen, we shall probably deem it wise to look the Orientals up a bit."

We immediately acted upon this suggestion, waiting upon Gwen at my house. She said she and her father had spent a year in San Francisco when she was about seven years of age. While there their household was looked after by two Chinese servants, named Wah Sing and Sam Lee. The latter had been discharged by her father because of his refusal to perform certain minor duties which, through oversight, had not been set down as part of his work when he was engaged. So far as she knew no altercation had taken place and there were no hard feelings on either side. Sam Lee had bade her good-bye and had seemed sorry to leave, notwithstanding which, however, he refused, with true Chinese pertinacity, to assume the new duties. She did not think it likely that either of these Chinamen had been instrumental in her father's death, yet she agreed with Maitland that it would be a point gained to be assured of this fact. Maitland accordingly determined to depart at once for San Francisco, and the next day he was off.

We received no letters from him during his absence and were, accordingly, unable to tell when he expected to get back. Since his return from India Gwen had given evidence of a reviving interest in life, but now that he was again away, she relapsed into her old listless condition, from which we found it impossible to arouse her. Alice, who did her utmost to please her, was at her wit's end. She could never tell which of two alternatives Gwen preferred, since that young lady would invariably express herself satisfied with either and did not seem to realise why she should be expected to have any choice in the matter. Alice was quite at a loss to understand this state of affairs, until I told her that Gwen was in a

condition of semi-torpor in which even the effort of choice seemed an unwarrantable outlay. She simply did not care what happened. She felt nothing, save a sense of fatigue, and even what she saw was viewed as from afar, - and seemed to her a drama in which she took no other part than that of an idle, tired, and listless spectator. Clearly she was losing her hold on life. I told Alice we must do our utmost to arouse her, to stimulate her will, to awaken her interest, and we tried many things in vain.

Maitland had been gone, I think, about three weeks when my sister and I hit upon a plan which we thought might have the desired effect upon Gwen. Before her father's death she had been one of the most active members of a Young People's Club which devoted every Wednesday evening to the study of Shakespeare. She had attended none of its meetings since her bereavement, but Alice and I soon persuaded her to accompany us on the following week and I succeeded, by a little quiet wire-pulling, in getting her appointed to take charge of the following meeting, which was to be devoted to the study of "Antony and Cleopatra." When informed of the task which had been imposed upon her Gwen was for declining the honour at once, and the most Alice and I were able to do was to get her to promise to think it over a day or so before she refused.

The next morning Maitland walked in upon us. He had found both of Mr. Darrow's former servants and satisfied himself that they were in San Francisco on the night of the murder. So that ended my Chinese clue. While Alice and Gwen were discussing the matter, I took occasion to draw Maitland aside, and told him of Gwen's appointment to take charge of the Cleopatra night, and how necessary it was to her health that she should be aroused from her torpor. It doesn't take long for Maitland to see a thing, and before I had whispered a dozen sentences he had completely grasped the situation. He crossed the room, drew a chair up beside Gwen, and sat down. "Miss Darrow," he began, "I am afraid you will have a poor opinion of me as a detective. This is the second time I have failed. I feel that I should remind you again of our compact, at least, that part of it which permits you to dispense with my services whenever you shall see fit to do so, and, at the same time, to relieve you from your obligation to let me

order your actions. I tell you frankly it will be necessary for you to discharge me, if you would be rid of me, for, unless you do so, or I find the assassin, I shall never cease my search so long as I have the strength and means to conduct it. What do you say? Have I not proved my uselessness?" This was said in a tentative, half-jesting tone. Gwen answered it very seriously.

"You have done for me," she said, in the deep, vibrating tones of her rich contralto voice, "all that human intelligence could suggest. You have examined the evidence and conducted the whole affair with a thoroughness which I never could have obtained elsewhere. That your search has been unavailing is due, not to any fault of yours, but rather to the consummate skill of the assassin, who, I think, we may conclude, is no ordinary criminal. I do not know much of the abilities of Messrs. Osborne and Allen, but I understand that M. Godin has the reputation of being the cleverest detective in America. I cannot learn that he has made any progress whatsoever in the solution of this terrible mystery. I do not feel, therefore, that you have any right to reproach yourself. Such hope as I have that my father's murderer may ever be brought to justice rests in your efforts; else I should feel bound to relieve you of a task, which, though self-imposed, is, none the less, onerous and ill-paid. Do not consider me altogether selfish if I ask that you still continue the search, and that I - that I still be held to my covenant. I am aware that I can never fully repay the kindness I am asking of you, but - "

Maitland did not wait for her to finish. "Let us not speak of that," he said. "It is enough to know that you are still satisfied with my, thus far, unsuccessful efforts in your behalf. There is nothing affords me keener pleasure than to struggle with and solve an intricate problem, whether it be in algebra, geometry, or the mathematics of crime; and then - well, even if I succeed, I shall quit the work your debtor."

He had spoken this last impulsively, and when he had finished he remained silent, as if surprised and a bit nettled at his own failure to control himself. Gwen made no reply, not even raising her eyes; but I noticed that her=20fingers at once busied themselves with the entirely uncalled-for labour of readjusting the tidy upon the arm of her chair, and I

thought that, if appearances were to be trusted, she was very happy and contented at the change she had made in the bit of lacework beneath her hands. With singular good sense, with which she was always surprising me, Alice now introduced the subject of the Young People's Club, and mentioned incidentally that Gwen was to have charge of the next meeting. Before Gwen had time to inform Maitland that she intended to decline this honour, he congratulated her upon it, and rendered her withdrawal difficult by saying: "I feel that I should thank you, Miss Darrow, for the faithful way in which you fulfil the spirit of your agreement to permit me to order your actions. I know, if you consulted your own desires, you would probably decline the honour conferred upon you, and that in accepting it, you are influenced by the knowledge that you are pursuing just the course I most wish you to follow. Verily, you make my office of tyrant over you a perfect sinecure. I had expected you to chafe a little under restraint, but, instead, I find you voluntarily yielding to my unexpressed desires."

Gwen made no reply, but we heard no more of her resignation. She applied herself at once to the preparation of her paper upon "Antony and Cleopatra." Maitland, who, like all vigorous, healthy, and informed intellects, was an ardent admirer of Shakespeare, found time to call on Gwen and to discuss the play with her. This seemed to please her very much, and I am sure his interest in the play was abnormal. He confessed to me that every morning, as he awoke, the first thing which flashed into his mind, even before he had full possession of his senses, was these words of Antony:

"I am dying, Egypt, dying."

He professed himself utterly unable to account for this, and asked me what I thought was the cause of it. He furthermore suddenly decided that he would ask Gwen to propose his name for membership at the next meeting of the Young People's Club. I hastily indorsed this resolution, for I had a vague sort of feeling that it would please Gwen.

The "Antony and Cleopatra" night at length arrived. We all attended the meeting and listened to a very able paper upon the play. One of the most marked traits of Gwen's character is that whatever she does she does thoroughly, and this was fully exemplified on the night in question.

Maitland was very much impressed by some verse Gwen had written for the occasion, and a copy of which he succeeded in procuring from her. I think, from certain remarks he made, that it was the broad and somewhat unfeminine charity expressed in the verse which most astonished and attracted him, but of this, after what I have said, you will, when you have perused it, be as good a judge as I:

CLEOPATRA

In Egypt, where the lotus sips the watersOf ever-fruitful Nile, and the huge SphinxIn awful silence, - mystic converse withThe stars, - doth see the pale moon hang her crescent onThe pyramid's sharp peak, - e'en there, well inThe straits of Time's perspective,Went out, by Caesarean gusts from Rome,The low-burned candle of the Ptolemies:Went out without a flicker in full glareOf noon-day glory. When her flame lacked oilToo proud was Egypt's queen to beThe snuff of Roman spirits; so she said,"Good-night," and closed the book of life half readAnd little understood; perchance misreadThe greater part, - yet, who shall say? Are weAn ermined bench to call her culprit failings upAnd make them plead for mercy? Or can we,Upon whom soon shall fall the awful shadow ofThe Judgment Seat, stand in her light and throwOurselves that shadow? Rather let fall uponHer memory the softening gauze of Time,As mantle of a charity which elseWe might not serve. She was a woman,And as a woman loved! What though the fierceSimoom blew ever hot within the sailOf her desire? What if it shifted withDirection of her breath? Or if the rudder ofHer will did lean as many ways as trampled straws,And own as little worth? She was a woman still,And queen. They do best understand themselvesWho trust themselves the least; as they are wisestWho, for their safety, thank more the open seaThan pilot will. Oh, Egypt's self-born Isis!Ought we to fasten in thy memory the fangsOf unalloyed distrust? We know how littleBetter is History's page than leaf whereat the inkIs thrown. Nor yet should we forget how muchThe nearer thou than we didst come toThe rough-hewn corner-stone of Time. We knowThy practised love enfolded Antony;And that around the heart of Hercules'Descendant, threading through and through,Like the red rivers of its life, in tangled meshNo circumstance could e'er unravel, thouDidst coil,

- the dreamy, dazzling "Serpent ofThe Nile!" Thy sins stick jagged outFrom history's page, and bleeding tearFair Judgment from thy merits. We perchanceDo wrong thee, Isis; for that coward, History,Who binds in death his object's jaw and thenBesmuts her name, hath crossed his focus inAnother age, and paled his spreading figment fromOur sight. Thou art so far back towardThe primal autocrat whose wish, hyena-like,Was his religion, that, appearing as thou dostOn an horizon new flushed in the firstUncertain ray of Altruism, thou seem'stMore ghost than human. Yet thou lovest, loving ghost,And thy fierce parent flame thyself snuffed outScarce later than the dark'ning of the fireThou gav'st to be eternal vestal ofThine Antony's spirit. Thou didst love and dieOf love; let, therefore, no light tongue, brazenIn censure, say that nothing in thy lifeBecame thee like the leaving it. The clothFrom which humanity is cut is woven ofThe warp and woof of circumstance, and allAre much alike. We spring from out the mantle, Earth,And hide at last beneath it; in the interimOur acts are less of us than it. We areNo judge, then, of thy sins, thou ending linkOf Ptolemy's chain. Forsooth, we are too muchO'erfilled with wondering how like to theeWe all had been, inclipt and dressed in thineOwn age and circumstance.

The exercises of the evening concluded with the reading of the familiar poem, beginning:

"I am dying, Egypt, dying;Ebbs the crimson life-tide fast."

It was about noon the next day when Maitland called upon me. "See here, Doc," he began at once, "do you believe in coincidences?" I informed him that his question was not altogether easy to understand. "Wait a moment," he said, "while I explain. For at least two years prior to my recent return from California the name 'Cleopatra' has not entered my mind. You were the first to mention it to me, and from you I learned that Miss Darrow was to have charge of the 'Antony and Cleopatra' night. That is all natural enough. But why should I, on every morning since you first mentioned the subject to me, awake with Antony's words upon my lips? Why should every book or paper I pick up contain some reference to Cleopatra? Why, man, if I were superstitious, it would seem positively spookish. I am getting to believe that I shall be confronted

either by Cleopatra's name, or some allusion to her, every time I pick up a book. It's getting to be decidedly interesting."

"I have had," I replied, "similar, though less remarkable, experiences. It is quite a common occurrence to learn of a thing, say, this morning for the first time in one's life, and then to find, in the course of the day's reading, three or four independent references to the same thing. Suppose we step into the library, and pick out a few books haphazard, just to see if we chance upon any reference to Cleopatra."

To this Maitland agreed, and, entering the library, I pushed the Morning Herald across the table to him, saying: "One thing's as good as another; try that." He started a little, but did not touch the paper. "You will have to find something harder than that," he said, pointing to the outspread paper.

I followed the direction of his finger, and read:

"Boston Theatre. Special engagement of Miss Fanny Davenport. For one week. Beginning Monday, the 12th of December, Sardou's 'Cleopatra.'"

I was indeed surprised, but I said nothing. The next thing I handed him was a copy of Godey's Magazine, several years old. He opened it carelessly, and in a moment read the following line: "I am dying, sweetheart, dying." "Doesn't that sound familiar? It reminds me at once of the poetic alarm clock that wakens me every morning, - 'I am dying, Egypt, dying.' There is no doubt that Higginson's poem suggested this one. Here is the whole of the thing as it is printed here," he said, and read the following:

LOVE'S TWILIGHT

I am dreaming, loved one, dreamingOf the sweet and beauteous pastWhen the world was as its seeming,Ere the fatal shaft was cast.

I am sobbing, sad-eyed, sobbing,At the darkly sullen west,Of the smile of ignorance robbingThe pale face against the breast.

I am smiling, tear-stained, smiling,As the sun glints on the crestOf the troubled wave, beguilingShipwrecked Hope to its long rest.

I am parting, broken, parting,From a soul that I hold dear,And the music of whose beautyFades a dead strain on my ear.

I am dying, sweetheart, dying,Drips life's gold through palsied hands, -=20See; the dead'ning Sun is sighingHis last note in red'ning bands.

So I'm sighing, sinking, sighing,Flows life's river to the sea.Death my throbbing heart is tyingWith the strings that ache for thee.

"Yes," I said, when he had finished. "I shall have to admit that immediately suggests Higginson's poem and Cleopatra's name. But here, try this," and I threw an old copy of the Atlantic Monthly upon the table. Maitland opened it and laughed. "This may be mere chance, Doc," he said, "but it is remarkable, none the less. See here!" He held the magazine toward me, and I read: "Cleopatra's Needle. The Historic Significance of Central Park's New Monument. Some of the Difficulties that Attended its Transportation and Erection. By James Theodore Wright, Ph. D." I was dumfounded. Things were indeed getting interesting.

"Magazines and newspapers," I said, "seem to be altogether too much in your line. We'll try a book this time. Here," and I pulled the first one that came to hand, "is a copy of Tennyson's Poems I fancy it will trouble you to find your reference in that." Maitland took it in silence, and, opening it at random, began to read. The result surprised him even more than it did me. He had chanced upon these verses from "A Dream of Fair Women":

"'We drank the Libyan Sun to sleep, and litLamps which outburn'd Canopus. 0 my lifeIn Egypt! 0 the dalliance and the wit,The flattery and the strife.

"'And the wild kiss when fresh from war's alarms,My Hercules, my Roman Antony,My mailed Bacchus leapt into my arms,Contented there to die!

"'And there he died! And when I heard my nameSigh'd forth with life, I would not brook my fearOf the other! With a worm I balked his fame.What else was left? look here!'

"With that she tore her robe apart and halfThe polished argent of her breast to sightLaid bare. Thereto she pointed with a laugh,Showing the aspic's bite."

"There is no doubt about that," I said, as he laid the book upon the table. "I want to try this thing once more. Here is Pascal; if you can find any reference to the 'Serpent of the Nile' in that, you needn't go any farther, I shall be satisfied," and I passed the book to him. He turned the pages over in silence for half a minute, or so, and then said: "I guess this counts as a failure, - no, though, by Jove! Look here!" His face was of almost deathly pallor, and his finger trembled upon the passage it indicated as he held the book toward me. I glanced with some anxiety from his face to the book, and read, as nearly as I now can remember: "If Cleopatra's nose had been shorter, the entire face of the world would have been changed."

It was some minutes before Maitland fully regained his composure, and during that time neither of us spoke. "Well, Doc," he said at length, and his manner was decidedly grave, even for him:

"What do you make of it?" I didn't know what to make of it, and I admitted my ignorance with a frankness at which, considering my profession, I have often since had occasion to marvel. I told him that I could scarcely account for it on the ground of mere coincidence, and I called his attention to that part of "The Mystery of Marie Roget," where Poe figures out the mathematical likelihood of a certain combination of peculiarities of clothing being found to obtain in the case of two young women who were unknown to each other. If the finding of a single reference to Cleopatra had been a thing of so infrequent occurrence as to at once challenge Maitland's attention, what was to be said when, all of a sudden, her name, or some reference to her, seemed to stare at him from every page he read?

"'There is something in this more than natural, If philosophy could find it out,'"=20

murmured Maitland, more to himself than to me. "Come, what do you say?" and he turned abruptly to me with one of those searching looks so peculiar to him in moments of excitement. "I see," I replied, "that you are determined I shall give my opinion now and here, without a moment's reflection. Very well; you have just quoted 'Hamlet'; I will do likewise:

"'There are more things in Heaven and Earth, Horatio,Than are

dreamt of in your philosophy I'

"You seem in some strange way to be dominated by the shade of Cleopatra. Now, if I believed in metempsychosis, I should think you were Mark Antony brought down to date. There, with that present sober air of yours, you'd pass anywhere for such an anachronism. But to be serious, and to give you advice which is positively bilious with gravity, I should say, investigate this thing fully; make a study of this ancient charmer. By the way, why not begin by going to see Davenport in Sardou's 'Cleopatra'? You have never seen her in it, have you?"

In this way. I succeeded in getting him out of his depressed state. We got into an argument concerning the merits of Miss Davenport's work. I know of nothing Maitland would sooner do than argue, and, if attacked on a subject upon which he feels strongly, he is, for the time being, totally oblivious of everything else. For this reason I trapped him into this argument. I abominate what is now known as "realism" just as much as he does, but you don't have much of an argument without some apparent difference of opinion, so, for the nonce, I became a realist of whom Zola himself would have been proud. "Why, man," I said, "realism is truth. You certainly can't have any quarrel with that." I knew this would have the effect of a red rag flaunted in the face of a bull.

"Truth! Bah!" he exclaimed excitedly. "I have no patience with such aesthetic hod-carriers! Truth, indeed! Is there no other truth in art but that coarse verisimilitude, that vulgar trickery, which appeals to the eyes and the ears of the rabble? Are there not psychological truths of immensely greater importance? What sane man imagines for a moment that the pleasure he derives from seeing that greatest of all tragedians, Edwin Booth, in one of Shakespeare's matchless tragedies, is dependent upon his believing that this or that character is actually killed? Why, even the day of the cranberry-juice dagger is long since passed. When Miss Davenport shrieks in 'Fedora,' the shriek is literal - 'real,' you would call it - and you find yourself instinctively saying, 'Don't! - don't!' and wishing you were out of the house. When Mr. Booth, as 'Shylock' shrieks at 'Tubal's' news, the cry is not real, is not literal, but is suggestive, and you see at once the fiendish glee of which it is the expression. The

difference between the two is the difference between vocal cords and grey matter."

"But surely," I rejoined, "one doesn't want untruth; one wants - " but he did not let me finish.

"Always that cry of truth!" he retorted. "Do you not see how absurd it is, as used by your exponents of realism? With a bit of charcoal some Raphael draws a face with five lines, and some photographer snaps a camera at the same face. Which would any sane man choose as the best work of art? The five-line face, of course. Why? Is the work of the camera unreal? Is it not more accurate in drawing, more subtle in gradation than the less mechanical picture? To be sure. What, then, makes the superiority of the few lines of our Raphael? That which makes the superiority of all noble art - its truth,, not on a low, but on a high, plane: its power of interpreting. See!" he said, fairly aglow with excitement. "What does your realist do, even assuming that he has reached that never- to--be-attained perfection which is the lifelong Mecca of his desires? He gives you, by his absolutely realistic goes with you, and interprets its grandeur to you. Stand before his canvas and enjoy it as you would Nature herself if there. Surely, you say, nothing more could be desired, and you clap your hands, and shout, 'Bravo!' But wait a bit; the other side is yet to be heard from. What does the true artist do for you by his picture of Yosemite Valley? He not only gives you a free conveyance to it, but he goes with you, and interprets its grandeur to you. He translates into the language of your consciousness beauties which, without him, you would entirely miss. It is this very capability of seeing more in Nature than is ever perceived by the common throng that constitutes the especial genius of the artist, and a work that is not aglow with its creator's personality - personality, mind you, not coarse realism - can never rank as a masterpiece. But, come, this won't do. Why did you want to get me astride my hobby?"

I thought it advisable to answer this question by asking another, so I said: "But how about Davenport? Will you go?"

"Yes," he replied. "Anything with a Cleopatra to it interests me. I'll go now and see about the tickets," and he left me.

I have related Maitland's aesthetic views as expressed to me upon this occasion, not because they have any particular bearing upon the mystery I am narrating, but because they cast a strong side-light upon the young man's character, and also for the reason that I believe his personality to be sufficiently strong and unique to be of general interest.

We went that same night to see Sardou's "Cleopatra." I asked Maitland how he liked the piece, and the only reply he vouchsafed was: "I have recently read Shakespeare's treatment of the same theme."=20

CHAPTER II

If events spread themselves out fanwise from the past into the future, then must the occurrences of the present exhibit convergence toward some historical burning-point, - some focal centre whereat the potential was warmed=20into the kinetic.

It was nearly a week after the events last narrated before I saw Maitland again, and then only by chance. We happened to meet in the Parker House, and, as he had some business pertaining to a case he was on, to transact at the Court House, I walked up Beacon Street with him. There is a book or stationery store, on Somerset Street, just before you turn down toward Pemberton Square. As we were passing this store, Maitland espied a large photographic reproduction of some picture.

"Let us cross over and see what it is," he said. We did so. It was a photograph of L. Alma-Tadema's painting of Antony and Cleopatra. Maitland started a little as he read the title, and then said lightly: "Do you suppose, Doc, that woman's mummy is in existence? I should like to find it. I've an idea she left some hieroglyphic message for me on her mummy-case, and doesn't propose to let me rest easy until I find and translate it. Now, if I believed in transmigration of souls - do you see any mark of Antony about me? Say, though, just imagine the spirit of Marcus Antonius in a rubber apron, making an analysis of oleomargarine! But here we are; good-bye," and he left me without awaiting any reply. He seemed to me to be in decidedly better spirits than formerly, and I was at the time at a loss to account for it. The cause of his levity, however, was

soon explained, for that night, as Gwen, my sister, and I were sitting cosily in the study according to our usual custom, Maitland walked in, unannounced. He had come now to be a regular visitor, and I invented not a few subterfuges to get him to call even oftener than he otherwise would, for I perceived that his coming gave pleasure to Gwen. She exhibited less depression when in his presence than at any other time. I had learned that hers was one of those deep natures in which grief crystallises slowly, but with an unconquerable persistence. Instead of her forgetting her bereavement, or the sense thereof waxing weaker by time, she seemed to be drifting toward that ever-present consciousness of loss in which the soul feels itself gradually, but surely, sinking under an insupportable burden - a burden so long borne, so well known, that the mind no longer thinks of it. The heart beats stolidly under its load, and seems to forget the time when it was not so oppressed. No one knows better than we physicians the danger of this autocracy of grief, and I watched Gwen with a solicitude at times almost bordering on despair. But, as I said before, she always seemed to show more interest in affairs when Maitland was present, and, on the night in question, his abrupt and unexpected entrance surprised her into the betrayal of more pleasure than she would have wished us to note, and, indeed, so quickly did she conceal her confusion that I was the only one who noticed it. Maitland was too busy with the news he brought.

"Well, Miss Darrow," he began at once, "at last your detective has got a clue - not much of a one - but still a clue. I can pick the man for whom we are looking from among a million of his fellows - if I am ever fortunate enough to get the chance."

Somebody has already called attention to the fact that women are more or less curious, and there are well-authenticated cases on record where this inquisitiveness has even extended to things which did not immediately concern themselves; so I have little doubt I shall be believed when I say the women folk were in a fever of expectancy, and besought Maitland with an earnestness quite unnecessary - (it would have required a great deal to have prevented his telling it) - to begin at the beginning, and relate the whole thing. He readily acceded to this request, and began by telling

them the experiences which I have just narrated. It was, he said, during the last act of Sardou's "Cleopatra" that the idea had suddenly come to him to change the plan of search from the analytical to the synthetical.

"You see," he continued, "I had from the first been trying to find the assassin without knowing the exact way in which the crime was committed. I now determined to ascertain how, under the same circumstances, I could commit such a crime, and leave behind no other evidences of the deed than those which are in our possession. I began to read detective stories, with all the avidity of a Western Union Telegraph messenger, and, of course, read those by Conan Doyle. The assertion of 'Sherlock Holmes' that there is no novelty in crime; that crimes, like history, repeat themselves; and that criminals read and copy each other's methods, deeply impressed me, and I at once said to myself: 'If our assassin was not original, whom did he copy?'

"It was while reading 'The Sign of the Four,' which I had procured at the Public Library, that I made the first discovery. The crime therein narrated had been committed in such a singular manner that it at once attracted my attention. The victim had apparently been murdered without anyone having either entered or left the room. In this respect it was like the problem we are trying to solve. Might not this book, I said to myself, have suggested to your father's assassin the course he pursued. I concluded to go to the library and ask for a list of the names of persons who had taken out this book for a few months prior to your father's death. I was fully aware that the chance of my learning anything in this way was very slight, In the first place; I reasoned that it was not especially likely your father's murderer had read 'The Sign of the Four,' and, in the second place, even if he had, what assurance had I that he had read this particular copy of it? Notwithstanding this, however, I felt impelled to give my synthetical theory a fair experimental trial. I was informed by the Library attendants that the book had been much read, and given the list of some twenty names of persons who had borrowed the book during the time I had specified. With these twenty-odd names before me, I sat down to think what my next step should be. I went carefully over this chain of reasoning link by link. 'I wish to find a certain murderer, and have

adopted this method in the hope that it may help me. If I derive any assistance at all from it, it will be because my man has read this particular copy of this work; therefore, I may as well assume at the start that among these twenty-odd names is that of the man I want. Is there any possibility of this crime having been committed by a woman?' was my next question, and my answer was, 'Yes, a possibility, but it is so decidedly improbable that I may count it out for the time being.' Accordingly, I set aside all the female names, which cut my list down to eighteen. Several of the applicants had only signed the initials of their given names, and the attendant, copying them from the slips, had done likewise; so I was obliged to go to the registration clerk to determine this question of sex, and, while there, I also ascertained the age of each applicant - that is, of all but two. The registrar could give me no information regarding J. Z. Weltz, or B. W. Rizzi. When I told him that one of the clerks had copied the names for me from application slips, he informed me that if I would go back to her I would undoubtedly find she had taken the two last-mentioned names from the green slips used in applying for books for hall use, as neither J. Z. Weltz nor B. W. Rizzi was a card-holder.

"I decided to let these two names rest a while, and to give my attention to the others. After careful deliberation I felt reasonably sure your father's assassin could not fail to be a man of mature judgment and extraordinary cunning, probably a man past middle life - at all events, I could safely say he was over twenty-one years of age. Proceeding upon this assumption my list was reduced to ten names. But how should I further continue this process of exclusion? This was the question which now confronted me. I could think of but one way, apart from personally making the gentlemen's acquaintance, which I did not then wish to do, and that was to ascertain what other books they had borrowed immediately before and after they had read 'The Sign of the Four.' This was the course I determined to pursue.

"If you ask me why I so persistently followed an investigation, a successful outcome of which anyone must recognise would be little short of miraculous, I can only say that I felt impelled to do so. Perhaps the impulse was due to my habit of testing patiently and thoroughly each new

theory which impresses me as having any degree of probability, and perhaps it was due to something else - Cleopatra, perhaps, eh, Doctor? - I don't know. I determined, however, to thoroughly satisfy myself regarding these ten men. I made a careful list, with the assistance of an attendant, of ten books taken by each man, five taken just prior to 'The Sign of the Four,' and the other five just following it. I made no deductions until the list was completed, although I began to see certain things of interest as we worked upon it. At length the whole hundred titles were spread before me, and I sat down to see what I could make of them. I purposely reserved consideration of the books borrowed by Weltz and Rizzi until the last, because I had been able to learn nothing of them, and considered, therefore, that they were the most difficult persons in the list about whom to satisfy myself. I found the other eight exhibited no system in their reading. One had read - I think I can remember the books in the order in which they were borrowed - 'Thelma,' 'Under Two Flags,' 'David Copperfield,' 'The Story of an African Farm,' 'A Study in Scarlet,' 'The Sign of the Four,' 'The Prisoner of Zenda,' 'The Dolly Dialogues,' 'The Yellow Aster,' 'The Superfluous Woman,' and 'Ideala.' This is a fair sample of the other seven. Not so, however, with Messrs. Weltz and Rizzi. The reading of these men at once impressed me as having a purpose behind it.

"I will read you a list of the books taken by Weltz and Rizzi, just to see what you will make out of it:

WELTZ RIZZI

1. "Lecons de Toxicologic," 1."Traite de Toxicologic," par M. Orifia.

   par C. P. Galtier.

1. "The Poisons of Asps and 2."The Poisons of Asps and Other Stories,"

   by Florence Other Stories," by Florence Marryat. Marryat.

2. "A Practical Essay on3."A Practical Essay on Cancer," by C. T.

   Johnson. Cancer," by C. T. Johnson.

3. "The Sharper Detected4."The Sharper Detected and Exposed," by R.

   Houdin. and Exposed," by R. Houdin.

4. "The Sign of the Four," 5."The Sign of the Four," by A.

Treatment," by W. H. Guide to the Detection of Broadbent. Poisons, Examinations of Stains, etc., as Applied to=20 Chemical Jurisprudence." From the French of A. Naquet=20 by

J. P. Battershall, Nat.Sc.D.

1. "Reports of Trials for 7."Traite Pratique des =20 Murder by

   Poisoning,"Maladies Cancerences," by G. L. Browne and C. par H. Lebert. G.Stewart. =20

2. "A Practical Treatise on 8."A Practical Treatise on Poisons," by 0.

H. Costill. Poisons," by 0. H. Costill.

1. "Poisons, Their Effects 9."A Treatise on Poisons in and Detection,"

   by Alexander Relation to Medical=20 Wynter Blyth. Jurisprudence, Physiology, and the Practice of Physic,"=20 by

R. Christison,M.D., F.R.S.E.

1. "Poisons, Their Effects 10."Poisons, Their Effects and Detection,"

   by Alexander and Detection," by Alexander =20 Wynter Blyth. Wynter Blyth.

"There, do you wonder that the perusal of that list excited me? Come, now, before I go any further, tell me what you make of it, Doc," and he passed it to me.

"There seems to me to be a singular unanimity of purpose existing between these two men," I said; "not only as regards the subject-matter of their reading, but in no less than six cases they have both perused the same volume. This never happened by chance. Clearly, they are acquaintances, and are working together toward some common end. I should think it very likely, judging from their interest in cancers and toxicology, that they were medical students. Numbers four and five don't exactly seem to strengthen my medical hypothesis, but they are only two out of the ten. That's about all I can make out of it;" and I returned the list to him.

"Your views in the matter," replied Maitland, "are precisely those which first occurred to me, and I am not sure but I should still hold them, had I been obliged to decide solely from the evidence I have submitted to you. It was clear to my mind from the first that some common purpose

actuated both Weltz and Rizzi. With a view to ascertaining where they lived as a preparatory step toward learning more of them, I consulted a Boston directory, only to learn that it contained no such names. I was about to examine some of the directories of neighbouring towns when it occurred to me that the easiest way to find their places of residence would be to consult the green slips upon which they had procured their books, and I accordingly asked the attendant to kindly let me look at them. While she was collecting the slips I re-examined the list of books taken by Weltz and Rizzi, especially those which had been taken by both men. One thing at once struck my attention, and that was that most of these latter were large books which would take a long time to peruse and would require to be borrowed several times for hall use, were they to be examined with any care. I put this fact down for future reference and gave my attention to the green slips, the whole twenty of which the attendant now placed before me. The residence of Weltz was given as No. 15 Staniford Place, Boston, while that of Rizzi was No. 5 Oak Street, Boston. I was about to walk over to Oak Street to see if Rizzi were still there when, in returning the slips to the attendant, I noticed a peculiarity in Weltz's 'z' which I had thought I had seen in Rizzi's signature. I immediately compared the slips. There was the same oddly shaped 'z' in both. It was made like this" - and he handed us a slip of paper with this z* upon it.

"You see," he continued, "it is so unusual a way of making the letter that it at once attracted my attention, notwithstanding the fact that Rizzi wrote with his left hand. Closer examination revealed other peculiarities, as in the r*'s, common to both hands. Well, to make a long story short, I satisfied myself that the same person wrote the whole twenty slips and was, moreover, ambidextrous. This I considered as a very promising discovery, so much so, indeed, that I gave up an engagement I had for the evening and decided to camp right there until the Library closed. Happily the books I had been consulting were still on the table. I picked out those borrowed under the names of Weltz and Rizzi, and began a most careful examination of them. I had been working about two hours when I discovered something that fairly took my breath away. I was not sure

that I was right, but I knew that, if my microscope bore me out, I would be able to stake my life that the murderer of John Darrow had read that book. I was aware, however, that even then I should not be able to name the man who had put his mark upon the book, but I could take oath that the record was made by the same hand that committed the murder.

transcriber's note: the symbols designated z* and r* are shown as script which is not reproducible here.

"I was too excited to do more till this had been settled, so I besought the official in charge to let me take all the books home with me, if only for a day, explaining to him the vital importance of my request. He readily consented and I hastened home with the whole lot. You may imagine with what interest I put the page I wished to examine under my microscope and laid beside it the piece of glass which, you will perhaps remember, I cut from a window of the room in which the murder was committed. I believe I have never yet explained to Miss Darrow why I preserved that bit of glass. There were two reasons for it. The house had been primed that day and there were two smutches of paint upon the glass and two almost identical smutches upon the sill. One was a sinuous line, as if the glass had been struck with a short bit of rope, - or possibly rubber tubing since no rope-like texture was visible, - which had previously been soiled with the paint from the sill. The other mark was that of a human thumb. I had seen at the World's Fair an exhibit of these thumbmarks collected by a Frenchman who has made an exhaustive study of the subject, and had learned there for the first time that no two thumbs in the world can make the same mark. I knew, therefore, that this slip of glass would at any time tell me whether or not a suspected man were guilty. I had not failed to get the thumb-marks of the men who painted the house on that day, as well as those of every other person known to be about the place. The marks upon the glass could not, by any possibility, have been made by any of them. The deduction was inevitable. They were made

by the man who stood by the window when the murder was committed. "You will be surprised when I tell you it was some moments before I

could summon up courage to look through my microscope upon the page beneath it. You see, I had been seized by an unaccountable conviction that I had at last found a real clue to the murderer, and I dreaded lest the first glance should show this to have been an idle delusion. At length I looked. The thumb that had pressed the paper was the thumb that had pressed the glass! There was not a doubt of it. My suspicions were confirmed. Everything now regarding this book was of immense importance. The page upon which the mark was found - well, I think you would open your eyes if I were to read it to you. I will defer this pleasure, however, till I see if my suspicions are correct. The thumb-mark is upon page 469 of 'Poisons, Their Effects and Detection,' by Alexander Wynter Blyth.

"No sooner had I made sure of my discovery than I set out for No. 5 Oak Street, the address given by Rizzi. There was no such person there, nor had there been anyone of that name in the house during the three years of the present tenant's occupancy. I went to 15 Staniford Place with the same result. A young woman about twenty-five years of age came to the door. She informed me that she had been born in the house and had always lived there. She had never known anyone by the name of Weltz. This was just what I had expected. The man for whom we are searching is shrewd almost beyond belief, and if we succeed in finding him it will not, we may be assured, be the result of any bungling on his part.

"I have now told you all I have learned, or rather all that is sufficiently definite to communicate - it is not much, yet it is a clue and may serve to give our hope a new lease of life. What do you think of it, Miss Darrow?"

"I think what you have learned," Gwen replied, "will be of the utmost importance. You have now something definite to guide you. I am most fortunate in having the services of such a detective, - indeed, I am at a loss to know how to thank you for all you have done, - for all you are doing, I - "

"My dear Miss Darrow," Maitland interrupted, "I need no thanks. Be

assured I am selfish in all I do. It is a pleasure to me, therefore I do it. You see I deserve no credit. If I am able to free you from the danger of sacrificing yourself, I shall be more than repaid."

Gwen made no reply, but I, sitting as I did close beside her, saw the moisture gather between her drooping lids. Maitland took his leave almost immediately, having, he said, a long evening's work before him; while Gwen, Alice, and I discussed the news he had brought us, until far into the night. I did not see him the next day, which was Tuesday, and I believe not on Wednesday. It was Thursday afternoon, if I do not mistake, that he sent me a note asking me to call on him at his office. I went at once, thinking it might be something very important. I found him alone and waiting for me.

"I wanted," he began as soon as I was seated, "to talk this matter over with you. You see the great difficulty which besets me in this case is that nearly all our evidence, while it is of a nature to enable us to convict our man once we have him, is yet of almost no assistance to us in finding him. What do we know of him up to date; or at least of what do we feel reasonably assured? Let us see. John Darrow was poisoned in some mysterious way by a man who was stationed just outside the partly opened window. The weapon, or whatever was used as such, was taken away by the murderer. Nothing in the nature of a projectile could have been employed, since the wound was upon a part of the victim's throat known to have been turned away from the window and to have been completely shielded upon that side by the high and massive back of the chair in which the victim sat.

"He was fully eight feet from the casement, so that the assassin could not have reached in and struck him. There were no footprints by the window, as the assassin had strapped small boards upon his feet. It is most likely, therefore, that he has some peculiarity about his feet which he thought best to conceal. He is about five feet five inches tall, weighs about one hundred and thirty-five pounds, and steps three or four inches longer when the right foot is thrown forward than he does when the left foot leads. We have a cast of the assassin's hand showing unmistakable evidence of the habit of biting the nails, with the exception of that of the

little finger, which nail, by the way, is abnormally long, and could only have been spared for some special reason. The murderer is most likely a foreigner. His handwriting would indicate this even if we did not know, from the books he read, how conversant he is with at least one foreign tongue. Again, he has some decided interest in the subject of cancers and, perhaps, some interest in legerdemain, if we may judge from his perusal of Robert Houdin's book.

"There are one or two other things I have learned, but this, so far as any present effect is concerned, is about all we know, and it doesn't seem to make the conduct of our search a very easy matter. We have clearly to deal with a man who is possessed not merely of low criminal cunning, but, I have reason to believe, with one who has education and culture, and, if anything can be judged from handwriting, rare strength of character as well. If we could only find some motive! No one but a maniac would do such a deed without a motive, yet we can't find one. A maniac! By Jove! I hadn't thought of that. What do you think of the idea? 'Though this be madness, yet there is method in't,' eh?"

I told him that the maniac theory did not appeal to me very strongly. "Madness, to be sure, is often exceedingly cunning," I said, "but it is hardly capable of such sustained masterfulness as our criminal has evinced."

"Look here, Doc," Maitland said, breaking out suddenly, "I've an idea. Might not this fellow's interest in cancers be due to his having one himself? Suppose you make a canvass of the specialists on cancer in Boston and vicinity, and see if any of them remember being consulted by a patient answering the description with which I will provide you. In addition to this I will insert an ad in the papers calling attention to a new method for the cure of cancer, and asking all interested to call at your office for further particulars. The plan does not promise much, still it may bring him. What do you say?"

I expressed my willingness to do all in my power to aid him, and he left me. The next morning's papers contained the advertisement and I had several calls in answer to it. These would have caused me much inconvenience had I not explained the whole ruse in confidence to a

medical friend who made a specialty of the treatment of cancers, and persuaded him to come to my office during the hours specified in the advertisement. When a patient would call I would satisfy myself that it was neither the person we were searching for, nor anyone sent by him to make inquiries, and then turn him over to my colleague, Dr. Rhodes. It would never have occurred to me to interest myself in any patient who did not answer the description given me by Maitland, had he not especially cautioned me in this regard.

"We have," he said, "to deal with a man possessed of ability of no common order. We have already seen that he never runs a risk, however slight, which he can avoid. It is more than likely, therefore, if our advertisement meets his eye and interests him, he will inquire into it through some second party. Again, we are by no means certain that his interest in cancers is a purely personal one. Perhaps it is a wife, a sister, or some other relative who is afflicted. In this case we could hardly expect him to come himself. Let me caution you, therefore, to closely scrutinise all applicants and question them until you are satisfied they are in nowise connected with the man for whom we are searching."

I followed this advice most carefully and had no difficulty in convincing myself that none of my callers had any relation whatsoever with the murderer of John Darrow. This order of things was continued for several days with the same result. In the meantime Maitland was working upon a new clue he had discovered. He would tell me all about it, he said, when he had followed it to the end. This was on Tuesday. On Friday he came to the house and informed us that he had met a man who had known a M. Henri Cazot, a Frenchman whose description seemed to tally perfectly with nearly all we knew of Mr. Darrow's murderer.

"It came about in this way," Maitland began in response to Gwen's request that he should tell us all about it: "I determined to thoroughly search every book on the 'Weltz-Rizzi' list, to see if I might not get some additional clue. In the work by Robert Houdin entitled 'The Sharper Detected and Exposed' I found the statement that gamblers often neutralised a cut in a pack of cards by a rapid and dexterous sleight. This, the book went on to say, was accomplished in the following manner:

When the cards are cut and left in two packets upon the table, the sharper picks up with his right hand the parcel of cards which was originally at the bottom of the pack. This is brought above the other packet, as in an=20 onest cut, but, just before releasing the cards, the lower parcel is deftly tilted up by inserting the right little finger under it, and the upper packet quickly slid beneath it, leaving the cards in precisely the position they occupied before cutting; For this purpose, the book continued, the nail of the right little finger is worn very long, so as to facilitate its being thrust beneath a packet of cards. Here, I said to myself, is a possible explanation of one of the peculiarities of my plaster cast. The long nail on the left little finger may have served its function at the gaming table. If so, however, it would seem to indicate that our man is left-handed, while, as we have already seen, the writing upon the library slips would indicate that he is ambidextrous. We need not, therefore, I reasoned, be surprised if we find that both little fingers have long nails. I at once acted upon these thoughts and began a search of the gambling resorts of this city. In order not to excite suspicion I played a little in each place, watching my opportunity to engage the proprietor in conversation. In every case I followed the same formula. Did he remember the gentleman who used to come there? Foreigner, - spoke French, a little under medium height; had a sort of halt in his walk; bit his finger nails, etc., etc. I met with no encouragement in the down-town places, though the proprietor of one of the Hayward Place 'dives' had an idea such a man had been there, but only once or twice and he was not sure he could place him. I then went up to the South End and on Decatur Street found a man who promptly responded to my inquiries: 'Gad! that's Henri Cazot fast enough, in all but the height and gait. Dick there, he'll tell you all about him. He owes him a little debt of honour of about a hundred plunks. He gave him his note for it, and Dick carries it around with him, not because he thinks he'll ever get it, but he likes the writing. M. Henri Cazot! eh, Dick?' and he burst into a coarse laugh. I turned to Dick for further information. He had already produced a much-crumpled paper and was smoothing it out upon the table.

"'There's the article,' he said, bringing his hand down emphatically

upon it. 'The cuss was hard up. Luck had gone agin him and he had lost every cent he had. Jem Macey was a-dealin' and Cazot didn't seem to grasp that fact, but kept bettin' heavy. You see, young feller, ye ain't over likely to win at cards when yer playin' agin the dealer. Cazot didn't know this and I wouldn't tell him, for he was rather fly with the cards himself when he wan't watched too close. Well, he struck me for a loan; said his little girl was hungry and he hadn't a cent to buy bread. Gad, but he looked wild though! I always thought he was more'n half loony. Well, as I had helped to fleece him I lent him a hundred and took this here note. That's the last I ever see of M. Henri Cazot,' and he handed the paper to me. I glanced at the signature. It was the same hand that had written 'Weltz' and 'Rizzi' upon the library slips. There was that unmistakable z and the peculiar r which had just attracted my attention! It required considerable effort on my part to so restrain my feelings as not to appear especially interested in what I had learned. I think, however, I succeeded, as they freely answered my questions regarding Cazot and the daughter of whom he had spoken. They knew nothing further, they said, than what they had told me.

"'It was a year ago come next month that I lent him the money,' my informant continued. He pocketed it, hurried out, and that is the last I have ever seen or heard of him. Shouldn't wonder if he'd blown his brains out long ago. He used to have a mighty desperate look at times. He was one of them Monte Carlo fellers, I reckon.'

"That's all I have been able to learn thus far. It isn't very much, but it shows we are on the right track. By the way, Doc, I'm going to change that ad to-morrow, offering treatment by letter. Perhaps our man is too shy to apply in person. At all events we'll give the other method a trial."

CHAPTER III

When we least expect it the Ideal meets us in the street of the Commonplace and locks arms with us. Nevermore shall we choose our paths uninfluenced. A new leaven has entered our personality to dominate and direct it.

The new advertisement duly appeared and on the next day, which was Wednesday - I remember it because it was my hospital day - I received several written answers, and among them, one in which I felt confident I recognised the peculiar z*'s and r*'s of Weltz and Rizzi.

I took it at once to Maitland. He glanced at it a moment and then impulsively grasped my hand. "By Jove, Doc!" he exclaimed, "if this crafty fox doesn't scent the hound, we shall soon run him to earth. You see he has given no address and signs a new name. We are to write to Carl Cazenove, General Delivery, Boston. Good! we will do so at once, and I will then arrange with the postal authorities to notify me when they deliver the letter. Of course this will necessitate a continuous watch, perhaps for several days, of the general delivery window. It is hardly likely our crafty friend will himself call for the letter, so it will be imperative that someone be constantly on hand to shadow whomsoever he may send as a substitute. May I depend on your assistance in this matter?"

"I will stand by you till we see the thing through," I said, "though I have to live in the Post Office a month."

Well, I wrote and mailed the decoy letter and Maitland explained the situation to the postal authorities, who furnished us a comfortable place inside and near the general delivery window. They promised to notify us when anyone called for our letter. Our vigil was not a very long one. On Thursday afternoon the postal clerk signalled to us that Carl Cazenove's mail had been asked for, and, while he was consuming as much time as possible in finding our letter, Maitland and I quietly stepped out into the corridor. The sight that met our gaze was one for which we had not been at all prepared. There at the window stood a beautiful young girl just on the verge of womanhood. Her frank blue eyes met mine with the utmost candour as I passed by her so that she should be between Maitland and me, and thus unable to elude us, whichever way she turned upon leaving the window. We had previously planned how we should shadow our quarry, one on each side of the street in order not to attract attention, but these tactics seemed to be entirely unnecessary, for the young lady did not have the slightest suspicion that anyone could be in the

least interested in her movements. She walked leisurely along, stopping now occasionally to gaze at the shop windows and never once turning to look back. She did not even conceal the letter, but held it in her hand with her porte-monnaie, and I could see that the address was uppermost. A strange sensation came over me as I dogged her steps. I felt as an assassin must feel who tracks his victim into some lonely spot where he may dare to strike him. It was useless for me to tell myself that I was on the side of justice and engaged in an honourable errand. A single glance at the girl's delicate face, as frank and open as the morning light, brought the hot blush of shame to my cheek. In following her I dimly felt that, in some way, I was seeking to associate her with evil, which seemed little less than sacrilege. I could do nothing, however, but keep on, so I followed her through Devonshire Street, to New Washington and thence down Hanover Street almost to the ferry. Here she turned into an alleyway and, waiting for Maitland to come up, we both saw her enter a house at its farther end.

George glanced hastily up at the house and then said, as he seized me impatiently by the arm: "It's a tenement house; come on, the chase is not up yet; we, too, must go in!"

So in we went. The young lady had disappeared, but as we entered we heard a door close on the floor above, and felt sure we knew where she had gone. We mounted the stairs as noiselessly as possible and listened in the hall. We could distinguish a woman's voice and occasionally that of a man, but we could not hear what passed between them. On our right there was a door partly ajar. Maitland pushed it open, and looked in. The room was empty and unfurnished, with the exception of a dilapidated stove which stood against the partition separating this room from the one the young lady had entered. Maitland beckoned to me and I followed him into the room. There was a key on the inside of the door which he noiselessly turned in the lock. He then began to investigate the premises. Three other rooms communicated with the one of which we had taken possession, forming, evidently, a suite which had been let for housekeeping. Everything was in ill-repair, as is the case with most of the cheap tenements in this locality. The previous tenant had not thought

it necessary to clean the apartments when quitting them, - for altruism does not flourish at the North End, - but had been content to leave all the dirt for the next occupant.

When we had finished reconnoitering we returned to the room we first entered, which apparently was the kitchen. We could still hear the voices, but not distinctly. "Do you stay here, Doc," whispered Maitland, "while I get into some old clothes and hunt up the landlord of this place. I'm going to rent these rooms long enough to acquaint myself with my neighbours on the other side of the wall. I'll be back soon. Don't let any man leave that room without your knowing where he goes." With this he left me and I soon found a way to busy myself in his absence. In the wall above the stove, where the pipe passed through the partition into our neighbour's apartment, there was a chink large enough to permit me, when mounted upon the stove, to overlook the greater part of the adjacent room. I availed myself of this privilege, though not without those same twinges of conscience which I had felt some minutes before when following the young lady. The apartment was poorly furnished, and yet, despite this scantiness of appointment, there was unmistakable evidence of refinement. Everything visible in the room was scrupulously neat and the few pictures that adorned the walls, while they were inexpensive half-tones, were yet reproductions of masterpieces. In the centre of the room stood a small, deal table, on the opposite side of which sat the man who had answered my letter.

At one end of the table, poised upon the back of a chair, sat a small Capucin monkey of the Weeper or Sai species. He watched the man with that sober, judicial air which is by no means confined exclusively to supreme benches. I, too, observed the man carefully. He was tall and spare. He must have measured nearly six feet in height and could not, I think, have weighed over one hundred and fifty pounds. His face was pinched and careworn, but this effect was more than redeemed by a pair of full, black eyes having a depth and penetration I have never seen equalled, albeit there was, ever and anon, a suggestion of wildness which somewhat marred their deep, contemplative beauty. The brows and the carriage of the head at once bespoke the scholar. While thus I watched him, the

young girl came from a corner of the room I could not overlook and laid my letter before him. She stood behind his chair as he opened it, smoothing his hair caressingly and, every now and then, kissing him gently. He paused with the open letter before him, reached up both arms, drew her down to him, kissed her passionately, sighed, and picked up the letter again. I took pains that no act, word, or look should escape me. This show of affection surprised me, and I remember the thought flashed through my mind, "What inconsistent beings we all are! Here is a man apparently capable of a causeless and cold-blooded assassination of a harmless old man. You would say such a murderer must be hopelessly selfish and brutal, amenable to none of the better sentiments of mankind, and yet it needs but a casual glance to see how his whole life is bound up in the young girl before him."

While this was passing through my mind the man had glanced through my letter and thrown it upon the table with an exclamation of disgust. "Bah! he has had the effrontery," he said petulantly, "to send me what he calls a new mode of treatment and it is in every essential that of Broadbent, well known for more than a quarter of a century. New indeed! I shall never find a doctor who has any scientific acumen. I may as well abandon the search now. Mon Dieu! and they call medicine a science! Bah!" and with a frown he dropped his head despondently upon his hand. The young girl passed her hand gently, soothingly, over his forehead and did not speak for nearly a minute.

"You are not feeling well to-night, father," she said at length. "M. Godin has been here during my absence."

"M. Godin!" I exclaimed half aloud, catching at the stovepipe lest I should fall from the stove. "So our rival is hot upon the scent, - probably even ahead of us. How on earth - " But I did not finish the exclamation. My seizure of the pipe upon my side of the partition had produced an audible vibration of that portion extending over the heads of my neighbours. The young girl's quick ear had detected the sound and she had ceased speaking and fastened her eyes suspiciously upon the aperture through which I was gazing. It seemed to me as if she must see me, yet I dared not move. After a little she seemed reassured and continued: "I

knew he had been here. You are always this way after his visits. Why, of late, does he always come when I am away?" The question seemed innocent enough, yet the man to whom it was addressed turned crimson and then as pale as ashes. When he spoke the effort his self-control cost him was terribly apparent.

"We have private business, dear," he said, "private business." He hesitated a moment and again his eyes wore the wild look I had first noticed. "I am selling him something," he continued, "very dear to me - as dear as my heart's blood, and I expect to get enough for it to guard you from want."

"And you, father?" the young girl questioned fervently. I thought I noticed a tremor run through his frame, as drawing her face down to his, he said, kissing her, "Me? Never mind me, Puss; this cancer here will take care of me."

She made no reply, but turned away to hide the tears that sprang to her eyes. As she did so she raised her face toward me. I have never been considered particularly sympathetic, - that is, no more than the average, - but there was something in the expression of her face that went to my heart like a knife. I felt as if I were about to sob with her. I do not know what it was that so aroused my sympathies. We are, I fancy, more apt to feel for those whose beauty is like to the ideals we have learned to love, than we are to be moved by the suffering of those whose looks repel us, - and this may have had something to do with my condition, - for the young girl was radiantly beautiful, - yet it could hardly have been the real cause of it.

So rapt was I in the sympathetic contemplation of her that I did not see Maitland's entrance or realise I was observed till he plucked me by the coat and motioned me to get down. I did so and he told me he had rented the rooms, and laid before me the plan he meant to pursue.

As soon as he had ceased speaking I said to him: "George, you are undoubtedly on the right track. The man in there is the one we are looking for, fast enough, but I am afraid we are a bit too late."

"Too late!" he exclaimed in a tone that I feared might be overheard. "What the mischief do you mean?"

"I mean," I replied, "that M. Godin is already upon the scene."

In the next ten seconds Maitland turned all colours and I edged nearer to him, expecting him to fall, but he did not.

"M. Godin!" he ejaculated at length. "How in the name of all the gods at once - Doc, he's all they claim for him, and as fascinating as he is clever;" at which last remark a heavy cloud passed over Maitland's face. "Come," he continued listlessly, "you may as well tell me all you know about it."

I then confided to him what I had heard and ended by asking him what he proposed to do.

"Do?" he replied. "There is but one thing I can do, which makes the choice decidedly easy," and he set his jaws together with a determined expression, the meaning of which I knew full well.

"I shall camp right here," he said, " till I learn all I wish to know of our neighbours yonder. I have already provided myself with instruments which will enable me to note every movement they make, indeed to photograph them, if necessary, and to hear and record every word they utter. You look surprised, but it is easily done. I will place my lenses there at the chink through which you were gazing and bring the image down into my camera obscura by a prism arranged for total internal reflection. As for the hearing, that is easier yet. I will carefully work away the plaster on this side to-night till I get through to the paper covering their wall. This I will leave intact to use as a diaphragm. I have then only to fasten my carbon to it, and, behold, we have a microphone or telephone - whichever you choose to call it. All I have to look out for is that I get it high enough to avoid the danger of the paper being accidentally broken from the other side, and that I work quietly while removing the plaster. I shall, of course, cover it with a bit of black felt to prevent our light from showing, and to deaden any sounds from this side. This will enable us to hear all that goes on in the other room, but this may not be enough. We may need a phonographic record of what transpires.

"The device whereby I secure this at such a distance is an invention of my own which, for patent reasons - I might almost say 'patent patent reasons' - I will ask you to kindly keep to yourself. To the diaphragm

there I fasten this bit of burnished silver. Upon this I concentrate a pencil of light which, when reflected, acts photographically upon a sensitised moving tape in this little box, and perfectly registers the minutest movement of the receiving diaphragm. How I develop, etch, and reproduce this record, and transform it into a record of the ordinary type, you will see in due time - and will kindly keep secret for the present. You had better go now and send me the things on this list, as soon as possible," and he passed me a paper, continuing:

"We will not despair yet. Our clever rival may not be ready to prove his case so quickly as we. At all events, when he comes again I shall be in a condition to ascertain how far he has progressed. I have some things I must settle before I can ask for an arrest, and I am not at all sure that M. Godin is in any better condition in this regard than I am. By Jove! I'd give something to know how that wizard has gotten so far without so much as a single sign to indicate that he had even moved in the matter. I say, Doc, it beats me, blessed if it doesn't! Please say to Miss Darrow that I am at work upon a promising clue-promising for someone, anyway - and may not see her for some time yet."

I did as he requested, and, if I am any judge of feminine indications, my message did not yield Gwen unmixed pleasure; still, she said nothing to warrant such a supposition on my part. I visited Maitland every day to learn what he might wish me to bring him, and also to carry him his mail, for he had determined to remain constantly on the watch at his new quarters.

I have thus far, in the narration of these incidents been perfectly candid both as regards my friends and myself, and, therefore, that I may continue in like manner to the end, I shall suppress certain qualms which are urging me to silence, and confess myself guilty of some things of which you will, perhaps, think I may well be ashamed. Be that as it may, you shall have the whole truth, however it may affect your opinion of me. One reason why I went to Maitland's new quarters so often, and stayed there so long, was because I was always permitted to relieve him of his watch. With a telephone receiver strapped to my right ear, and my eyes fastened upon the screen of the camera obscura, I would sit by the hour prying into the

affairs of the two people in the next room. I tried for a number of days to ease my conscience by telling myself that I was labouring in the cause of justice, and was not a common eavesdropper. This permitted me to retain a sort of quasi self-respect for a day or two till my honesty rallied itself, and forced me to realise and to admit that I was, to all intents and purposes, a common Paul Pry, performing a disreputable act for the gratification it gave me. I determined I would at least be honest with myself - and this was my verdict. You will, perhaps, fancy that when I arrived at this decision I at once mended my ways and resigned my seat of observation to Maitland's entirely professional care. This, doubtless, I should have done, if we fallible human beings governed our conduct by our knowledge of what is right and proper. Inasmuch, however, as desires and emotions are the determining factors of human conduct, I did nothing of the sort. I simply watched there day after day, with ever-increasing avidity, until at length I got to be impatient of the duties that took me away, and more than half inclined to neglect them.

I shall gain nothing by attempting to make you believe it was the man in the neighbouring room that interested me, so I shall not essay it. I confess, with a feeling of guilt because I am not more ashamed of it - that it was the young lady who attracted me. You will, I trust, assume I had enough interest in her father to palliate my conduct in a measure. Be generous in your judgment. How do you know you will not be in the same predicament? Think of it! A young woman beautiful beyond my feeble powers of description; her eyes of a heavenly blue; her luxuriant hair like a mass of spun gold; her complexion matched to the tint and transparency of the blush rose - and such a throat! From it came a voice as musical as the unguided waters when Winter rushes down the hills in search of Spring. Never you mind, that's the way I felt about it, and, if you had been in my place, you'd have been just as bad as I; come, now, you know you would. Suppose I was a bachelor, and almost old enough to be her father. Does that help matters any? Is the heart less hungry because it has been starved? Just look at your history. When nuns have relapsed from other- worldliness to this-worldliness how have they been? I'll tell you. They have been just a round baker's dozen times worse than they would have

been if they had never undertaken to cheat Nature. Look at the thing fairly. I don't expect to dodge any blame that I deserve, yet I do want all the palliating circumstances duly noted. Many months have passed since then, and yet the thought of that sweet girl sends a thrill all over me. I wonder where she is now? I feel that we shall meet again some time, and perhaps you will see her yourself. If so, you will see that I couldn't be expected to withstand any such temptation.

On these visits Maitland and I talked but very little, and while I was spying nothing of interest occurred - i. e., nothing of interest to him

• or, if it did, things of interest to me prevented my observing it. On several occasions he alluded vaguely to things he had learned which he said he should not divulge even to me until the proper time came.

Things went on in this way for about two weeks. I visited Maitland daily, and daily the little lady in the next room wove her spell around me. If, as I am inclined to believe, thinking a great deal of a person is much the same thing as thinking of a person a great deal, I must have adored her.

One night, about a fortnight after Maitland's change of abode, I found Alice in a terrible state of excitement upon my arrival home. She met me at the door, and said Gwen needed my attention at once. I did not stop to hear further particulars, but hastened to the sitting-room, where Gwen lay upon the lounge. She was in a stupor from which it seemed impossible to arouse her. In vain I tried to attract her attention. Her fixed, staring eyes looked through me as if I had been glass. I saw she had received a severe shock, and so, after giving her some medicine, I took Alice aside and asked her what had happened. She said that Gwen and she had been sitting sewing by the window all the afternoon, and talking about Maitland's recent discoveries. At about five o'clock the Evening Herald was brought in as usual. She, Alice, had picked it up to glance over the news, when, in the column headed "Latest," she had seen the heading: "The Darrow Mystery Solved!" This she had read aloud, without thinking of the shock the unexpected announcement might give Gwen, when the sudden pallor that had overspread the young woman's face had brought her to her senses, and she had paused. Her companion, however, had seized the paper when she had hesitated and, in a fever of

excitement, had read in a half-audible voice:

John Darrow was murdered. - The assassin's inability to pay a gambling debt the motive for the crime. - Extraordinary work of a French detective! - The net -=20

But at this juncture the paper had dropped from Gwen's hands, and she had fallen upon the floor before Alice could reach her.